I’ve been humming along on the blocks for my latest project, a variation of Winding Ways using red and white fabrics. As I showed you in my last post, I’m working from a stack of V blocks made up of four reds and a couple of light prints:
I figured that pairing all of the reds with both of the lights would give me a lot of variety when it came time to arrange the blocks on my design wall. But a funny thing happened when I started playing with the blocks. I had a stack that didn’t work at all! How did that happen?
Had I really thought about it before running off in high spirits to my sewing machine, I would have figured it out.
Look at a dark block. You see that the toile print is in the star points of the V blocks and the red fabric is on the outside:
Now look how a light block has the vine print in the V of the V blocks and all around the outside:
When you put the blocks together in their proper order, with the light and dark blocks alternating, the vine and toile fabrics should alternate, too, like this:
In other words, the V in the light blocks should always be the vine print, never the toile. And the star points in the dark blocks should always be the toile print, never the vine. I made several blocks that were the exact opposite.
(Just to be on the safe side, I’m going to make the center pinwheel blocks last. They’re going to be a bit scrappy and I sure don’t want to wind up with identical pinwheels in adjacent blocks.)
You know that carpenter’s saying “measure twice, cut once”? My dear friend Colleen, also a quiltmaker, modified that saying to “think twice, measure twice, cut once.” I should have followed Colleen’s advice. Instead I have a set of blocks I can’t use in this quilt.
Although I will never get back the time spent cutting, sewing, and trimming those extra blocks, there is a bit of a silver lining: they can always be used in another quilt or perhaps a table runner. Or on the back of this quilt. One thing I can assure you: they will never wind up as orphan blocks. I’ve invested entirely too much time in them.
Local pundits are calling it “Snowpocalypse” — the epic snowfall on Wednesday that pretty much shut Portland down. We can go years without snow in winter but this season it has already snowed four times. The temperatures aren’t rising enough to melt the snow so we are stuck with it for a while.
What a great excuse to hunker down and get some sewing done! This is what I’ve been working on:
Aren’t those pretty blocks? They remind me of windmills. The pattern is A Mid-Winter’s Night by Deb Eggers of the Cottage Rose Quilt Shop:
The pattern is a reworking of the classic Winding Ways block with a pinwheel in the center. If you look carefully at the quilt pictured on the pattern cover you can see overlapping light and dark circles. The circles are illusions, as all of the cutting and stitching lines are straight. I believe the Winding Ways block is traditionally made with curves resulting in a four-patch block. The method I’m using here results in a nine-patch block.
Working strictly from my stash — I couldn’t have driven to a fabric store in this weather even if I’d wanted to! — I pulled out some red tone-on-tone prints that read as solid and a couple of white-on-red prints.
Now I’m making my way through my little piles of V blocks:
The pattern calls for the Tri-Recs rulers, which I own, but I am getting great results from the V Block Trim Down Ruler by Deb Tucker. I resized the block from 9″ to 12″ so the units you see above measure 4½” square. With the V Block Ruler you can trim down blocks for 11 different sizes ranging from 1½” to 6½”.
I may add another red for more variety in my darks. With the exception of a few small pieces in my scrap bin, I’m limited to the vine and toile prints for the lights. I’ll save the smallest pieces for the center pinwheels.
While I am happily ensconced in my sewing room, Coco is keeping tabs on the weather from her perch above the plantation shutters in the master bath:
The icicles start to melt in the morning sun but refreeze when the sun moves out of sight.
This is our back yard as seen from the kitchen door:
This is the view from the front porch:
You can see why I have no desire to drive anywhere. And freezing temperatures are expected for the next four days!
When last we encountered My Little Neighbor on the pages of this blog, she had finished piecing the back of her scrappy 9-patch quilt:
That photo was taken in October 2013. A few weeks before she had completed piecing the top:
The 9-patch blocks were sewn by hand in the summer of 2012 when MLN was 10 years old. She was recovering from a broken foot and needed something to work on while keeping her foot (which was in a cast) elevated. Click here to read the very first post about her project.
The sashing strips and borders were sewn by machine after My Little Neighbor was mobile again. The plan was for her to quilt and bind the top herself. To that end I asked Nancy Stovall of Just Quilting to baste the layers together on her longarm machine using water-soluble thread. I knew it would be easier for MLN to guide the quilt under the machine if she didn’t have to stop to remove safety pins; the basting thread would vanish the first time the quilt was washed.
The basted quilt sandwich came back from Nancy but MLN was busy by then with school and other activities. A year passed. Then another. Then one more.
I waited patiently, knowing that at some point My Little Neighbor would come back to her quilt. Sure enough, there was a knock at my door a few weeks ago. By this time I had discovered the joys of having someone else quilt my quilts so I suggested to MLN that we send hers off to be quilted.
My friend Sherry Wadley, a professional longarmer, loaded the quilt onto her machine (even though the layers had already been basted) and quilted a charming floral motif that echoes the flowers in the quilt. I took out the basting in this one block to give you an idea of what the overall design looks like:
Here’s a glimpse of the back:
I sewed the binding on the quilt so all that’s left for MLN is to hand-sew the folded edge of the binding to the back and add a label. She came over a few days ago for a lesson. I showed her how to pin the binding to the back to cover the line of stitching and how to navigate the corners:
She got the hang of it right away:
My Little Neighbor is now 14 and in high school. She’s also 5’6″ tall. I think My Young Neighbor is a much more accurate descriptor, don’t you?
My favorite quilt teacher Billie Mahorney always encouraged her students to make the backs of their quilts interesting, incorporating leftover blocks or fabrics from the front. I took Billie’s lesson to heart.
This is the back of Baby Selene’s quilt:
In case you missed my earlier post, this is what the front looks like:
I had four blocks left over that couldn’t be used because the prints were in different positions. Apparently they were destined for the back. I supersized one of the leftover blocks by adding two more rounds, then set that block and two more on point. I floated the three blocks on a soft green background printed with drifting leaves.
The result looks rather modern, doesn’t it? It would look even more so with different fabrics. I may have to test that theory by making another quilt incorporating a plus-sized pineapple block or two.
After this one is quilted, I’ll add a label in the lower right-hand corner that echoes the larger blocks. It may be as simple as a square in a square or I might add another round or two to make a mini-pineapple block. I think Billie would approve.
Here’s to 2017! Specifically, here’s to lots of sewing and quilting in 2017. I’m already looking forward to several projects — and not just new ones. There’s a stack of UFOs beckoning that I am actually enthusiastic about tackling. But not today.
On this fresh new day of the year, I’m looking back on what I created in 2016. Rather than going in chronological order, I’m grouping my finishes by categories.
This was the year of the Junior Billie Bag, the quintessential quilter’s tote designed by Billie Mahorney. I made a bag for myself . . .
. . . and one for my friend Deborah . . .
. . . and one for my friend Miriam:
Next category: baby quilts. This is the first of two incorporating a charming giraffe-themed fabric panel:
Here’s the second one, using the same fabrics in a slightly different setting:
I didn’t use a pattern for these quilts, preferring to play with simple shapes (squares and rectangles) so that the giraffes on the fabric panels would be the focal point.
My third baby quilt of the year was this one using the pattern Just Can’t Cut It from All Washed Up Quilts:
All three were quilted by longarmer Sherry Wadley.
All by itself in the mini quilt category is Ring Toss, based on the pattern Mini Rings by Sew Kind of Wonderful:
Mini Rings was quilted by Karlee Sandell of SewInspired2Day. Oh, and that’s our new rescue kitty Princess Cordelia (Coco for short).
Lap quilts is the next category. Once again I used a Sew Kind of Wonderful design, adapting the pattern Chic Diamonds into this quilt I named Dragonfly Kisses:
It was quilted by Sherry Wadley.
The next quilt, Where It’s @, was started in July in a class with Karla Alexander of Saginaw Street Quilts. It’s based on her pattern Rewind. I really stepped outside my comfort zone with this quilt, and I absolutely love the result:
The last quilt in this category is Stella by Starlight, a “kaleido-spinner” using the Spinners block by Heather Peterson of Anka’s Treasures:
I call it a “kaleido-spinner” because the six equilateral triangles in each block were cut from identical repeats of the focus fabric, creating a kaleidoscope effect of sorts. The four small hexagon blocks are true kaleidoscope blocks.
Both Where It’s @ and Stella by Starlight were quilted by Karlee Sandell.
The next category is runners, both bed and table. I made one of each, using the same focus fabric in each (Wander by Joel Dewberry) and the same block design (Spinners by Anka’s Treasures) with completely different outcomes. Here is WanderLust I, the king size bed runner made with five blocks:
I liked the focus fabric so much I made the bed runner reversible:
The final category is a bit of a hodgepodge. I made a quilted cover for my stepmother’s new iPad Pro . . .
. . . and a cardholder for her bridge hands:
For my friend and fellow Quister (Quilt Sister) Vickie I made an iron caddy that doubles as a pressing mat . . .
. . . plus a matching 4″ x 4″ fabric box that she can use as a threadcatcher:
For myself I made some accessories to match my Junior Billie Bag: a rotary cutter coat made from my tutorial . . .
. . . and a scissors case . . .
. . . and a sewing caddy that sits upright in a Lucite stand:
A 4″ x 4″ fabric box (yes, it’s a threadcatcher) completes the ensemble:
As you have surmised, I’m crazy in love with that fabric line (Paradise by Alisse Coulter for Camelot Cottons). I expect you’ll see more of it in 2017, as I bought a lot when it was released a couple years ago.
I’m sending a shout out to the talented longarm quilters who transformed my 2016 quilt tops into beautiful quilts — Coleen Barnhardt, Karlee Sandell, Debbie Scroggy, and Sherry Wadley — and to you, my loyal blog readers, for your continuing interest and support of First Light Designs.
One of my goals this year was to make four baby quilts. I finished three by the middle of the year and then got sidetracked by other projects. With one week left in the year, I realized I needed to get back on track. Quickly.
I remembered a fun pineapple block quilt I had started in a class with Karin Hellaby at Quilter’s Affair 2015 in Sisters, Oregon. The prints are perfect for a little girl’s quilt. Here’s one of my blocks:
Isn’t that a delightful combination of fabrics? They are all from completely different lines but they go so well together.
I had already made 12 blocks but for some reason only eight of them were identical. I had changed the position of the fabrics in the others. Why? I couldn’t tell you but I did know right away that they wouldn’t work in the layout I had in mind.
It didn’t take long to make the remaining eight blocks I needed for a 4 x 4 layout of 16 blocks. Here they are in my newly finished quilt top, destined for a special great-niece:
The blocks finish at 10″ square. With two sashing strips added, this top measures 50″ square, a good size for a toddler quilt.
The design is from Karin’s book Pineapple Plus: Sew Simple Techniques for the 21st Century (Quilters Haven Publications, 2010). This is the “four triangle method” she describes in her book, which results in the center squares (the red ones in this quilt) positioned on point. (Karin’s books are published in Great Britain but are available in the U.S., sold online and available at many quilt shops.)
The red fabric has a cross-hatch design that looks great on the diagonal. Take another look at the single block at the top of the post and also notice the tiny red squares in the green fabric and the tiny red ladybugs in the blue leaf fabric. I knew immediately that I wanted to bind this baby quilt in the red cross-hatch fabric.
Alas, I only had one little piece left measuring about 8″ x 14″ — and nothing in my stash that exact shade of red. A quick search of the Internet revealed that the fabric — Mixology Woven 2143 by Camelot Fabrics — was still available. What’s more, I found it on sale. Result: I ordered two yards instead of one.
What about those leftover blocks? They’ll go on the back, of course, along with the leftover pieces of the other fabrics from the top. I’m going to start working on that right now.
I finished binding my WanderLust wall hanging/table runner a few weeks ago but forgot to post about it, probably because I hadn’t decided on the best way to display it. I wanted to hang it in the master bath but it seemed a bit short for the space using a sleeve and the existing rod.
My solution: adding some grosgrain ribbon ties to the top so I could hang it from the rod, thereby adding a few more inches to the length:
I’m really enjoying the motion of the spinning blocks and the contrast of the deep navy background against the pale grey of the wall.
If you’re thinking those blocks looks a lot like the ones in Stella by Starlight, the quilt I just finished (subject of my previous post), you’re right on the mark. They’re made from the same block: Spinners by Heather Peterson of Anka’s Treasures.
WanderLust finishes at 20″ x 53″ (not counting the grosgrain ribbon ties). Regular readers may remember this is the second quilt named WanderLust I made this year. The other version is a king-size bed runner. You can see both versions here.
I’m working on a post about all of my finished projects in 2016. With only five days remaining in the year, this one needed to be squeezed in.
Here it is Friday afternoon on Christmas Eve and I was able to put the finishing touches on Stella by Starlight, my “kaleido-spinner” quilt, in time to take it outside for a few photos on the back deck before dusk. Stella by Starlight finished at 51½” x 71″.
As much as I enjoy sewing down binding, it has become quite a challenge since Coco the cat came into our lives in May. When I’m sitting in a chair with the quilt I’m binding draped around me, she thinks I have made a fort for her to play hide and seek in. Any little movement causes her to leap into action, pouncing wildly here and there, and I seriously worry she is going to do some damage to my quilt. I have to wait till she is napping so I can sneak in a little handwork:
Stella is bound in the same Cotton + Steel fabric (“Sprinkle”) that I used for the background. I love how the tiny white dots look like a sprinkling of stars in the night sky. That’s just one of several reasons why this quilt came to be named Stella by Starlight.
Here’s Stella from the back:
That strip of floral fabric is all I have left after making the kaleido-spinner and kaleidoscope blocks on the front. I also used it in my friend Miriam’s Junior Billie Bag.
See that little yellow hexagon in the lower right corner? That’s the label. Here’s a closer look:
The label is the same size and shape as the centers of the kaleido-spinner blocks on the front. Same fabric, too. (If you are interested in how I came up with the term “kaleido-spinner” to describe my blocks, you can check this post from October.)
Even though Stella contains only four true kaleidoscope blocks, I am including it in my series of kaleidoscope quilts. I believe this one is #11. The others are pictured in my Gallery under the subheadings Quilts and Table Runners/Wall Hangings.
I hope your next few days are full of fun, family, friends, and — of course! — fabric.
The sewing tool caddy I made last month sits in a special acrylic stand. It’s actually a brochure rack that one of my students, Becky B., gave me a couple years ago to hold the first version of the caddy that I had made.
The stand measures about 7″ x 7¾” x 2½”. The sewing caddy measures about 6½” x 9½” when closed so it fits nicely in the stand. When I travel to class, I take the caddy and the stand with me.
I usually have the flap of the sewing caddy turned back so that all of my tools are visible and easy to access:
Having the caddy vertical rather than flat on a table surface makes it so much easier to see and use the tools tucked inside.
If memory serves, Becky got the acrylic stand at TAP Plastics in Portland. I believe most office supply stores have acrylic brochure racks in stock. If you make this pattern (Travel Case by p3designs.com), I suggest that you add another pocket as I did to hold more tools. I also highly recommend that you get a brochure rack to keep your caddy in. It’s incredibly handy!