I got a phone call last night from one of the organizers of Northwest Quilting Expo (coming up later this week in Portland, Oregon) that my quilt Where It’s @ won a second place ribbon. I am thrilled!
If I remember the rest of the phone call correctly (I was a bit dazed), winners will be announced Thursday at 1:30 pm at the quilt show. That was the day I was planning to visit the show with my quilt group, the Quisters, so the timing is perfect.
I started this quilt in July 2016 in a class with Karla Alexander of Saginaw Street Quilts and finished it late last year. The name of her quilt pattern is Rewind. Karlee Sandell of sewinspired2day.com quilted it for me.
Quilters who enter their creations at Northwest Quilting Expo can opt to have their quilts judged. I chose to have mine judged, as I’m always interested in what the experts have to say, hoping I can learn from their remarks.
In 2011 I won a ribbon in a non-juried show. Here’s a look at that quilt:
The venue was Quilts in Bloom, a small quilt show held at the Oregon Garden in Silverton, Oregon. Much to my surprise and delight, this quilt won the viewer’s choice award for Best Traditional Quilt. I’m sure that the beautiful custom quilting by Melissa Hoffman contributed to that award. (You can see other examples of Melissa’s beautiful work on her Instagram page, fiddlestitches.)
This quilt is very special to me. It was made from my own pattern 4-Patch Wonder, published in 2010. I originally called the quilt Carmen, after the name of the fabric line from Timeless Treasures, changing it later to Midnight in the Garden. I don’t have it anymore but it’s still in the family. I gave it as a gift to my twin sister Diane as a 60th birthday present. It’s on display in her home in Georgia and I get to enjoy it on my annual visits.
The Northwest Quilting Expo runs Thursday-Saturday, Sept. 28-30, at Portland Expo Center, 2060 N. Marine Drive. Maybe I will see you there!
My third Junior Billie Bag of the year is in progress. I’m teaching a class at the Pine Needle next month and need to have the individual components of this quilter’s tote on hand to show my students how the bag is constructed.
Here is the first component, one of the front/back panels:
This JBB is a birthday present for one of the friends in my small quilt group known as the Quisters (a mashup of Quilt Sisters). She knows I’m making her a quilter’s tote and she doesn’t read my blog so I think I’m safe in posting progress pictures.
You can guess what her favorite color is. I don’t have a huge stash of purple fabrics but I do have an ample array. These are the ones pulled for consideration:
My friend’s Junior Billie Bag will have somewhere in the neighborhood of 20 pockets so an abundance of fabric choices is a good thing. One thing I knew right away: that striped fabric, cut on the bias, would be perfect for the binding.
Guess what happened right after I took that photo. Coco jumped up on the ironing board to see what I was up to. It seems she approves of my selection:
Almost 1500. Fourteen hundred and ninety-seven, to be exact. That’s how many quilts were on display Saturday, July 8, at the Sisters Outdoor Quilt Show in the tiny town of Sisters, Oregon in Central Oregon. An all-time high. The quilts are up by 9:00 am and come down starting at 4:00 pm the same day. I did my best to see as many of those 1497 quilts as I could and to photograph the ones I found most striking.
We start with the ones featuring hand appliqué, as this was on my mind after taking an excellent class on needle-turn appliqué from Australian quilter Sarah Fielke, subject of my last post, during the week of classes known as Quilter’s Affair that precedes the quilt show.
I was in Sisters that week with my quilt group, the Quisters, and this is one of the very first quilts we saw as we headed out on Saturday morning:
There were plenty more.
The proud fellow in the the photo below is the husband of the quiltmaker, Nancy Payne-Schomaker. He was clearly delighted with the positive comments he was overhearing about his wife’s quilt, so of course I had to ask him to pose with it:
It was her first appliqué project; no wonder he is proud!
Christmas in July, anyone?
This quilt by Carolyn Friedlander was part of the QuiltCon exhibit:
Carolyn Friedlander was one of the teachers taking part in Quilter’s Affair. This quilt of hers was hanging in the Teacher’s Tent:
This is another quilt in the Teacher’s Tent featuring hand appliqué:
I took a class from Laura a couple years ago and loved her whimsical style so much I bought one of her quilts. It hangs in my sewing room.
You saw this quilt in my last post but I have to show it off again. It was made by Sarah Fielke, inspired by an old quilt in the collection of the American Folk Art Museum:
This quilt was made by a woman who took a Quilter’s Affair class in 2015 from Sally Frey (I wish I had taken it, too!):
Look at this beautiful Baltimore Album-style quilt:
Guess what? It’s not hand appliquéed! I couldn’t tell it was raw edge appliqué until I got right up next to it.
There were a few other raw edge appliqué quilts at the show that caught my eye, including this one by Deborah Boschert, another teacher at Quilter’s Affair:
This quilt by featured quilter Tamra Dumolt (also a teacher at Quilter’s Affair) is from a forthcoming book:
And look how cute this wool appliqué quilt is, instantly recognizable as a Bonnie Sullivan design:
These quilts run the gamut from traditional to contemporary to modern. And there were so many more . . .
Thanks for stopping by. Please check back in a few days for another post about the quilts of the Sisters Outdoor Quilt Show 2017.
I took a needle-turn appliqué class last month from Australian quilter and designer Sarah Fielke. She was teaching at Quilter’s Affair in Sisters, Oregon. Quilter’s Affair? That’s the week of classes leading up to the Sisters Outdoor Quilt Show, which is always held on the second Saturday in July. My quilt group, the Quisters, goes every year and we all take at least one or two classes.
Sarah created a series of contemporary quilts based on old quilts in the collection of the American Folk Art Museum, making both “a direct interpretation” and “a modern reinterpretation.” The class I took was called I’ve Got Sunshine, also the name of a quilt in her book Old Quilts New Life (CICO Books, 2015). Our class project was a block from that quilt.
We spent the day learning how to appliqué sunflowers, leaves, and hearts. Here’s my block, still under construction:
Here’s a look inside the book:
On the right you see Sarah’s quilt I’ve Got Sunshine and on the left the quilt that inspired it: Sunflowers and Hearts, made sometime between 1860 to 1880.
Sarah teaches the classic needle-turn appliqué technique in which shapes of fabric are attached to the background by hand, using a sewing needle to turn under the seam allowance. It’s a technique I have yet to master, despite having taken two other classes on it. This was by far the best of the classes I’ve taken. With the others we spent too much time getting the design ready and not enough time stitching. In Sarah’s class we had needle in hand within the first hour, and she circled the room several times to give us individual attention, gently correcting our techniques and providing tips as well as encouragement.
And I am encouraged. My plan is to spend a couple hours every week working on my practice piece. There are at least three quilts I want to make that require lots of appliqué; more on them in a future post.
Sarah had a couple of other quilts on display in the Teacher’s Tent at the Sisters Outdoor Quilt Show. Take a look at this one:
It’s an improv quilt — no templates and certainly no needle-turn appliqué. The apples and stems are cut free-form and sewn by machine on different low volume background fabrics. I was totally charmed by the fabrics Sarah chose for her apples. The only thing these fabrics have in common is that they are mostly red. They couldn’t be more different:
Getting back to needle-turn appliqué, this is Sarah’s quilt Sweet Home, inspired by a Whig Rose Quilt made in 1857-58:
It’s not the best shot as the quilt was backlit by the sun but here’s a charming detail that highlights Sarah’s hand quilting as well as her appliqué skills:
Having taken this class from Sarah two days before the quilt show, I found myself drawn to quilts featuring hand appliqué. In my next post I’ll show you several examples from the show.
Aren’t these lovely? They are the first group of Mini Mod Tile blocks coming from the second group of quilters attending the Pine Needle Quilt Shop’s retreat in western Washington last month. (You can read all about the first group’s output in my preceding post.) The blocks you see above were made by Sandra and Dena (top row) and Linda and Barbara B. (second row).
Here are the second group of blocks:
These were made by Lorri and Barbara S. (first row) and Liz and Roxanne (second row).
The venue for the retreat was St Andrews House on Hood Canal near Union, Washington. In my previous post I showed you the view of the Olympic Mountains from the long porch at St Andrews House. Here are some photos of the house itself starting with the porch, which runs along the back of the house:
The view from the parking lot:
The herb garden:
A pleasant shaded seating area:
Such a lovely retreat and conference center!
Now for more blocks. These blue and white blocks were made by Joyce . . .
. . . and these were made by Sue and Lisa:
So far all the blocks you’ve seen measure 11″ unfinished and were made with the QCR Mini, the small version of the original Quick Curve Ruler by Sew Kind of Wonderful. Kay was one of those making my “supersized” version of Mini Mod Tiles in which the blocks measure 18″ unfinished:
What about those three blocks on top? Kay was also working on a second project, making Ribbon Star blocks from the Missouri Star Quilt C0. It’s pretty clear Kay likes color!
Another quilter making colorful supersized blocks was Kristine:
Missy was making the mini version using a palette quite similar to Kristine’s:
Three of my students were using the original Quick Curve Ruler to make different designs by Sew Kind of Wonderful. Janna started with the free pattern Spring Fling from SKW but departed from the design to do her own thing. Here’s her first block:
Katie fell in love with the pattern Dancing Churndash designed by SKW for Cut Loose Press. Here are her first two blocks:
Delia chose SKW’s Chic Diamonds design:
With the second group of students I was much better at getting pictures of them with their projects toward the end of our time together. Here is Rosalie with her five beautiful blocks:
Barbara B. completed a runner . . .
. . . and had enough fabric left to make a mini Fun Poinsettia block:
Here’s Missy with her four blocks sewn together:
Do you see how there’s a fifth block in the center that is made up of partial blocks from the four? This is an example of a secondary block design being the same as the primary.
In addition to their blocks (shown behind them), Dena and Kristine made self-binding baby blankets in soft flannels:
Dena showed several quilters how she mitered the corners on her baby quilt. Joyce practiced the technique, making a square with mitered corners in addition to her lovely runner:
Another vision in blue and white is Roxanne’s quilt top:
Linda decided to change the 3 x 3 setting to 4 x 5 to make a bigger quilt. Here is half of her Mini Mod Tiles quilt sewn together:
Mini Mod Tiles looks wonderful in both traditional and modern fabrics. Here is Sandra with her four-block runner in soothing muted colors. . .
. . . and Lorri with her five-block runner using bright Tula Pink prints:
Lisa’s runner makes me think of pink lemonade:
Or maybe raspberry sorbet?
Liz completed her purple pansy runner and made a second one with a charming pinecone print:
Sue departed from the original design by incorporating sashing strips inside some of her blocks:
Remember Janna’s bright batik block? Here is her quilt top complete with narrow and wide borders:
Here is Katie with her four Dancing Churndash blocks:
Can you believe Katie is working on her very first quilt? Amazing! She has a bright future as a quiltmaker.
Katie’s sister Barbara S. was originally planning to make a runner but she liked her blocks so well she kept making them and wound up with a quilt top!
In this photo Kay has laid out her supersized blocks and is auditioning the scrappy connector strips between blocks:
Kay also made a few more fabulous Ribbon Star blocks:
During her time at the retreat Delia finished quilting a quilt begun in an improv class with Jean Wells:
The back is as interesting as the front:
It was all quilted on Delia’s domestic machine. She was on deadline: her quilt needed to be in the mail the following week to Sisters, Oregon where it will hang in the world’s largest outdoor quilt show on Saturday, July 7.
That’s the perfect segue to let you know I am in Sisters right now with my quilt group, the Quisters. We’ve taken classes this week put on by A Quilter’s Affair and we will all be at the quilt show tomorrow where a record 1,497 quilts will be hung for one day. Of course I will be keeping an eye out for Delia’s quilt.
I hope you have enjoyed seeing the beautiful blocks, runners, quilt tops, and other projects created by my students at the two Pine Needle retreats!
Three weeks without a post! That’s the longest gap in the five years since I started this blog. What could possibly account for such a lapse? Two back-to-back trips followed by a fun-filled week of family visiting from out of town.
The first trip was to Paducah, Kentucky with my quilt group, the Quisters. Yes, Paducah — home of the National Quilt Museum and site of the American Quilter’s Society’s Quilt Week the last week of April. What a thrill! More on that in a future post.
Home for one day, then off to Central Oregon for a family reunion that my twin sister Diane and I were responsible for planning. It was a great success, with 83 family members coming from as far away as Texas, Virginia, and Florida. Most of the relatives are in Oregon, remaining in the state where our common ancestor settled after emigrating from Switzerland in the 1880s. This reunion has rekindled my interest in family geneaology, which I hope to pursue in between quilting projects. I could use a few more hours each day to accomplish that.
While my relatives were here last week, I squeezed in a bit of sewing time to make a sample block of the quilt design I have chosen for the Pine Needle Quilt Shop’s retreat on Hood Canal in June. I’m teaching two sessions back-to-back at a beautiful retreat center in Washington State.
As my regular readers know, I am a huge fan of the Quick Curve Ruler and the designs created by those talented sisters (Jenny, Helen, and Sherilyn) at Sew Kind of Wonderful. For the retreat I chose one of their free patterns that call for the QCR Mini Ruler. The pattern is called Mini Mod Tiles and looks like this:
Isn’t that fabulous? This wonderfully scrappy quilt was made and quilted by Jenny Pedigo of Sew Kind of Wonderful, finishing at about 34″ square. (Photo used with permission.)
My sample block, finishing at 10½” square, is made from one focus fabric, a Dena Fishbein print from the Painted Garden line for Free Spirit:
That fabric was in my stash just waiting to be picked for this project. I chose a vibrant yellow tone-on-tone print for the connector pieces and couldn’t resist the temptation to add a square of color in the center of the block. My background fabric is a white-on-white dot.
It’s good to be back in the saddle with blogging and sewing.
Here’s to 2017! Specifically, here’s to lots of sewing and quilting in 2017. I’m already looking forward to several projects — and not just new ones. There’s a stack of UFOs beckoning that I am actually enthusiastic about tackling. But not today.
On this fresh new day of the year, I’m looking back on what I created in 2016. Rather than going in chronological order, I’m grouping my finishes by categories.
This was the year of the Junior Billie Bag, the quintessential quilter’s tote designed by Billie Mahorney. I made a bag for myself . . .
. . . and one for my friend Deborah . . .
. . . and one for my friend Miriam:
Next category: baby quilts. This is the first of two incorporating a charming giraffe-themed fabric panel:
Here’s the second one, using the same fabrics in a slightly different setting:
I didn’t use a pattern for these quilts, preferring to play with simple shapes (squares and rectangles) so that the giraffes on the fabric panels would be the focal point.
My third baby quilt of the year was this one using the pattern Just Can’t Cut It from All Washed Up Quilts:
All three were quilted by longarmer Sherry Wadley.
All by itself in the mini quilt category is Ring Toss, based on the pattern Mini Rings by Sew Kind of Wonderful:
Mini Rings was quilted by Karlee Sandell of SewInspired2Day. Oh, and that’s our new rescue kitty Princess Cordelia (Coco for short).
Lap quilts is the next category. Once again I used a Sew Kind of Wonderful design, adapting the pattern Chic Diamonds into this quilt I named Dragonfly Kisses:
It was quilted by Sherry Wadley.
The next quilt, Where It’s @, was started in July in a class with Karla Alexander of Saginaw Street Quilts. It’s based on her pattern Rewind. I really stepped outside my comfort zone with this quilt, and I absolutely love the result:
The last quilt in this category is Stella by Starlight, a “kaleido-spinner” using the Spinners block by Heather Peterson of Anka’s Treasures:
I call it a “kaleido-spinner” because the six equilateral triangles in each block were cut from identical repeats of the focus fabric, creating a kaleidoscope effect of sorts. The four small hexagon blocks are true kaleidoscope blocks.
Both Where It’s @ and Stella by Starlight were quilted by Karlee Sandell.
The next category is runners, both bed and table. I made one of each, using the same focus fabric in each (Wander by Joel Dewberry) and the same block design (Spinners by Anka’s Treasures) with completely different outcomes. Here is WanderLust I, the king size bed runner made with five blocks:
I liked the focus fabric so much I made the bed runner reversible:
The final category is a bit of a hodgepodge. I made a quilted cover for my stepmother’s new iPad Pro . . .
. . . and a cardholder for her bridge hands:
For my friend and fellow Quister (Quilt Sister) Vickie I made an iron caddy that doubles as a pressing mat . . .
. . . plus a matching 4″ x 4″ fabric box that she can use as a threadcatcher:
For myself I made some accessories to match my Junior Billie Bag: a rotary cutter coat made from my tutorial . . .
. . . and a scissors case . . .
. . . and a sewing caddy that sits upright in a Lucite stand:
A 4″ x 4″ fabric box (yes, it’s a threadcatcher) completes the ensemble:
As you have surmised, I’m crazy in love with that fabric line (Paradise by Alisse Coulter for Camelot Cottons). I expect you’ll see more of it in 2017, as I bought a lot when it was released a couple years ago.
I’m sending a shout out to the talented longarm quilters who transformed my 2016 quilt tops into beautiful quilts — Coleen Barnhardt, Karlee Sandell, Debbie Scroggy, and Sherry Wadley — and to you, my loyal blog readers, for your continuing interest and support of First Light Designs.
I’ll give you a hint. It measures about 19″ x 25″ and folds into a three dimensional object that is both functional and pretty.
Once I show you the other side, you’ll have a better idea:
That gray fabric is a treated heat resistant fabric commonly used on ironing board covers. Aha. So this is a portable ironing surface, right? Yes, but that’s not all. Look what it becomes when folded just so:
It’s an iron caddy. How cute is that? Not to mention practical. It’s great for transporting a still-warm iron that was used in a quilt class.
The pattern is by Sisters’ Common Thread. I made one for myself three years ago with a few modifications that I wrote about here. My good friend and fellow Quister (Quilt Sister) Vickie admired mine and asked if I might make one for her birthday this year. Why yes, I might!
Since Vickie’s favorite color is purple, I chose fabrics from the purple colorway of Benartex and Kanvas Studio’s Dance of the Dragonfly line.
I also made a little 4″ x 4″ fabric box to go with Vickie’s iron caddy:
Here is the matched set:
Don’t they look good together?
Later this week I’m celebrating Vickie’s birthday with my fellow Quisters. Sure hope she likes her present!
I wish I could say that I have been quilting up a storm — but no, that happens to be the name of the raffle quilt I didn’t win:
Isn’t it a beauty? It was made by members of the Oregon Coastal Quilters Guild, inspired by the artwork of Dennis McGregor. The quilt was on display for the two full days of the guild’s 26th annual quilt show, Quilts by the Sea, held earlier this month in Newport, Oregon.
The next best thing to winning the raffle quilt was admiring it in person, along with the 235 or so other quilts on display at the show. Here are a few of the ones that caught my eye:
For Kennedy, made by Cindy McEntee and quilted by Lisa Taylor:
Flower Baskets, made and hand-quilted by Toni Brodie:
Mistletoe & Holly, made and quilted by Deborah Cagle:
Deborah is one of my fellow Quisters (Quilt Sisters). She made this quilt as a gift for our friend Peggy, also a Quister, and then made a second version for herself — all in the space of one year!
This quilt, Thirty-Something Shades of Red, was made by Velma Freudenthal, the guild’s featured quilter:
Endless Chain, also made by Velma Freudenthal:
Prairie Sweets, made by Nancy Terhaar and quilted by Lisa Taylor:
Roses are Red . . . and White, made by Nan Scott and quilted by Lisa Taylor:
Detail of Roses are Red . . . and White:
Prints Charming, made and quilted by Jean Amundson:
Detail of Prints Charming:
Koi in the Garden, made by Sue Clark and quilted by Lisa Taylor:
Gennifer Flowers, made by Nancy Terhaar and quilted by Lisa Taylor:
Soldier’s Waltz, made by Maureen Gallant and quilted by Lisa Taylor:
Detail of quilting on Soldier’s Waltz:
Star, also made by Maureen Gallant and quilted by Lisa Taylor:
Carpenter’s Square, made by Judy McCoy and quilted by Jennifer Rinehart:
View from the Lighthouse, made by Jacque VanDamme and quilted by Cindy Young:
Did you recognize the lighthouse in the center of the quilt? It’s the same panel by Dennis McGregor used in the Oregon Coastal Quilters Guild’s raffle quilt. The original painting was commissioned by the guild for its 25th anniversary show last year.
The guild had a display of mini quilts that included these charming ones:
Here’s a close-up of Flower Pot, made by Lorna Myers:
Rounding out this post are a few more of the quilts I liked:
Breaking Amish, made by Marge Hoyt and quilted by Lisa Taylor:
My Butterfly Collection, made by Betty Wilson:
Ring of Fire, made and quilted by Linda MacKown:
and Royal Chanticleer, made and quilted (and beautifully embellished) by Linda MacKown:
It was a terrific show, beautifully organized and presented, and my Quisters and I enjoyed our brief getaway to the Oregon Coast. I have a feeling this will become an annual event.
The Dear Husband and I got back yesterday from a three-day trip to Seattle, occasioned by the Detroit Tigers coming to town to play the Seattle Mariners in a three-game stand. The DH, a Michigander by birth, roots for the Tigers. I root for the Mariners, but both of us appreciate a good play in baseball, regardless of which side makes it.
We boarded Amtrak in Portland Monday morning for the relaxing 3½-hour train ride to Seattle’s King Street Station. It’s been three years since the grand waiting room in King Street Station was restored to its original 1906 glory but I never tire of taking in the view:
Here’s a close-up of the ornamental plaster ceiling . . .
. . . and the fluted Corinthian columns:
Did you happen to notice the glass mosaic tiles on the column in the picture above? That design on the edge of the column would make a striking quilt block, don’t you think?
If the design shows up on a quilt of mine, you’ll know where I got the inspiration.
More quilt inspiration can be found at Union Station, right next door to King Street Station. Originally a train station, the building was restored about 15 years ago after sitting empty for three decades. It’s now the headquarters of Sound Transit, providing express bus, commuter rail, and light rail service in the region, but the grand hall can be rented out for weddings and other events:
What about that quilty inspiration? Look no farther than your feet:
On Tuesday we visited my best friend from college, who served us an elegant lunch in her gracious home. We were in a suburb of Seattle but I felt like we had stepped into a bistro in Provence:
Here’s a look from the other side of the room:
Isn’t that a beautifully set table? Sandy served an elegant cold spinach soup made from a Julia Child recipe. We sipped wine (Vouvray) and water from vintage glasses, which of course made them taste that much better. The roses on the table are from Sandy’s gorgeous garden.
No trip to Seattle would be complete without a stroll through Pike Place Market, so the DH and I did that on our last full day:
I always make it a point to visit Undercover Quilts, which recently moved to a new location at the north end of Pike Place Market:
Did I support my local quilt shop? Why, yes, I did.
A few blocks away I stopped in at AllSaints, a clothing store on Fifth Avenue — not to shop for clothes but to admire the décor. Over 500 vintage sewing machines line the exterior windows and interior walls of this store:
I was in my element!
Mindful that our sojourn to Seattle was for baseball, I took this picture of Safeco Field from our hotel room, directly across the street from the stadium:
On Thursday morning, we were homeward bound on Amtrak. It was a terrific little getaway, and we’ll do it again next year when the Tigers come back to Seattle to play baseball. Oh, by the way, the Mariners won all three games.
A couple of days before leaving for Seattle, I went over to the Oregon coast with my quilt group, the Quisters, to see the 26th annual Quilts by the Sea show presented by the Oregon Coastal Quilt Guild. In my next post I’ll show you some of my favorite quilts from that show.