I happened across one of my posts the other day that was written in October 2012, a little over five years ago when my blog was in its first year. I was writing about three fabric groupings in my stash that I was wild about even though I hadn’t yet decided yet what to make with them. What a pleasant surprise to discover that I have, in fact, used all three groupings!
The first was this one, a mix from several lines anchored by the red and aqua floral print in the center from Denyse Schmidt’s line, “Flea Market Fancy,” reissued earlier in 2012:
Several of the fabrics wound up in this sewing machine dust cover . . .
. . . and this set of king-size pillowcases, both made in 2013:
The second group was this one, primarily from the “Ainsley” line by Northcott Fabrics:
From this group came a small project, a kaleidoscopic table topper made in 2014 . . .
. . . and a large project, my queen-size sampler quilt Catch a Falling Star, completed in 2015:
The third group was from the “Scarlet” line by Pamela Mostek for Clothworks:
These fabrics remained in my stash until 2017, when I used them to make my current Junior Billie Bag . . .
. . . and matching accessories:
Now when I see a new group of fabrics I just can’t live without, I’ll remind myself that the fabric in my stash is indeed getting used. I’ll just need three additional lifetimes to sew my way through all of it. Can you relate?
When my husband and I fly from Oregon to Georgia for our annual two-week Thanksgiving visit with my twin sister and her husband, I almost always make something for their home. It’s a small way to thank Diane and Ed for the generous hospitality they show Charlie and me on these visits, and it satisfies my urge to make something when I’m away from my sewing room for an extended time. You know how it is: a maker’s gotta make.
I knew ages ago what this year’s project would be. That’s because Frugal Fabrics, a home dec fabric store in the Atlanta suburb where my sister lives, announced at the beginning of the year that it was closing. Diane and I have found beautiful fabrics there in past years that have made their way into home dec projects in her house.
Before the shop closed its doors for the last time, Diane bought a gorgeous piece of fabric called “Brandywine Paisley” by Duralee Fabrics. She bought what was left on the bolt – about 6½ yards – without any idea what she would do with it. (At $2 a yard, I would have done the same thing. I have a thing for paisley prints.) We consulted via text messaging and concluded the fabric would be perfect as new pillow shams in her master bedroom.
Fast forward to my arrival in November. After Thanksgiving was over, Diane and I designed the shams, starting with the notion of a simple envelope with braided trim on the “flap” of the envelope on the front. She likes her shams up against the headboard with sleeping pillows arranged in front so it was important that the flaps be short enough for the braided trim to show.
If Diane were a quilter, she would have freezer paper in her house. She’s not and she doesn’t, so I made a pattern for the flap out of two sheets of parchment paper:
I had to pin the two sheets together because scotch tape doesn’t stick to parchment paper!
Being somewhat obsessive-compulsive, I wanted the design on the fabric to match where the flap meets the sham. That meant the flap needed to be a separate piece that could be attached to the back of the sham in just the right place for the design to match up on front after the pillow form was inserted. All of this called for some careful fussy cutting – in triplicate, because there are three shams. It took me the better part of one afternoon just to cut the fabric.
What you see below is one sham in two pieces. The body of the sham is essentially a square with rounded edges and a lapped opening on the back where the pillow form is inserted:
This is what the sham looks like flat:
While I was working on the shams, Diane was auditioning pillowcases I’ve made for her over the years (all made from this tutorial). She found three pair that looked especially good against the shams:
She decided to use the pair in the middle first because the reds and greens in the fabrics are right in keeping with the Christmas decorations that started coming out that week.
Here’s a look at the shams in place in the master bedroom:
Don’t they look nice? I love the addition of the Christmas pillow. Here’s a view from across the room:
I’m back home in Portland now, ready to get back to work on a couple of projects I want to finish before the end of the year. And the end of the year is only 27 days away!
I finished a UFO at Quilt Camp last week. It was the table runner I started as an experiment when I was teaching at the Pine Needle‘s quilt retreat in June. Remember this?
It’s a bit difficult to see from the photo but the outer edges of the runner were cut to match the curves inside. I wanted the binding on the quilt to echo the design, which you may recognize as Mini Mod Tiles, that marvelous free pattern from Sew Kind of Wonderful that has been the subject of several posts over the last few months.
I had just enough of the dark green batik fabric for the binding:
Didn’t that turn out nicely? I machine quilted it very simply with my walking foot, stitching in the ditch and adding a simple starburst in the center of the curved shapes featuring the focus fabric:
There wasn’t enough of the wintry blue print to cover the entire back so I inserted a strip of the blue polka dot:
I used light blue thread on the back to blend in so the runner is essentially reversible. The label can go in the very center, to be covered by a candle or bowl.
Binding the curved edges presented quite a challenge, as the angle is greater than 90 degrees plus you have the curve to deal with. Fortunately, Heather Peterson of Anka’s Treasures has a wonderful tutorial on her website that shows how to bind an outside edge greater than 90 degrees. Following her excellent instructions, I was able to bind those corners. Here’s a look at the pinning technique:
I don’t think I would ever have figured that out on my own. Thanks, Heather!
The runner measures 13″ x 38½”, a nice size for the center of a table or dresser. I’m giving it to my twin sister in Atlanta this weekend as a birthday/hostess gift; my husband and I are headed there later this week for our annual extended visit over Thanksgiving.
I’m very pleased with this variation on the Mini Mod Tiles design. And, having made two quilts (a mini and a supersized version) from the pattern, I am finally ready to put MMT behind me. Just in time, too! The Sew Kind of Wonderful team has come out with some marvelous new patterns. I have no doubt there is another Quick Curve Ruler quilt in my future.
I finished binding my WanderLust wall hanging/table runner a few weeks ago but forgot to post about it, probably because I hadn’t decided on the best way to display it. I wanted to hang it in the master bath but it seemed a bit short for the space using a sleeve and the existing rod.
My solution: adding some grosgrain ribbon ties to the top so I could hang it from the rod, thereby adding a few more inches to the length:
I’m really enjoying the motion of the spinning blocks and the contrast of the deep navy background against the pale grey of the wall.
If you’re thinking those blocks looks a lot like the ones in Stella by Starlight, the quilt I just finished (subject of my previous post), you’re right on the mark. They’re made from the same block: Spinners by Heather Peterson of Anka’s Treasures.
WanderLust finishes at 20″ x 53″ (not counting the grosgrain ribbon ties). Regular readers may remember this is the second quilt named WanderLust I made this year. The other version is a king-size bed runner. You can see both versions here.
I’m working on a post about all of my finished projects in 2016. With only five days remaining in the year, this one needed to be squeezed in.
My husband and I are still in Georgia, enjoying a few more days with my sister Diane and her husband Ed. With memories of a fabulous Thanksgiving feast behind us, our thoughts are now turning toward the next big holiday.
Diane has been decorating their home for Christmas, with a few items chosen to delight their seven-year-old grandson. In the dining room, for example, Santa reigns:
The garland on the built-in buffet is adorned with sparkly fruit and berries:
Suspended from the light fixture in the hallway is a pair of kissing balls the size of bowling balls:
In the living room, the mantel is decorated with an elegant lighted garland:
Also in the living room are a couple of simple but elegant additions. . .
. . . and a tiny tree next to the piano:
In the kitchen you’ll find this charming vignette above the range:
The front and back doors have large wreaths:
Even the powder room gets the holiday treatment:
Every day I notice something new: kitchen towels decorated with snowmen, jingle bells and tiny needlepoint pillows hanging from doorknobs, Christmas-themed bowls and spreaders for hors d’oeuvres displayed on the counter, a nutcracker standing guard on the fireplace surround.
I really do think Diane has a knack for decorating. Her home is graciously appointed all year around but right now, decked out for the holidays, it is especially beautiful.
It’s Thanksgiving Day and I am thankful to be here in Georgia at the home of my twin sister, Diane, celebrating with her family and my own DH. After six days away from my sewing machine, however, I am eager to get back behind the wheel. (A sewing machine has a flywheel, after all.)
Many years ago I brought my old Elna sewing machine (purchased in 1975) to Diane’s home, and I have worked on many a quilt and home dec project since then. This year I brought a few small projects from home to work on, including a new sewing tool caddy using some favorite fabrics I have used on other quilting accessories:
The pattern (Travel Case by Pearl P. Pereira of p3designs.com) calls for three pockets on the inside to hold tools but I am adding a fourth pocket:
My fabrics are cut and ready to sew but I am putting everything away for now to help Diane with Thanksgiving Dinner. The air is already redolent with the smell of pumpkin pie, which just came out of the oven. The turkey goes in next!
For those of you who celebrate American Thanksgiving, I hope the same good smells are permeating your home and that you too are spending the day with loved ones.
My “kaleido-spinner” runner, based on Heather Peterson’s Spinners block, is back from longarm quilter Debbie Scroggy of All Quilted LLC. Once again I marvel at how much depth quilting adds to a pieced top:
Debbie used a combination of computerized quilting (center hexagons and triangles), ruler work (white strips), and free motion quilting (dark blue background) on my quilt. Look how cleverly the quilting in one corner of each triangle echoes the floral quilting motif in the center hexagon:
You really have to look for that little blossom. I appreciate the way the quilting adds texture and interest to the quilt without overwhelming it.
Debbie quilted spirals, one of my favorite motifs, in the dark blue background. I added some fill light to this photo to give you a better look:
I call this quilt a “kaleido-spinner” because of the effect created by using repeats of the floral fabric in the triangles that spin around the center hexagons.
In my last post, I showed you the five-block bed runner I made using the same block design and the same floral fabric. This is a different shot of the runner:
I named the quilt WanderLust as a nod to the floral fabric, from the Free Spirit line “Wander” by Joel Dewberry. The runner was given to my sister in Idaho, which is why my previous post is titled “WanderLust, at Home in Idaho.”
I like the name so much I’m going to call this runner WanderLust, too. It’s staying here in Oregon. Coco has already staked a claim on it:
Remember WanderLust, the king-size bed runner I finished last month? It was based on Heather Mulder Peterson’s Spinners block, from her book On the Run Again. I finally got the bed runner in the mail to my sister Reigh in Idaho, and she has just sent me photos of it in her bedroom.
It looks terrific, don’t you think?
Here’s another view, with the diffused light from the shuttered windows setting in relief the beautiful free motion quilting of Coleen Barnhardt:
When I initially thought about giving the bed runner to Reigh, I was remembering a slate blue comforter she had from Pottery Barn. I’m guessing the spread pictured here is a new one, selected to match the gold fabrics in the runner.
A folded quilt looks nice at the end of a bed but I must say I really like the look of a bed runner. Don’t you?
The quilts displayed on this wall in our TV room replace a piano that I donated a few months ago. I had bought a secondhand piano 20-some years ago. Having taken lessons as a kid, I thought I would relearn how to play. That never happened, not because I didn’t want to but because I preferred to spend my free time sewing, especially when I was still working. Retiring in 2008, I plunged headlong into quiltmaking. The piano, alas, remained unplayed.
With the piano gone, my inclination was to increase the seating in the TV room by adding a sectional sofa. Gradually, with that expanse of wall staring at me, the notion of a quilt wall took over. I remembered a photo I had seen in Marie Deatherage and Joyce Brekke’s fabulous book Pieces of Portland (Quiltlandia, 2015). Marie’s husband, Ric Seaberg, made her a wall-size quilt rack:
Floor to ceiling — what an efficient use of space! Since the wall in our TV room is one of the few that doesn’t get direct sunlight, I knew it would be the perfect spot to display quilts.
I called upon master craftsman Phillip Galyon of Wooden Images. Phillip made me a custom sewing table and cabinet in 2012, and the next year he crafted a console table and stool for our remodeled master bathroom.
My idea for this project was a series of quilt ladders that could stand alone or be joined by pegs to form one piece. After consulting with Phillip, we decided on separate ladders that, when placed next to each other, would look like one unit. The wood of choice was African mahogany, well suited to the original dark stained wood trim in our 1913 Craftsman home.
Here are three ladders butted up next to each other . . .
. . . and here they are with a couple of inches between them:
As you see from the photo at the top of this post, I chose to put the ladders together — at least for now. They can easily be moved apart for a change of pace. And adding or rearranging quilts will be a breeze because of the ease with which the ladders can be moved.
I can’t say enough good things about the quality of Phillip’s work. He angled the rungs of the ladders so the quilts would hang properly. He leveled the tops of the ladders so they would be flat across the top (level with the floor). And he added a wedge to the top of the backs so they would lie flat against the wall. Not only that, he put felt on the backs so they wouldn’t scratch:
And he signed each piece on the back of the bottom rung:
All told, Phillip made four ladders for me. There is room for another ladder on my quilt wall in the TV room but for now the fourth ladder is in an upstairs bedroom (hung with quilts, of course).
Having this wall of ladders means that the precious quilts that have come down through my family will be on display as well as the quilts I have made myself. Some of the latter will be given away eventually, to be replaced by new ones, but for the time being I will have the pleasure of seeing them frequently.
I envision my wall of quilts as a changeable feast.
This is Part Two of a two-part post on what I accomplished in my sewing room during 2015. Part One featured my finished quilts (unquilted tops don’t count) and can be seen here. Most everything else qualifies as a Pretty Little Thing, so let’s take a look at the Pretty Little Things I made in 2015:
This 9″ x 41″ reversible runner was made for my sister Diane’s living room to cover a “seam” created when two small chests were placed back to back to make a larger unit:
Here is the runner in situ in her living room in Atlanta:
To celebrate the spring birthdays of my friends and fellow Quisters (Quilt Sisters) Deborah and Peggy, I made these fabric baskets based on the 1 Hour Basket Tutorial from Hearts and Bees. The baskets measure about 9½” wide, 6½” tall, and 5½” deep.
Pillowcases! I make several every year. Here are cases I made as a hostess gift for my friend Anna in Paris . . .
. . . and a pair made for the Portland White House:
Of all the pillowcases I have made for my own home, these are the ones my husband likes best.
My sister Diane commissioned me to make a pair of pillowcases to give as a hostess gift to friends in Maine:
Her friends have a darling little terrier named Lucy who got her own little pillowcase (and pillow). It measures 6″ x 12″ and goes in her doggie bed:
This sewing-themed fabric became a singleton pillowcase for me to take to Quilt Camp:
I drew my sister Diane’s name in our annual sibling draw for Christmas. When I asked her for ideas on what I could get her, she said, “Dawn pillowcases, of course!” I made her these king size pillowcases from my batik stash:
For the annual fall Open House at the Pine Needle, the quilt shop where I teach, I made these Cozy Flannel Armchair Coasters, inspired by coasters bought at a craft sale 30 years ago:
The coasters are reversible. Below are the backs of the coasters you see above. Just for fun I changed orientation of the herringbone weave:
The coasters were a big hit so I made some more as gifts. My friend Beth got these for her birthday in her favorite colors . . .
. . . and I tucked in this set of four as part of my sister Diane’s Christmas present:
My last non-quilt project for the year isn’t small and didn’t get made in my sewing room but I’m including it here anyway. It’s the two-fabric tablecloth I made for my sister Diane’s dining room while visiting her over Thanksgiving:
The tablecloth goes with the 16 mitered-corner napkins I made for her a couple of years ago out of the same large floral print used in the border. Here’s one of those napkins in a place setting: