I just got back from eight days in Sisters, Oregon — home of the “Largest Outdoor Quilt Show in the World.” Three friends and I rented a house in town so we could work on our own projects, take classes at Quilter’s Affair (five days of classes taught in Sisters by local, national, and international teachers), enjoy the July 14 quilt show, and have one more full day of sewing before heading home. You can expect my next few posts to be about the quilt show and some of the projects my friends and I worked on.
First up, a block I made to get back on schedule with my goal of making a block a month in Hazel’s Diary Quilt, the stunning samper quilt designed by Shelly Pagliai of Prairie Moon Quilts. I didn’t get my June block done so I have two to make in July.
This block is Aunt Ruby’s Choice, with directions in Shelly’s book A Simple Life: Quilts Inspired by the ’50s. Here is Shelly’s original block . . .
. . . and here is my block — minus the white sashing strips around the block, the center appliquéd flower, and the outer appliquéd scalloped border around the block:
As I’ve done with the first five blocks made so far, I redrafted the block so that when it’s set on point (as in the finished quilt) it will look like Shelly’s original design. Here’s the block next to my rough sketch on graph paper . . .
. . . and here it is on point:
I followed Shelly’s color scheme pretty closely on this one. The prints are from two lines of fabric designed by Jill Finley of Jillily Studio. Don’t they play nicely together?
The next block in the quilt is called Domestic Bliss. Do come back soon for a look.
Cheryl at Meadow Mist Designs is hosting a Best of 2017 Linky Party, inviting bloggers to highlight their top five posts of the year. It’s a fun way to look back over the last 12 months and identify some of the high points.
My top five are below, in reverse order. Clicking on the links will take you to the original posts.
5. Dutch Treat. Although I didn’t finish this quilt till June, I started it in January during an epic snowstorm that kept me and many Portlanders indoors for several days.
4. NYC and VFW. A trip to New York City with my twin sister in March combined many of the things I love in life: family, travel, theater, museums, and quilting. The quilting part? A visit to the Manhattan shop of Victoria Findlay Wolfe:
Victoria didn’t happen to be there that day but I had the pleasure of meeting her the following month in Paducah, Kentucky during AQS Quilt Week:
Designed over 20 years ago by Billie Mahorney, it’s a fabulous quilter’s tote personalized by each maker, starting with the design on the front and back panels and ending with the pockets inside and out. Two years ago Billie turned the teaching of her design over to me, and I make a bag every time I teach a class. This may be my favorite of the eight I have made so far.
Without consciously planning to, I wound up making a suite of accessories to go with my Junior Billie Bag:
(See the rotary cutter coat in the lower left corner? I wrote directions for it in 2014 and it remains my most popular tutorial. Every now and then when I see a huge spike in the number of views on my website/blog, I know it’s because someone provided a link to the tutorial.)
1 . Where It’s @. Much to my surprise and delight, this quilt won a second place ribbon at the Northwest Quilting Expo in Portland, Oregon in September:
The design is Rewind by Karla Alexander of Saginaw Street Quilts. I started the quilt in a class with Karla in Sisters, Oregon in July 2016. Getting a ribbon was honor enough but the award came with a check for $500. My first reaction? “Think how many yards of fabric I can buy with that!”
Well, this has been a nice little trip down memory lane. Do you want to join Cheryl’s party, too? The link is open until January 2. Be sure to check out the top five posts of the other quilting/blogging partygoers. And thank you for checking out mine!
And now . . . my final post on the quilts displayed for one day only (July 8) at the Sisters Outdoor Quilt Show in Central Oregon, starting with one of my favorites:
When I saw the next quilt from a distance, my first impression was that it was inspired by Native American or perhaps Inuit art. Imagine my surprise to learn it was based on a winter vegetable garden!
Sometimes the simplest quilt designs are the most striking. I love how the two quilts below, made primarily of blue and green batiks, make such a strong visual impact (despite the distracting effect of the sun’s rays):
Some of my friends have made quilts based on designs in Lori Holt’s delightful Farm Girl Vintage book. I know they will enjoy seeing these two versions:
Carol’s quilt was made with 1930s-era feedsacks. Check out the vintage fabric on the back of her quilt:
Fans of foundation paper piecing and the designs of Judy Niemeyer will appreciate the work that went into this beauty:
There was one quilt on display at the show that is very special to me: Lee Fowler’s Pickle Dish quilt. My photo failed to do Lee’s quilt justice, not only because the photo was taken in the harsh afternoon sun but also because I inadvertently included my thumb in the photo. This photo, taken in 2013 just after it was completed, gives you a better look at it:
The quilt was made by Lee with the help of several friends and completed two weeks before her untimely death in July 2013. You can read more about Lee and the Pickle Dish quilt here. My favorite photo of Lee’s quilt is this one, taken in a park in Sisters in 2015:
And there you have it. Over the last three posts I have shown you about 50 of the nearly 1500 quilts on display at the show. Though the percentage is small, you can see that the quilts cover a wide range of styles. That’s one of the things that makes a quilt show so enjoyable: there really is “something for everyone.”
I didn’t have a quilt in the 2017 SOQS show but I did have one on display for a few seconds one evening before the show. A few seconds? Yes! You see, during Quilter’s Affair (the week of classes and special events preceding the outdoor quilt show), quilters who’ve taken classes in previous years can show their completed work during an evening event that also features quilts made by this year’s group of teachers. Each quilt is walked across the stage so that audience members can get a good look at it.
In 2015 I took a class from Karla Alexander based on her design Rewind and made a quilt I named Where It’s @. When you see the quilt, I think you will understand the name. Since I was on stage when my quilt was shown, I didn’t get a photo. On my way out of town after a wonderful week in Sisters, I stopped at a particularly scenic spot and took this photo:
Thanks for taking a virtual stroll with me through the 2017 Sisters Outdoor Quilt Show. See you next year!
Here you go: more quilts from “the biggest outdoor quilt show in the world,” held in Sisters, Oregon last month. The first ones you see were displayed in the Teachers Tent and were made by quilters from near and far (i.e. local, national, international) who taught classes in Sisters the week before the show:
A few more quilts in the Teachers Tent were featured in my last post, in case you haven’t seen it yet.
The Portland Modern Quilt Guild had a special exhibit showcasing challenge quilts:
Every year quilts made by employees of the Stitchin’ Post are hung on the side wall of the quilt shop:
One of my favorites in this year’s group was this one:
Speaking of the Stitchin’ Post, Helen Robinson of Sew Kind of Wonderful was invited by the shop to demonstrate the Quick Curve Ruler and the QCR Mini on the day of the quilt show. When I heard she would be in town, I just had to meet her!
Check out the quilts behind us — they’re all Sew Kind of Wonderful designs.
My third post on the 2017 Sisters Outdoor Quilt Show is coming up in just a few days! Do come back for a look.
Almost 1500. Fourteen hundred and ninety-seven, to be exact. That’s how many quilts were on display Saturday, July 8, at the Sisters Outdoor Quilt Show in the tiny town of Sisters, Oregon in Central Oregon. An all-time high. The quilts are up by 9:00 am and come down starting at 4:00 pm the same day. I did my best to see as many of those 1497 quilts as I could and to photograph the ones I found most striking.
We start with the ones featuring hand appliqué, as this was on my mind after taking an excellent class on needle-turn appliqué from Australian quilter Sarah Fielke, subject of my last post, during the week of classes known as Quilter’s Affair that precedes the quilt show.
I was in Sisters that week with my quilt group, the Quisters, and this is one of the very first quilts we saw as we headed out on Saturday morning:
There were plenty more.
The proud fellow in the the photo below is the husband of the quiltmaker, Nancy Payne-Schomaker. He was clearly delighted with the positive comments he was overhearing about his wife’s quilt, so of course I had to ask him to pose with it:
It was her first appliqué project; no wonder he is proud!
Christmas in July, anyone?
This quilt by Carolyn Friedlander was part of the QuiltCon exhibit:
Carolyn Friedlander was one of the teachers taking part in Quilter’s Affair. This quilt of hers was hanging in the Teacher’s Tent:
This is another quilt in the Teacher’s Tent featuring hand appliqué:
I took a class from Laura a couple years ago and loved her whimsical style so much I bought one of her quilts. It hangs in my sewing room.
You saw this quilt in my last post but I have to show it off again. It was made by Sarah Fielke, inspired by an old quilt in the collection of the American Folk Art Museum:
This quilt was made by a woman who took a Quilter’s Affair class in 2015 from Sally Frey (I wish I had taken it, too!):
Look at this beautiful Baltimore Album-style quilt:
Guess what? It’s not hand appliquéed! I couldn’t tell it was raw edge appliqué until I got right up next to it.
There were a few other raw edge appliqué quilts at the show that caught my eye, including this one by Deborah Boschert, another teacher at Quilter’s Affair:
This quilt by featured quilter Tamra Dumolt (also a teacher at Quilter’s Affair) is from a forthcoming book:
And look how cute this wool appliqué quilt is, instantly recognizable as a Bonnie Sullivan design:
These quilts run the gamut from traditional to contemporary to modern. And there were so many more . . .
Thanks for stopping by. Please check back in a few days for another post about the quilts of the Sisters Outdoor Quilt Show 2017.
I took a needle-turn appliqué class last month from Australian quilter and designer Sarah Fielke. She was teaching at Quilter’s Affair in Sisters, Oregon. Quilter’s Affair? That’s the week of classes leading up to the Sisters Outdoor Quilt Show, which is always held on the second Saturday in July. My quilt group, the Quisters, goes every year and we all take at least one or two classes.
Sarah created a series of contemporary quilts based on old quilts in the collection of the American Folk Art Museum, making both “a direct interpretation” and “a modern reinterpretation.” The class I took was called I’ve Got Sunshine, also the name of a quilt in her book Old Quilts New Life (CICO Books, 2015). Our class project was a block from that quilt.
We spent the day learning how to appliqué sunflowers, leaves, and hearts. Here’s my block, still under construction:
Here’s a look inside the book:
On the right you see Sarah’s quilt I’ve Got Sunshine and on the left the quilt that inspired it: Sunflowers and Hearts, made sometime between 1860 to 1880.
Sarah teaches the classic needle-turn appliqué technique in which shapes of fabric are attached to the background by hand, using a sewing needle to turn under the seam allowance. It’s a technique I have yet to master, despite having taken two other classes on it. This was by far the best of the classes I’ve taken. With the others we spent too much time getting the design ready and not enough time stitching. In Sarah’s class we had needle in hand within the first hour, and she circled the room several times to give us individual attention, gently correcting our techniques and providing tips as well as encouragement.
And I am encouraged. My plan is to spend a couple hours every week working on my practice piece. There are at least three quilts I want to make that require lots of appliqué; more on them in a future post.
Sarah had a couple of other quilts on display in the Teacher’s Tent at the Sisters Outdoor Quilt Show. Take a look at this one:
It’s an improv quilt — no templates and certainly no needle-turn appliqué. The apples and stems are cut free-form and sewn by machine on different low volume background fabrics. I was totally charmed by the fabrics Sarah chose for her apples. The only thing these fabrics have in common is that they are mostly red. They couldn’t be more different:
Getting back to needle-turn appliqué, this is Sarah’s quilt Sweet Home, inspired by a Whig Rose Quilt made in 1857-58:
It’s not the best shot as the quilt was backlit by the sun but here’s a charming detail that highlights Sarah’s hand quilting as well as her appliqué skills:
Having taken this class from Sarah two days before the quilt show, I found myself drawn to quilts featuring hand appliqué. In my next post I’ll show you several examples from the show.
Aren’t these lovely? They are the first group of Mini Mod Tile blocks coming from the second group of quilters attending the Pine Needle Quilt Shop’s retreat in western Washington last month. (You can read all about the first group’s output in my preceding post.) The blocks you see above were made by Sandra and Dena (top row) and Linda and Barbara B. (second row).
Here are the second group of blocks:
These were made by Lorri and Barbara S. (first row) and Liz and Roxanne (second row).
The venue for the retreat was St Andrews House on Hood Canal near Union, Washington. In my previous post I showed you the view of the Olympic Mountains from the long porch at St Andrews House. Here are some photos of the house itself starting with the porch, which runs along the back of the house:
The view from the parking lot:
The herb garden:
A pleasant shaded seating area:
Such a lovely retreat and conference center!
Now for more blocks. These blue and white blocks were made by Joyce . . .
. . . and these were made by Sue and Lisa:
So far all the blocks you’ve seen measure 11″ unfinished and were made with the QCR Mini, the small version of the original Quick Curve Ruler by Sew Kind of Wonderful. Kay was one of those making my “supersized” version of Mini Mod Tiles in which the blocks measure 18″ unfinished:
What about those three blocks on top? Kay was also working on a second project, making Ribbon Star blocks from the Missouri Star Quilt C0. It’s pretty clear Kay likes color!
Another quilter making colorful supersized blocks was Kristine:
Missy was making the mini version using a palette quite similar to Kristine’s:
Three of my students were using the original Quick Curve Ruler to make different designs by Sew Kind of Wonderful. Janna started with the free pattern Spring Fling from SKW but departed from the design to do her own thing. Here’s her first block:
Katie fell in love with the pattern Dancing Churndash designed by SKW for Cut Loose Press. Here are her first two blocks:
Delia chose SKW’s Chic Diamonds design:
With the second group of students I was much better at getting pictures of them with their projects toward the end of our time together. Here is Rosalie with her five beautiful blocks:
Barbara B. completed a runner . . .
. . . and had enough fabric left to make a mini Fun Poinsettia block:
Here’s Missy with her four blocks sewn together:
Do you see how there’s a fifth block in the center that is made up of partial blocks from the four? This is an example of a secondary block design being the same as the primary.
In addition to their blocks (shown behind them), Dena and Kristine made self-binding baby blankets in soft flannels:
Dena showed several quilters how she mitered the corners on her baby quilt. Joyce practiced the technique, making a square with mitered corners in addition to her lovely runner:
Another vision in blue and white is Roxanne’s quilt top:
Linda decided to change the 3 x 3 setting to 4 x 5 to make a bigger quilt. Here is half of her Mini Mod Tiles quilt sewn together:
Mini Mod Tiles looks wonderful in both traditional and modern fabrics. Here is Sandra with her four-block runner in soothing muted colors. . .
. . . and Lorri with her five-block runner using bright Tula Pink prints:
Lisa’s runner makes me think of pink lemonade:
Or maybe raspberry sorbet?
Liz completed her purple pansy runner and made a second one with a charming pinecone print:
Sue departed from the original design by incorporating sashing strips inside some of her blocks:
Remember Janna’s bright batik block? Here is her quilt top complete with narrow and wide borders:
Here is Katie with her four Dancing Churndash blocks:
Can you believe Katie is working on her very first quilt? Amazing! She has a bright future as a quiltmaker.
Katie’s sister Barbara S. was originally planning to make a runner but she liked her blocks so well she kept making them and wound up with a quilt top!
In this photo Kay has laid out her supersized blocks and is auditioning the scrappy connector strips between blocks:
Kay also made a few more fabulous Ribbon Star blocks:
During her time at the retreat Delia finished quilting a quilt begun in an improv class with Jean Wells:
The back is as interesting as the front:
It was all quilted on Delia’s domestic machine. She was on deadline: her quilt needed to be in the mail the following week to Sisters, Oregon where it will hang in the world’s largest outdoor quilt show on Saturday, July 7.
That’s the perfect segue to let you know I am in Sisters right now with my quilt group, the Quisters. We’ve taken classes this week put on by A Quilter’s Affair and we will all be at the quilt show tomorrow where a record 1,497 quilts will be hung for one day. Of course I will be keeping an eye out for Delia’s quilt.
I hope you have enjoyed seeing the beautiful blocks, runners, quilt tops, and other projects created by my students at the two Pine Needle retreats!
The year 2017 has gotten off to a slow start in terms of finished projects. I have several projects in the hopper and a few are close to being done; does that count?
At least today I can claim a bona fide finish. Here is Baby Selene’s Pineapple Plus quilt, started in a class taught by Karin Hellaby:
Notice the binding? I made it to finish at ½” wide (rather than my usual ¼”) so it would provide a strong frame for the quilt and pick up the tiny bits of red found in three of the four prints used in the quilt:
The binding strips were cut on the bias so the cross-hatching would be oriented on the diagonal just like the centers of the blocks, which were cut on the bias because I liked the effect.
I had fun playing with leftover blocks for the back of the quilt, using two regular blocks and one larger one, all set on point to make them even bigger:
I love how the red binding pulls it all together.
The label is a simple square-in-a-square block that echoes the larger on-point blocks:
After the label was stitched in place by hand, I realized I had forgotten to put my last name on it. I’m sure Baby Selene won’t mind.
As usual, Coco insisted on claiming the quilt (temporarily, of course):
After these photos were taken, the quilt went into the washer and dryer. Here it is now in all its puckery charm:
Selene will receive her quilt in person at a family reunion in Central Oregon coming up in a couple weeks. In the meantime, I get to enjoy it in its temporary location on my quilt wall:
Baby Selene’s quilt is back from longarmer Sherry Wadley, who did a wonderful job, and I can’t wait to show you how it turned out. Here it is, trimmed and ready to be bound:
Take a closer look:
First notice the loops and swirls in the quilting motif. Then focus on the aqua and green print in the center of the photo. Those are tiny snails. (The print is from the Far Far Away collection designed by Heather Ross for Windham Fabrics.)
When I was auditioning quilting motifs with Sherry, I was waffling between three designs. My friend Colleen was with me at the time and pointed out that one of the designs was reminiscent of snails. She was absolutely right, and my decision was made at that instant. The quilting motif is called Sashay.
The loops and swirls in the quilting really show up on the back:
As mentioned in an earlier post, I’m going to bind this in the red cross-hatch fabric. I normally finish my quilts with a narrow ¼” binding but this quilt seems to call for a slightly wider binding — I’m thinking ½” — to highlight the red in the center of the pineapple blocks and the tiny red ladybugs in one of the other prints.
Selene’s quilt, based on Karin Hellaby’s Pineapple Plus design, will finish at about 49″ square. That’s a good size for a baby who is now officially a toddler.
My favorite quilt teacher Billie Mahorney always encouraged her students to make the backs of their quilts interesting, incorporating leftover blocks or fabrics from the front. I took Billie’s lesson to heart.
This is the back of Baby Selene’s quilt:
In case you missed my earlier post, this is what the front looks like:
I had four blocks left over that couldn’t be used because the prints were in different positions. Apparently they were destined for the back. I supersized one of the leftover blocks by adding two more rounds, then set that block and two more on point. I floated the three blocks on a soft green background printed with drifting leaves.
The result looks rather modern, doesn’t it? It would look even more so with different fabrics. I may have to test that theory by making another quilt incorporating a plus-sized pineapple block or two.
After this one is quilted, I’ll add a label in the lower right-hand corner that echoes the larger blocks. It may be as simple as a square in a square or I might add another round or two to make a mini-pineapple block. I think Billie would approve.