Disaster Averted!

I ended my last post with the breezy statement that after binding and labeling Diane’s Car Quilt, I was going to pop it into the washer and dryer to achieve that soft crinkly effect. Little did I know what was in store. . .

Into the washing machine the quilt went with a few clean rags to even out the load and a couple of Color Catchers, those ingenious paper-like squares that trap excess dyes in the wash water. I washed the quilt in cold water on a delicate cycle, something I have done many times with other quilts being washed for the first time. Imagine my shock and disbelief when I pulled the quilt out of the washing machine and saw blotches of red and blue all over the yellow fabric. My quilt — excuse me, Diane’s quilt — had bled! The dyes had even traveled through the batting to the quilt back.

Diane and I were in a panic. I’m one of those quiltmakers who wash and iron all of their fabrics before cutting into them. How did this happen? I have a theory, which I will tell you about shortly. Our first course of action was to spray Shout, a laundry stain remover, on all of the offending places. We filled the stationary tub next to the washing machine with cold water, plunged the quilt in, and let it soak. While that was happening, I started searching the Internet for remedies.

I remembered reading about quilt bleeding before and recalled that Dawn dishwashing liquid was involved in solving the problem. Sure enough, I found several references. There were variations in the approach but most recommended soaking the quilt in hot water with Dawn.

We washed the quilt again in cold water to remove the Shout. I wish I could say it came out perfectly but it didn’t. It was definitely better but there were still offending blotches all over the quilt. This time I applied Dawn liberally to each remaining blotch, filled the stationary tub with warm water, and put the quilt back in to soak. I just couldn’t bring myself to use hot water as most sites recommended.

Fast forward to a happy ending. After a soak in the warm water and one more trip through the washer using warm water, the quilt came out with nary a bleed spot in sight. Whew! Into the dryer it went, and it dried beautifully. It did shrink a bit more than I expected, finishing at 40½” square.

So . . . this is what I think happened:  my washing machine is the kind that adjusts the water level to the size of the load. First it releases a little water into the drum, spins the load a bit, adds more water, spins again, and finally lets the remaining water in before the agitation begins. I think the bleeding happened in the initial stages of the water filling the drum, when the fabrics in the quilt were only slightly wet and were rubbing against each other as the load was spinning.

It didn’t occur to me to take photos of the bleeding for my blog. I was totally fixated on trying to eliminate the blotches. You can bet that the next time I wash a quilt, I will immerse it in water in the stationary tub first and transfer it to the washing machine while it’s soaking wet.

And now I am both relieved and delighted to show you my sister’s freshly laundered car quilt. As you can see, Coco has claimed it, albeit temporarily. Notice not one but two proprietary paws:

All’s well that ends well!

 

 

 

Posted in cats, family, update | 11 Comments

It’s A Wrap: Diane’s Car Quilt

Finally! My sister Diane’s car quilt is bound and labeled. I wasn’t able to come up with a clever name for the quilt but Diane is quite content to have it identified as her car quilt. Here’s a look at the front so you can see how nicely the ½”-wide binding frames the quilt:

Diane’s Car Quilt, 42″ Square (2023)

Here’s a look at the back:

The blue and yellow prints pulled from my stash work very well with the French provincial border fabric on the front.

Here’s a close-up of my signature round label:

It was made using a compact disc as a pattern. You can find my picture-heavy tutorial on that method right here.

A couple of you asked about the pattern. I didn’t use a pattern; I designed this very simple quilt for a beginning quiltmaking class and it became my class sample. I started with alternating Nine-Patch and Rail Fence blocks. The blocks finish at 6″ square so the strips were cut 2½” wide for both blocks. Then, to give my students some additional options, I replaced some of the blocks with Flying Geese units; two units make a block that finishes at 6″ square.

This is the initial design rendered in the software program EQ7 and colored to match the palette of Diane’s quilt:

If you look carefully at the center of the quilt, you’ll see that the center block is a simple Nine-Patch. Notice that the corners of the block are navy blue. The addition of navy and yellow Flying Geese units around the center block creates the illusion of a navy diamond. I really like the effect and feel that it adds visual interest. With the right combination of fabrics, even a simple design like this can make a quilt sing.

If there is interest, I will write up my measurements and directions in a future post. The priority now, though, is to pop Diane’s Car Quilt into the washing machine and dryer for that wonderful crinkly effect.

 

 

 

Posted in family, quilt labels, Quiltmaking 101, tutorial, update | 4 Comments

First Glimpse of Diane’s Car Quilt

I was so excited to pick up my sister Diane’s car quilt today from my longarm quilter that I took this photo in my car with the quilt on my lap!

Here’s a look at the whole quilt after I got it home and trimmed it:

I made this 42″-square quilt top as a class sample back in 2017 when I was teaching a beginning quiltmaking class (“Quiltmaking 101”) at the Pine Needle Quilt Shop. The top hung in the closet of my sewing room until I pulled it out recently after realizing it would make a lovely car quilt for my twin, matching her blue Subaru Forester. (A couple of years ago I made a car quilt for my own Subaru Forester that I wrote about here.)

In choosing an edge-to-edge quilt motif for Diane’s quilt, I was looking for something with curves to soften all those straight lines. I also wanted a rather simple design so as not to compete with the gorgeous French provincial print in the border. Karlee of SewInspired2Day suggested a whimsical loopy design called Ginger Snap by Urban Elementz that fills the bill perfectly.

Here are a couple of close-ups:

I am really enjoying the texture the quilting adds to the quilt and the way the pale yellow thread stands out on the navy fabric and blends with all the other fabrics.

In the photo below you can see the two fabrics I pulled from my stash to make a simple pieced back:

The plan is to bind the quilt with the same navy used in the interior and to make it finish at 1/2″-wide rather than the 1/4″ finished width I normally use. I think it will frame the quilt very nicely.

 

 

 

Posted in family, Quiltmaking 101, update | 8 Comments

Color My World

With the onset of fall, accompanied by shorter days and lots of rain, working with bright fabrics in my sewing room has been bringing me cheer. I’ve starting sewing blocks together on my second version of  Sew Kind of Wonderful’s Chic Diamonds pattern:

Each block contains four blades, with each blade containing two prints, so each block contains eight different fabrics. The blades have been on my design wall in their almost-final layout since August. As I neared the end of laying out the blocks back then, it became apparent I would need to make a few more blades to get the balance of color and value I was seeking. Plus I have a self-imposed rule of not using the same fabric twice in a block. My plan was to make those extra blades and then finalize the layout.

Other projects took precedence, as they often do, but last weekend I gave myself permission to sew just a few blocks together. That was fun! I also pulled out a very colorful 42″-square quilt top I made several years ago because it occurred to me it would make the perfect car quilt for my sister Diane’s blue Subaru Forester.

Here’s a glimpse of the fabrics in the quilt top, along with pale yellow thread to show you the color I have chosen for the quilting:

In no time at all I made a simple pieced backing for the quilt. Both top and backing have already been delivered to my longarm quilter.

My world is also brighter — literally! — because I’ve recently had cataract surgery on both eyes. After the first surgery was done, I realized I had been seeing everything through a yellowish haze. I can see clearly now. Hey! Isn’t that the name of a song? Why yes, it is. I Can See Clearly Now by singer/songwriter Johnny Nash was a big hit in 1972. If you are “of a certain age” (like I am), you probably remember it well.

 

 

 

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“Open Sesame”

I’m always tempted to utter those magic words when my Junior Billie Bag (#12) goes 3-D. With the side panels/bottom unit pinned to one of the front/back panels, it’s easier to envision what the finished bag is going to look like.

And what about those pockets?! I count 14 in the photo above. When the other front/back panel is added, the inside pockets will number 19. And then there are four outer pockets. All of the pockets are sized to hold my essential tools. Anything that won’t fit in the pockets will go in the middle of the bag.

(If you’re new to my blog, you may not know what a finished Junior Billie Bag looks like, inside and out. Click here to see photos of JBB #9, finished in May 2019.)

I still need to make the binding but right now I’m going to head up to my sewing room and spend the afternoon working on a project I set aside several weeks ago. Bye for now!

 

 

 

 

Posted in Billie Bag, Junior Billie Bag, tote bags, update | 3 Comments

One of These Days . . .

. . . I’ll get back to the business of quiltmaking. For now I seem to be in an extended home dec phase. Between making valances for my stepmother’s home and continuing my construction of Junior Billie Bag #12 for the class I am teaching, the quilt blocks on my design wall have been unattended for weeks. I will get back to them. All in good time.

It was work on my current Junior Billie Bag that interrupted quilt progress. When I posted about the JBB, I included a link to the Gingham Foundry fabric line I was using. Little did I know the link would lead me down a rabbit hole! You see, Montavilla Sewing Center, where I teach the JBB class, carried part but not all of the Gingham Foundry line. When I included a link to the entire line, I spied a fabric I could not live without. (You know what I mean, right?)

It was the main focus fabric in a background called “mist,” a pale blue gray. I knew in a heartbeat that I needed to get some of that fabric to make a pair of pillowcases for the Portland White House. Why? Because I could so clearly see the text print with lyrics to the song “What a Wonderful World” as the band at the bottom of the cases and the “mist” focus print as the body of the cases. Surely you agree!

Lucky for me, I found what I was looking for at an online quilt shop in Texas. The fabric arrived a few days ago, and this is what I have to show for it:

“What a Wonderful World” is one of my favorite songs. I am especially fond of the renditions by Louis Armstrong and Israel Kamakawiwo’ole but I also love the duet by Tony Bennett and k.d. lang. Is there another version I should know about?

 

 

 

Posted in Billie Bag, home dec, Junior Billie Bag, pillowcases, roll-it-up pillowcases, tutorial, update | 2 Comments

Whale Watching

This might just be the world’s smallest valance! The window it’s made for — the guest bathroom in my stepmother Shirley’s home — is only 12¼” wide so the spring tension rod inside the valance is set for that width. The valance itself is 8¾” long.

I just mailed the valance off to Shirley in Bend, Oregon and will wait for her to send me a photo of how it looks before I make valances (out of a different fabric) for the two windows in her master bath. The fabric for this one is from the “Icy World” line designed by Gareth Lucas for Windham Fabrics.

Other fabrics from “Icy World” starred (literally!) in my Arctic Stars quilt finished last December. I’d not seen this particular print from the line until my sister Diane and I spotted it at the Quilt Basket on our trip to Bend in August and decided it would be perfect for Shirley’s guest bath.

We’ve gone quite a bit inland for whale watching!

 

 

 

Posted in family, home dec, update, vintage quilts | 2 Comments

Apron Love

That smile on my face reflects my delight in this darling apron my friend and fellow quiltmaker Nancy S. surprised me with recently. It’s called a crossback reversible apron. You’ll understand why when you see the back:

Did you notice I said it’s reversible? Look at the fabric Nancy chose for the reverse side:

As someone who likes to cook and sew, these fabrics are right up my alley. The two prints are a supple blend of cotton and flax designed by Sevenberry for Robert Kaufman Fabrics.

A quick search of the internet shows numerous patterns available for crossback reversible aprons. Nancy used this pattern by Indygo Junction:

The apron is beautifully made. Thank you, Nancy, for this lovely gift! You can be sure it will be treasured and used.

As usual, Coco the Photobomb gets the last word:

 

 

 

 

Posted in aprons, cats, garment sewing, update | 4 Comments

Playing with Pockets

As promised, I’m popping back in to show you the pockets I’m making for Junior Billie Bag #12. Call me crazy but I make a new bag every time I teach a class. It really helps my students to see the individual components of this wonderful quilter’s tote before they take on the challenge of making their own.

Here are the exterior pockets attached to the quilted side panels:

Here’s  close-up of that wonderful text print with lyrics to “What a Wonderful World”:

Students are free to design their own pockets sized for the tools they favor but I like to provide a few options. Over the 13 years I’ve been making Junior Billie Bags I’ve experimented with pockets for the exteriors side panels but I keep coming back to this combination because it works so well for me.

To provide context, take a look at the same pocket design added to JBB #11 made last year, first under construction . . .

. . . and then in the finished product:

Now for a look at the interior pockets for #12’s side panels:

You can see that I’m using the text print on the outside and inside of this JBB.

The gold fabric with striations is directional; I deliberately had the striations go horizontal in one pocket and vertical in the other. I’m probably the only one that would notice that when peeking inside the bag. Just a little example of having fun while playing with pockets!

Here’s a sneak peek at the inside pockets for the front and back panels:

The gold floral at the top is the lining fabric; all the fabrics below it are pockets. I’m loving that vintage blue and white floral print (so old there is no information on the selvedge other than “Springs, Ind., Inc.”) next to the gold and white chevron print.

My class starts a week from today. I’ll be ready for it!

 

 

 

Posted in Billie Bag, Junior Billie Bag, tote bags, update | 6 Comments

JBB #12 — Can You Believe It? — Is Under Construction

I’ve been gearing up to teach my Junior Billie Bag class that begins at Montavilla Sewing Center next week by creating the components that make up a completed bag. This is one of two front/back panels and it gives you a good sense of my color scheme: navy, gold, and white with just a touch of dusty blue. An elegant combo, yes?

My inspiration came from these fabrics I bought at Montavilla a couple of years ago:

At the time I wasn’t sure what I would make with them but I knew I would come up with something. The line is called “Gingham Foundry” and was designed for Riley Blake Designs by My Mind’s Eye. It features a large floral print on a navy background and several companion prints, including the text design you see above right. In case you can’t make out the words, they are the lyrics for “What a Wonderful World” — one of my all-time favorite songs.

The design on the front/back panel is one that I came up with a few Junior Billie Bags ago. It features a large bloom from the main print set into a circle and framed with a narrow flange.

I returned to another favorite design for the other front/back panel:

It’s a Churn Dash block set into the center of a Sawtooth Star block. I call it a Churning Star block as a nod to Jenifer Gaston, who designed a quilt front this block that she named Churning Stars. Her blocks are set on point in her charming version:

I found several fabrics in my stash that play nicely with the “Gingham Foundry” fabrics you see on the left and right sides of this photo:

You’ll see these fabrics in supporting roles in the JBB: they will appear on the inside and outside of the bag as pockets. Oops, I see I forgot the white and gold dot fabric that’s one of the “Seasonal Basics” by Lori Holt for Riley Blake dating back to 2019. I have that dot in a few different colorways.

Please check back soon. I’ll have a preview of those pockets — and you’ll be amazed how many pockets there are in this tote bag I call “the quintessential quilter’s tote.”

 

 

 

Posted in Billie Bag, Churning Stars quilt block, Junior Billie Bag, tote bags, update | 3 Comments