Search Results for: square dance

Blogger’s Quilt Festival Entry: Square Dance

PrintIn for a penny, in for a pound. I’ve decided to enter a second quilt in the Fall 2014 Blogger’s Quilt Festival, hosted by Amy Ellis at Amy’s Creative Side. (You can read about my first entry in yesterday’s post.)

Billed as “the biggest quilt show online,” the festival accepts entries Oct. 24-31 in 11 categories. Viewers can nominate a quilt in any category for the Viewer’s Choice award and, beginning Nov. 1, vote for their favorites in all the other categories. This is my first experience entering the festival, and already I’ve seen dozens of fabulous quilts and discovered some new blogs I absolutely must follow.

I’m entering Square Dance in the Small Quilts category:

May-2014-Shoot-HR-3
Square Dance (2014)

It’s an original design based on the classic Twist block dating back to 1870. Square Dance measures 55½” x 64½” and was quilted by Melissa Hoffman. I wrote about it in this post.

Linking up to Amy’s Creative Side for the Blogger’s Quilt Festival. To see some of the other small quilts entered in the festival, check out this link.

 

 

 

Posted in Bloggers Quilt Festival, update | 3 Comments

First Finish of 2014

“First finish of 2014.” Ah, it feels good to say that. May I present Square Dance:

May-2014-Shoot-HR-3
Square Dance, 55½” x 64½”

Just 18 months from conception to completion. Not bad for me! To read about the inspiration for this quilt and how it evolved, see my first post about it and a follow-up.

Square Dance was quilted by Melissa Hoffman, one of many talented longarm quilters in the Portland metropolitan area. Here are a couple of close-ups:

2014-1 Square Dance quilting detail
Quilting Detail

 

2014-1 Square Dance quilting detail 1
Feathers and Filigrees

Don’t you love the way quilting adds texture? The filigree motif in the inner black background was free-motion quilted.

The back of the quilt:

May-2014-Shoot-HR-4
Leftover Blocks on the Back

 

Just for fun, the label is a square in a square:

2014-1 Square Dance label
Final Task: the Label


Square Dance
will hang in the Stitches in Bloom quilt show at the Oregon Garden next week (Jan. 24-26). If you happen to be in the neighborhood of Silverton, Oregon then, I hope you’ll stop by.

 

 

 

Posted in free motion quilting, update | 7 Comments

Grab Your Partner

My newly finished quilt top has a name: Square Dance. Something about those interlocking lattice strips made me think of arms joined at the elbow — “allemande left and do-si-do” — and that was before I added the border of squares:

2013-9, Square Dance top 57 x 67

The quilt top measures 57″ x 67.” To read more about the making of Square Dance, click here.

Thanks for stopping by!

 

 

 

Posted in update | 2 Comments

Quilts

Terrazzo Tiles and Piccolo Terrazzo Tiles

Mod Tiles — Mini and “Supersized” (2017)

Here are two versions of the free pattern Mini Mod Tiles from Sew Kind of Wonderful. The smaller of the two was made with the QCR Mini ruler. I resized the original design in order to make a larger version using the original Quick Curve Ruler. Both rulers are made by SKW.

The smaller of the quilts finished at 34½” square:

Piccolo Terrazzo Tiles (2017)

I added a border to the larger version to float the tiles and make the quilt a bit larger. It finished at 63″ square:

Terrazzo Tiles (2017)

Both quilts were quilted by longarmer Karlee Sandell of SewInspired2Day. The quilting is all hand-guided ruler work. For more photos of the backs of the quilts and quilting details, see this post.

 

Dutch Treat

Dutch Treat (2017)

Dutch Treat was begun during a January 2017 snowstorm that kept me inside for several days. The pattern is A Mid-Winter’s Night by Cottage Rose. I saw the quilt made up in aboriginal prints in a quilt shop in the fall of 2016 and knew immediately that I wanted to make a two-color version.

The main block — a reworking of the classic Winding Ways block — features a pinwheel inside a windmill. The block design and the strong contrast of value in the fabrics create the illusion of overlapping circles even though all the seams are straight. I resized the block from 9″ to 12″ and made a change to the position of light and dark fabrics in half of the pinwheels.

Back of Dutch Treat

Leftover “V” blocks went on the back.

Longarm quilter Debbie Scroggy of All Quilted LLC quilted a circular motif reminiscent of crop circles to emphasize the illusion of overlapping circles. To see close-ups of her work, see this post.

• 48″ x 60″

• quilted by Debbie Scroggy

• 2017

 

 

Selene’s Quilt

The pineapple blocks in this quilt were made using a fun and unusual method devised by Karin Hellaby, whose book Pineapple Plus contains the instructions. I had the pleasure of taking a class from Karin herself in 2015 in Sisters, Oregon:

Selene’s Quilt (2017)
Back of Selene’s Quilt

I incorporated leftover blocks on the back, setting them on point and enlarging them. You can see the supersized block on the far right has an extra round of strips.

The edge-to-edge quilting motif incorporates loops and swirls that echo one of the prints in the quilt. Click here for a better look at the quilting details.

• 47½ ” square

• quilted by Sherry Wadley

• 2017

 

 

Stella by Starlight

stella-bound-front
Stella by Starlight (2016)

The name of this quilt was inspired by the 1944 song (music by Victor Young, lyrics by Ned Washington). I started with the Spinners block by Heather Peterson of Anka’s Treasures, using fabric repeats instead of different fabrics in the triangles surrounding the center hexagons. I called the result “kaleido-spinners.” The four hexagons in the outer part of the quilt are true kaleidoscope blocks. Inspiration for the setting came from Heather Peterson as well.

stella-bound-back
Back of Stella by Starlight

The stars are not just in the design. The background fabric on the front looks like stars swirling in a night  sky, and I used starry fabrics on the back as well.

I was delighted with Karlee Sandell’s free motion quilting. For close-ups of her work, click here.

• 51½” x 71″

• quilted by Karlee Sandell

• 2016

 

 

 

Where It’s @

where-its-recropped
Where It’s @ (2016)

This is my version of Karla Alexander’s pattern Rewind. The wonky Greek key block reminds me of the @ sign on a keyboard, hence the name.  I started this quilt in July in Karla’s class at Quilter’s Affair 2015.

where-its-back-recropped
Back of Where It’s @

The gentle curve of the quilting motif softens the hard angles of the blocks.

For the back I used one large leafy batik print and made a wonky Greek key block for the label.

• 57″ x 72″

• quilted by Karlee Sandell

• 2016

This quilt was awarded a second place ribbon in the intermediate quilt category at the 2017 Northwest Quilting Expo.

 

 

 

 

Dragonfly Kisses

Dragonfly Kisses is my simplified version of Sew Kind of Wonderful’s Chic Diamonds pattern. Most of the fabrics are from a new line called “Dance of the Dragonfly” by Kanvas Studios for Benartex. I paired them with three aqua batiks and floated the blocks on a pale mint background.

Dragonfly Kisses dh aug 2016
Dragonfly Kisses (2016)

 

Dragonfly Kisses, back
Back of Dragonfly Kisses (before binding and label)

Longarm quilter Sherry Wadley and I chose a simple edge-to-edge motif that echoes some of the curves and circles in the fabrics. I bound the quilt in the background fabric so the blocks would continue to float rather than be framed.

Leftover strips of fabric went on the back for a simple pieced backing.

•  50″ x 59″

•  quilted by Sherry Wadley

•  2016

 

 

 

Ring Toss

2016-6 Ring Toss, cropped
Ring Toss (2016)


Ring Toss
, based on the double wedding ring block, was made using the mini Quick Curve Ruler (QCR Mini) and the pattern Mini Rings, both by Sew Kind of Wonderful.

2016-6, Ring Toss front and back
Back of Ring Toss

Instead of sewing four fabrics together in strip sets to make the rings, I used one piece of fabric, a lively print of overlapping circles that makes me think of ferris wheels and fireworks, common sights at carnivals. Those images are what led me to the name Ring Toss.

This little quilt was expertly quilted by Karlee Sandell of SewInspired2Day. To see close-ups of Karlee’s quilting, click here.

• 32″ square

• quilted by Karlee Sandell

• 2016

 

 

WanderLust

WanderLust complete
WanderLust (2016)
WanderLust back and front
Back of WanderLust

This king-size bed runner was made using the design Spinners from Heather Mulder Peterson’s book On the Run Again (Anka’s Treasures, 2014). I increased the blocks from three to five and added to the width of the runner to make the blocks float.

The name comes from the fabric line, Wander, by Joel Dewberry for Free Spirit Fabrics. I used three prints from that line in the triangles that spin around the center hexagon. I liked the floral fabric so much I put a big piece on the back and made the runner reversible.

WanderLust was beautifully quilted by Coleen Barnhardt of the Quilted Thistle. To see close-ups of her work, see this post.

• 20″ x 88″
• quilted by Coleen Barnhardt
• 2016

 

Loose Leaf

big leaf, nov 2015
Loose Leaf (2015)

This little quilt is the result of a workshop I took with Pat Pauly, a renowned fiber artist from New York who came to Portland in the fall of 2015 to teach her “New Big Leaf” design using freezer paper templates. To read my posts about the making of Loose Leaf, enter “new big leaf” into the SEARCH ME box on the sidebar to the right of your screen.

• 24½” square
• designed by Pat Pauly
• pieced and quilted by Dawn White
• 2015

 

Simply Dashing

The irresistible urge to make some 4-Patch Wonder blocks — four fabric repeats cut into squares and rotated to make faux kaleidoscope images — out of an exotic purple and orange floral print resulted in this quilt, Simply Dashing. I was delighted that it was chosen for the cover of the Pine Needle Quilt Shop’s fall catalog:

800 pixels
Simply Dashing (2015)

Do you recognize the classic Churn Dash block set on point? I added some alternating blocks that also have 4-Patch Wonder blocks in their centers and floated all of them on a plain background.

Simply Dashing Aug 2015 back of quilt
Back of Simply Dashing

The addition of the 4-Patch Wonder blocks — each one unique — adds sophistication and complexity to what is essentially a simple quilt design.

The back of the quilt shows off the focus fabric as well as a test block I made of another pattern (Cosmic Delight by Freckled Whimsy).

Longarm quilter Debbie Scroggy of All Quilted, LLC quilted an all-over swirly design that did its job: softening the sharp edges and angles of the blocks.

• 58″ x 74″

• designed and pieced by Dawn White

• quilted by Debbie Scroggy

• 2015

 

 

Billie’s Star

Billie's Star
Billie’s Star (2015)

I call this a “just for fun” quilt, started because I had some focus fabric left over from my previous project (Olivia Twist, below) and wanted to use it in the center of a large star block. One block became four, and soon I had a finished quilt.

Billie's Star, back
Back of Billie’s Star

Do you see the secondary star in the center of the quilt? I added a little faux-kaleidoscope block in the very center to call attention to it.

The quilt is named after my mentor and quilt teacher Billie Mahorney, well known for her love of star motifs in quilts.

Nancy Stovall of Just Quilting quilted undulating waves across the horizontal surface. For close-ups of Nancy’s quilting and information about the making of this quilt, see this post and this one.

• 56″ x 55″
• designed and pieced by Dawn White
• quilted by Nancy Stovall
• 2015

 

Olivia Twist

Olivia Twist bv 2
Olivia Twist (2015)
Olivia twist back bv 2
Back of Olivia Twist

My first (but not my last) bedrunner quilt, Olivia Twist was adapted from my pattern 4-Patch Wonder with a Twist. I fell in love with the floral focus fabric, A Garden for Olivia, designed by Lida Enche for In the Beginning Fabrics, and wanted to create some four-patch kaleidoscope blocks with it. (See my Dec. 26, 2014 post “Updating an Old Favorite.”)

Olivia Twist gets its name from that floral fabric and from the venerable twist block, which made its first appearance in 1870.

The name is also a nod to one of my favorite authors, Charles Dickens. When I discovered that Dickens died in 1870, the same year that the twist block was first published, the name seemed even more fitting.

I asked Jolene Knight of Good Knight Quilts to quilt this bedrunner using her free-motion quilting skills and was delighted with the results. You can see details of her quilting in this post.

• 31″ x 76″

• designed and pieced by Dawn White

• quilted by Jolene Knight of Good Knight Quilts

• 2015

 

 

Toile Story

Toile Story bv photo 800
Toile Story (2015)

Who can resist a beautiful toile, especially in the classic color combination of blue and white? This quilt is based on Alex Anderson’s Checkerboard Square pattern and features fabrics from her Never Enough Romance line for P&B Fabrics. The pattern and the fabrics came out in 2008.

Toile Story, back, bv 800
Back of Toile Story

On the back of the quilt I created a large (37″ square) Goose in the Pond block, positioning it above and to the left of center.

To see close-ups of Debbie’s beautiful quilting, see this post.

• 73″ x 89″

• quilted by Debbie Scroggy of All Quilted, LLC

• 2015

 

 

 

 

 

Catch a Falling Star

CAFS front BV photo 800
Catch a Falling Star (2015)

My most ambitious undertaking to date, Catch a Falling Star is based on a design by Terri Krysan called Reach for the Stars that was offered in Quilter’s Newsletter over the course of seven issues, beginning with Oct./Nov. 2013 and ending with Oct./Nov. 2014. I replaced three blocks and made a few changes to some of the other blocks. I also challenged myself to incorporate a fussy-cut image into every block and redesigned the border to make it symmetrical.

CAFS back BV photo 800
Back of Catch a Falling Star

The two Jacobean floral prints on the back of the quilt were the source of most of the fussy-cut images on the front.

Many of my blog posts in 2014 were about the creation of this quilt. If you are interested in seeing how it came together, block by block, type Reach for the Stars into the Search box on the upper right side of the home page; the posts will come up in reverse chronological order.

• 84″ x 105″
• Quilted by Loretta Orsborn of Orsborn Specialty Quilting
• 2015

To see close-ups of Loretta Orsborn’s beautiful quilting, see this post.


Good Day Sunshine

churn-dash-2[1] (2)
Good Day Sunshine (2014)
This little quilt was the product of a summertime Quick Curve Ruler Sew-Along organized by Thelma of Cupcakes ‘n’ Daisies. The pattern, Dancing Churndash, was designed for Cut Loose Press by sisters Jenny Pedigo and Helen Robinson of Sew Kind of Wonderful.

I knew immediately that I would make this quilt using fabrics from the Gray Matters line by Camelot Cottons. I’ve loved the combination of gray/yellow/white ever since my mother made me a wool plaid skirt in those colors when I was in high school.

• 43″ x 57½”
• Quilted by Jolene Knight of Good Knight Quilts
• 2014

To read more about the making of Good Day Sunshine, see this post. To see close-ups of Jolene Knight’s beautiful quilting, see this post.

 

Banana Split

May-2014-Shoot-LR-1
Banana Split (2014)

Another quilt featuring the 4-Patch Wonder Block (my name for blocks made of four repeats yielding a faux-kaleidoscope effect). With Banana Split, I centered the 4-patches in Sawtooth Star blocks and added simple sashing with cornerstones. Then I added 4-Patch Wonder blocks in the corners offset with narrow black accent strips.

May-2014-Shoot-HR-2
Back of Banana Split

On the back of the quilt I incorporated some of the original focus fabric — those are clusters of bananas — and added an 18″ star block. The circle in the center of the star started out as an octagonal kaleidoscope block made with eight 45° triangles. You see? Banana splits on both sides of the quilt.

• 40 1/2″ x 50 1/2″
• Designed and pieced by Dawn White
• Quilted by Debbie Scroggy of All Quilted, LLC
• 2014

To read more about the making of this quilt, see this post. To see close-ups of Debbie Scroggy’s quilting, see this post.

 

 

Square Dance

May-2014-Shoot-HR-3
Square Dance (2014)

 

Back of Square Dance
Back of Square Dance

An original design, based on the classic twist block dating back to 1870. In terms of piecing, Square Dance was not difficult to sew. The challenge came in arranging (and then keeping track of) the 12 different fabrics — four roses, four purples, and four greens — used to make the lattice strips.

The straight lines of the lattice strips and border squares offset the swirls, curves and curlicues in the floral focus fabric.

• 55½” x 64½”
• Designed and pieced by Dawn  White
• quilted by Melissa Hoffman
• 2014

To read more about the making of this quilt and to see close-ups of Melissa Hoffman’s quilting, see this post.

 

 Honeymoon in Paris

2013-12, Honeymoon in Paris
Honeymoon in Paris (2013)
2013-12, Honeymoon in Paris, back
Back of Honeymoon in Paris

Honeymoon in Paris gets its name from the Paris-themed fabric (two prints on the front and the Eiffel tower on the back) and the double wedding ring block design. The fleur-de-lis motif in the quilting adds a bit more French flavor. The pattern is “Metro Rings” by Sew Kind of Wonderful.

• 56″ x 75″
• Quilted by Debbie Scroggy of All Quilted, LLC
• 2013

To read more about the making of this quilt, including the quilting by Debbie Scroggy, see my post here.

 

Lyra’s Quilt

2013-11, Lyra's quilt
Lyra’s Quilt (2013)

Lyra’s Quilt, #7 in my series of kaleidoscope quilts. After making Cosmic Kaleidoscopes (see below) in early 2013, I wanted to make a smaller version using just three oversize kaleido blocks. This quilt, a gift for my new great niece, was the result.

2013-11, Lyra's quilt, back
Back of Lyra’s Quilt

Click on the picture at right to get a better look at the hydrangea focus fabric. That circular flower in the upper left was made from a leftover kaleido block.

To read about the making of this quilt and Nancy Stovall’s quilting on it, see my post here.

• 44″ x  51″
• Designed and pieced by Dawn White
• Quilted by Nancy Stovall of  Just Quilting
• 2013

 

 

 

Hunky-Dori

2013-09-04 23.03.49
Hunky-Dori (2013)

Hunky-Dori was made using the pattern “Urban Tiles” by Jenny Pedigo of Sew Kind of Wonderful. The name comes from the expression “hunky-dory,” meaning “fine and dandy,” but incorporates the name of the focus fabric I used, Dori by Mitzi Powers for Benartex. For more details about the fabrics I used, see my post here.

  • 57″ square
  • Quilted by Janis Hays
  • 2013

 

Day for Night

2013-9, Day for Night, front
Day for Night (2013)

Black and white — such a timeless combination. Day for Night is based on “Silhouette,” a design by Kari Nichols that was introduced in the March/April 2012 issue of McCall’s Quilting magazine. The pattern calls for pairs of prints that are positive/negative. I had a few in my stash and found some additional fabrics in the Night and Day line by Exclusively Quilts.

I modified the design to reduce the number of seams in the triangles and squares. To read about the making of Day for Night, see my post here. Note that the quilt is bound in the same two fabrics used in the outer borders — but with the opposite value. To read more about the binding treatment, see my post here.

On the back: a whimsical black-and-white print featuring dress forms, spiced up with a jolt of fuchsia.

2013-09-16 02.24.22
Back of Day for Night

 

 

 

 

 

 

Cosmic Kaleidoscopes

Cosmic Kaleidoscopes
Cosmic Kaleidoscopes (2013)

Cosmic Kaleidoscopes, #6 in my series of kaleidoscope quilts. To me this quilt represents a juxtaposition of traditional and modern sensibilities. I used a traditional Jacobean floral fabric in the kaleidoscope blocks and then floated those blocks on a borderless background. Nancy Stovall of Just Quilting quilted wavy lines that simply flow off the edges.

Back of Cosmic Kaleidoscopes
Back of Cosmic Kaleidoscopes

Click on the picture at right to get a better look at the focus fabric. I inserted a strip of it on the back and added some half-kaleido blocks made from the leftover fabric. Nancy used a lighter thread for the kaleidoscope blocks, creating an almost lacelike effect on the back.

  • 60″ x 76″
  • Designed and pieced by Dawn White
  • Quilted by Nancy Stovall of Just Quilting
  • 2013

To read more about the making of Cosmic Kaleidoscopes, please see my post here.

 

 

Sunrise Bow-tique

Sunrise Bow-tique, 33.5" x 42"
Sunrise Bow-tique (2013)

Sunrise Bow-tique started as an exercise in making bowtie blocks using raw-edge applique fused with Steam-a-Seam-2. It ended as an exercise in using a gradated ombre fabric in the alternating blocks — simply because that was the only fabric I could find that I really liked with the bowtie blocks. Serendipity!

To read more about the making of Sunrise Bow-tique, please see my post here. To read more about Nancy Stovall’s quilting on it, please see this post.

 

Framboise

framboise august 2012
Framboise, 69″ x 84″ (2012)

Another version of my 4-Patch Wonder pattern. This one was made from Lakehouse Dry Goods fabric (Hydrangeas and Raspberries by Holly Holderman). The border fabric, Sweet Dreams by Robyn Pandolph for SSI, is so soft it feels almost like flannel.  It features scrolls and vines and leaves, which led me to the quilting motif.

back of Framboise

Click on the photo at right to see a close-up of the original focus fabric.

  • 69″ x 84″
  • Designed and pieced by Dawn White
  • Quilted by Melissa Hoffman
  • 2012

To read more about the making of Framboise, please see my post here.

Pattern available: 4-Patch Wonder. Two sizes included: 52″ x 66″ and 66″ x 80″

 

 

 Ode to Spode

Ode to Spode quilt by Dawn White of First Light Designs
Ode to Spode (2012)

Ode to Spode, #4 in my series of kaleidoscope quilts. My inspiration for this quilt was Judy Johnson’s “Cascading Kaleidoscopes” design, but in addition to the 6” and 12” blocks of Judy’s design, I added some 9” blocks to the mix. There are close to 1,000 pieces in this quilt. I had made only a few blocks when their similarity to the dozens of blue and white china patterns made by Spode jumped out at me, hence the name.

Back of Ode to Spode

You can see the original focus fabric on the back of the quilt.

  • 67” x 72”
  • Designed and pieced by Dawn White
  • Quilted by Melissa Hoffman
  • 2012

 

 

 

 

Tiffany’s Garden

Tiffany’s Garden (2012)

Saw the fabric (Deco Delight by Fabric Freedom). Had to have it. But – what to do with it? A friend suggested I make a quilt using my own 4-Patch Wonder pattern. The overblown poppies were way too big to be contained in a 6” block, the measurement in the 4-Patch Wonder pattern, so I made a new pattern with a 9″ block and named it (and the quilt) Tiffany’s Garden because the blocks and setting triangles reminded me of the stained glass work of artist and designer Louis Comfort Tiffany (1848-1933).

  • 72” x 90 ½”
  • Designed and pieced by Dawn White
  • Quilted by Melissa Hoffman
  • 2012

Pattern available: Tiffany’s Garden. Two sizes included: full (72″ x 90 ½”) and queen (90 ½” x 109″).

A version of this pattern using 6” center blocks is available under the name 4-Patch Wonder. See Framboise, Marrakesh Express and Midnight in the Garden in this gallery.

 

 

I Love Paris

I Love Paris (2011)

The heart-shaped design, the Eiffel tower, Paris map and French poodle fabrics . . . what else could I call this quilt but I Love Paris? Even the white background fabric has hearts on it, and there are different heart motifs in the quilting.

Like many of my quilts, I Love Paris started out as an experiment. I wanted to make tessellating pinwheels that finished at 6”, so I transferred the markings from the small Lil’ Twister tool by CS Designs to a 6½” square ruler and made my own template. I decided to float the heart with no border treatment, but after the heart was done I could see that it needed something extra. How about a shelf for the heart to sit on? The small Lil’ Twister tool gave me a row of 3” finished pinwheels, the perfect proportion for the larger blocks and the perfect resting place for the heart.

Directions for making this quilt are available as a tutorial.

  • 58” x 64”
  • Designed and pieced by Dawn White
  • Quilted by Melissa Hoffman
  • 2011

 

It’s All in the Twist

It’s All in the Twist (2011)

Everything old is new again. It’s All in the Twist is a happy union of the traditional twist block dating back to 1870 and the contemporary kaleidoscope block. I came across a picture of the twist block with a solid octagonal center and thought, “Wouldn’t a kaleidoscope block look great there?” I couldn’t wait to try it out. So much so that I tried it out first with my favorite faux-kaleido block – the 4-Patch Wonder, of course. Paired with red and green ribbons against a solid black background, the gorgeous Jacobean floral fabric (Bellagio Road by RJR Fabrics) translated into wonderfully varied faux-kaleido blocks. Click on the the photo of the back to see a larger image of the focus fabric.

Back of It's All in the Twist by Dawn White
Back of It’s All in the Twist

As an Audrey Hepburn fan, I am especially fond of one of her earlier movies, Sabrina (1954).Do you remember the scene in Paris where Sabrina is in cooking school learning how to crack an egg properly (i.e. one-handed) under the unnervingly stern glare of the French chef?  “It’s all in the wrist,” he says. That’s where the title of this quilt came from.

  • 57” x 65”
  • Designed and pieced by Dawn White
  • Quilted by Melissa Hoffman
  • 2011

Pattern available: It’s All in the Twist.

 

 

Midnight in the Garden 

Midnight in the Garden quilt by Dawn White at First Light Designs
Midnight in the Garden (2011)
Midnight in the Garden back
Back of Midnight in the Garden

There is just something about Jacobean florals; almost without exception they make the most beautiful faux-kaleido 4-Patch Wonder blocks. I teamed this gorgeous fabric, Carmen by Timeless Treasures, with a metallic celadon green and flat black, and was thrilled with the result. Click on the image at right to get a better look at the focus fabric.

Carmen, as the quilt was originally named, was exhibited at the 2011 Stitches in Bloom quilt show in Silverton, Oregon, where it won the viewers’ choice award for best traditional quilt. I’m sure Melissa Hoffman’s outstanding quilting had something to do with that award. Later I renamed the quilt Midnight in the Garden.

  • 66” x 80”
  • Designed and pieced by Dawn White
  • Quilted by Melissa Hoffman
  • 2011

Pattern available: 4-Patch Wonder. Two sizes included: 52″ x 66″ and 66″ x 80″

 

Marrakesh Express 

Marrakesh Express by Dawn White at First LIght Designs
Marrakesh Express (2010)
Back of Marrakesh Express
Back of Marrakesh Express

The rich colors of paprika, pepper and ginger in this fabric (Marakesh by Maywood Studio) bring to mind exotic spices traded centuries ago along the Silk Road. I knew the print would yield simple but striking 4-Patch Wonder blocks. Click on the photo of the back to see a larger image of the focus fabric.

  • 52” x 66”
  • Designed and pieced by Dawn White
  • Quilted by Carol Parks
  • 2010

Pattern available: 4-Patch Wonder. Two sizes included: 52″ x 66″ and 66″ x 80″

 

 

V8 

V8 Quilt by Dawn White at First Light Designs
V8 (2010)

V8, #3 in my series of kaleidoscope quilts. Inspiration for the name came from the focus fabric (Variegated Garden by Martha Negley for Rowan Fabrics), which reminded me of red ripe tomatoes and leafy green vegetables, ingredients of a certain tomato juice beverage. Then it occurred to me that each kaleidoscope block contains eight V-shaped wedges.

In this quilt I turned the octagons into circles and floated them on green backgrounds, then added tomato red diamonds at the corner of the blocks for an extra pop of color.

Back of V8

I got a little carried away using leftover blocks on the back. Click on the photo at right to see a larger image of the focus fabric.

  • 55” x 64”
  • Designed and pieced by Dawn White
  • Quilted by Janis Whitman
  • 2010

 

 

 

 

 

Wonderful Town 

Wonderful Town (2010)

I couldn’t bear to use too much of this charming retro New York fabric from In the Beginning Fabrics, so I made a small 4-Patch Wonder quilt. I wasn’t crazy about some of the blocks as 4-Patch Wonders so they became “sliders,” i.e. four-patch blocks with the images right side up. The cornerstones are New York Beauty blocks, a nod to Lady Liberty’s crown. I am sure I spent more time making those corners than I spent on the rest of the quilt.

Back of Wonderful Town and detail

I think I like the back of the quilt almost as much as the front.

Wonderful Town gets its name from lyrics from the 1949 movie On The Town with Gene Kelly and Frank Sinatra: “New York, New York, it’s a wonderful town . . . ”

  • 36” x 36”
  • Designed and pieced by Dawn White
  • Quilted by Pat Roche
  • 2010

 

Ramblin’ Rose

Ramblin’ Rose (2009)

Based on Judy Johnson’s “Cascading Kaleidoscopes” design, Ramblin’ Rose is #2 in my series of kaleidoscope quilts. The fabric is from the line Barefoot Roses by Tonya Whelan for Free Spirit Fabrics. That fabric can be seen on the back of the quilt, along with my original flowerpot design using halves of leftover kaleidoscope blocks.

  • 53” x 59”
  • Designed and pieced by Dawn White
  • Quilted by Lee Fowler
  • 2009

 

Back of Ramblin’ Rose with detail of flowerpot

 

Sandy’s Rose Garden

Sandy's Rose Garden by Dawn White at First Light Designs
Sandy’s Rose Garden (2009)

Have you ever found a fabric so beautiful you almost couldn’t bear to cut into it? Such was the case with this fabric in Tonya Whelan’s Barefoot Roses line for Free Spirit. Fortunately, I bought a lot of it. I used it first in Sandy’s Rose Garden, shown here. It has since made its way into another quilt (see Ramblin’ Rose), a bathrobe, and a pair of pillowcases. Who knows where it will show up next?

Sandy's Rose Garden back by Dawn White at First Light Designs
Back of Sandy’s Rose Garden

Sandy’s Rose Garden is based on the pattern “Four-Patch Stacked Posies” by HD Designs. I departed from the design by adding a narrow strip in the sashing, a flange around the outside, and corner blocks in the outer border. The cornerstones in the interior of the quilt were fussy cut from a piece of vintage checked fabric.

Leftover blocks went on the back. Click on the photo at right to see a larger image of the focus fabric.

  • 50” x 60”
  • Designed and pieced by Dawn White
  • Hand quilted by Julie Riggs, with some machine quilting by Dawn White
  • 2009

 

Fiesta 

To see close-ups of Debbie’s beautiful quilting, see this post.Fiesta (2009)

This is Fiesta, the quilt that got me hooked on the kaleidoscope block and inspired a series of kaleidoscope quilts. Based on Maxine Rosenthal’s book, One Block Wonder, and Judy Johnson’s “Cascading Kaleidoscopes” design, it’s made up of 6” blocks with a scattering of 12” blocks thrown in the mix. I picked a wild floral print – in this case Kirman by Kaffe Fassett for Rowan Fabrics  – because I figured it would produce blocks with great variety in color and form. I could hardly wait for each block to reveal its own unique design. The profusion of warm and hot colors, the original motifs in the focus fabric, and the finished kaleido blocks all contribute to a distinctly southwestern feel, which led to the name Fiesta.

Back of Fiesta

Unused blocks went on the back, along with a piece of the original focus fabric. Click on the photo at right to see a larger image of the focus fabric.

• 54″ square

•Designed and pieced by Dawn White

• Quilted by Lee Fowler

• 2009

 

 

 

Comments Off on Quilts

Dragonfly Kisses, Quilted

Dragonfly Kisses is officially a quilt. Longarmer Sherry Wadley delivered it to me last night, just a week after I finished piecing it. I’m always amazed at how much lovelier — and livelier — a quilt top is after it’s been quilted. It goes from being flat to having instant dimension.

In the case of Dragonfly Kisses, I wanted an allover design scaled on the spacious side, as I wanted the focus to be on the quilt design (my variation on Sew Kind of Wonderful’s new Chic Diamonds pattern) and on the gorgeous metallic-tinged fabrics from the aptly named Dance of the Dragonfly line by Kanvas Studios and Benartex.

The quilt has a lot of background space (negative space, in modern parlance), and I do think that some fairly dense custom quilting would have resulted in a beautiful quilt, but that wasn’t the look I was going after on this one.

Sherry and I chose a quilting motif whose circles and swirls are reminiscent of gentle ripples in water. I also chose a pale green thread that would almost vanish into the background fabric, providing just a touch of texture. Mission accomplished. (Thank you, Sherry!)

Here’s a look at the front of the quilt . . .

Dragonfly Kisses, quilted
. . . and a close-up of the quilting:

Dragonfly Kisses, closeup
The basic block, made with the Quick Curve Ruler, finishes at 9″ square so the four blocks above measure 18″ square. That should give you a better idea of the scale of quilting. Before I sent Dragonfly Kisses off to be quilted, it measured 51″ x 60″. The quilting process drew it up an inch all around, so now it measures 50″ x 59″.

Here’s the back of the quilt, with five of the six fabrics from the Dragonfly line spliced with the three batiks I used . . .

Dragonfly Kisses, back
Here’s a close-up of the beautiful lily pond fabric, where you can actually see those dancing dragonflies:

Dragonfly Kisses, close up of back

Now it’s on to the finish work: attaching the binding, sewing it down, and adding a label. My goal is to have this done by the end of the week. This could well happen if I don’t get too distracted by some of my other works-in-progress.

 

 

 

Posted in Quick Curve Ruler, update | 8 Comments

Dragonfly Kisses

Yesterday I finished piecing Dragonfly Kisses, based on the pattern Chic Diamonds by Sew Kind of Wonderful:

Dragonfly Kisses 51 x 60

I originally thought about using white or pale blue for the background but am so glad I went with the pale mint instead. It’s so refreshing, don’t you think?

Chic Diamonds pattern cover with blades
Chic Diamonds
was designed as a jelly-roll friendly pattern, since the pointed pieces (I call them blades) are made from 2½” strips that are sewn in pairs and then trimmed using the Quick Curve Ruler. Triangles cut from the strip pairs are saved and used in each block. Six blocks in the design are intentionally left blank as a design element, perhaps to give the eye a place to rest.

I decided early on not to use all the triangles, wanting to make my quilt less busy so a viewer’s eyes would be drawn to the X blocks (the kisses). I used only 20 triangles rather than the 240 called for in the pattern. And I put my triangles in the middle of the blank blocks rather than in the blocks with the blades. (Thanks to my friend Deborah for giving me that idea.) I like to think those triangles form the “chic diamonds” in my quilt.

The original design uses a 6 x 6 setting, finishing 54″ square. I went with a 5 x 6 setting using five blank blocks instead of six. I like the asymmetry of the look. And I added a narrow border of background fabric to float the outer blocks a bit, giving a bit more airiness to the design and making the top slightly bigger. It now measures 51″ x 60″ — a nice size for a throw or lap quilt.

Now to piece the backing. The dragonflies that gave my quilt its name are hard to spot among the narrow pieced blades so I’ll use my remaining strips of that fabric line (Dance of the Dragonfly by Kanvas Studio and Benartex) on the back.

I’m excited to report that I’ll be teaching Chic Diamonds (both the original design and my variation) at the Pine Needle Quilt Shop this fall. And rumor has it the Pine Needle is going to have kits available of Dragonfly Kisses!

 

 

 

Posted in Quick Curve Ruler, update | 6 Comments

Sisters Outdoor Quilt Show — Part 1 of 2

“The most vivid day of the year in Sisters” — that’s how one quilt group describes the second Saturday of the year, when the little town of Sisters in Central Oregon is covered in quilts. That’s the day of the Sisters Outdoor Quilt Show, now in its 40th year.

Forty years! Little did Jean Wells Keenan know that summer day in 1975 when she hung a few quilts outside her quilt shop, the Stitchin’ Post, that a great tradition had just been born. This year some 1400 quilts were on display, extending far beyond the quilt shop to buildings up and down the main street and two blocks in on either side.

Here is a representative sample, shown pretty much in the order I snapped them:

Swirling Sea by Karen Oster of Sisters OR (57 x 63)
Swirling Sea by Karen Oster of Sisters OR (57″ x 63″)

 

Elephants on Parade by Crystal Darr of Willamina OR (51 x 61)
Elephants on Parade by Crystal Darr of Willamina OR (51″ x 61″)

 

Oriental Shimmer by Betty Green of Baker City OR (71 x 85)
Oriental Shimmer by Betty Green of Baker City OR (71″ x 85″)

 

Chateau Rouge by Jeannie Wiggins of Redmond OR (71 x 87)
Chateau Rouge by Jeannie Wiggins of Redmond OR (71″ x 87″)

 

vintage quilt circa 1930, maker unknown, 67x82
Vintage quilt circa 1930, Maker Unknown (67″ x 82″). Exhibited by Sally Rogers of Bend OR.

 

vintage quilt, maker and date unknown. Quilted in 2014. Exhibited by Randy Danto of Scotts Valley CA (72 x 75)
Vintage Quilt, Maker and Date Unknown, Quilted in 2014 (72″ x 75″). Exhibited by Randy Danto of Scotts Valley CA.

 

Hot Lips by Roxanna Hill of Redmond OR (86 x 96)
Hot Lips by Roxanna Hill of Redmond OR (86″ x 96″)

 

Robot at the Whitehouse, exhibited by Gee's Bend Quilters 76 x 94
Robot at the Whitehouse, exhibited by Gee’s Bend Quilters (76″ x 94″)

 

Day of the Dead Dresdens by Opal Cocke of Camano Island WA (65 x 77)
Day of the Dead Dresdens by Opal Cocke of Camano Island WA (65″ x 77″)

 

Day of the Dead Dresdens, detail, by Opal Cocke of Camano Island WA
Detail, Day of the Dead Dresdens by Opal Cocke

 

Chain of Fools by Candy Wood of Bend OR (67 x 750
Chain of Fools by Candy Wood of Bend OR (67″ x 75″)

 

Jackie's Log Cabin on Point by Sally Rogers of Bend OR (70 x 84)
Jackie’s Log Cabin on Point by Sally Rogers of Bend OR (70″ x 84″)

 

Freddy Moran of Orinda CA in front of her quilt Houses on Point (80 square)
Freddy Moran of Orinda CA in front of her quilt Houses on Point (80″ square)

 

Circles of Life by Andrea Baloskey (80 in sq)
Circles of Life by Andrea Baloskey (80″ square). Exhibited by Jean Wells Keenan.

 

Labyrinth by Patty Six of Santa Barbara CA (57 x 62)
Labyrinth by Patty Six of Santa Barbara CA (57″ x 62″)

 

Joseph's Coat of Many Colors by Pam Goecke Dinndorf (48 x 62)
Joseph’s Coat of Many Colors by Pam Goecke Dinndorf of Rice MN (48″ x 62″)

 

Pumpkin Pie and Ice Cream by Sarah Kaufman of Bend OR (33 x 38)
Pumpkin Pie and Ice Cream by Sarah Kaufman of Bend OR (33″ x 38″)

 

Woolie Garden by Anna Bates of Sisters OR (70 in sq)
Woolie Garden by Anna Bates of Sisters OR (70″ square)

 

Woolie Garden, detail, by Anna Bates of Sisters OR
Detail of Woolie Garden by Anna Bates

 

Rip Tide by Karla Alexander of Salem OR (60 x 74)
Rip Tide by Karla Alexander of Salem OR (60″ x 74″)

 

Concentricities 2015 by Sue McMahan of Bend OR (43 in sq)
Concentricities 2015 by Sue McMahan of Bend OR (43″ square)

 

Eccentric Circles by Tonye Belinda Philips of Camp Sherman OR (51 x 67)
Eccentric Circles by Tonye Belinda Philips of Camp Sherman OR (51″ x 67″)

 

Eccenctric Circles, detail, by Tonye Philips
Detail, Eccentric Circles by Tonye Philips

 

Eccentric Circles, detail, by Tonye Belinda Philips of Camp Sherman OR
Detail, Eccentric Circles by Tonye Philips

 

Windmills or Squares q mark by Sarah Kaufman of Bend OR (23 x 35)
Windmills or Squares? by Sarah Kaufman of Bend OR (23″ x 35″)

 

Out of Focus by Colleen Blackwood of Pendleton OR (66 x 72)
Out of Focus by Colleen Blackwood of Pendleton OR (66″ x 72″)

 

Flower Pops by Alex Anderson of Livermore CA (58 sq)
Flower Pops by Alex Anderson of Livermore CA (58″ square)

 

Bird Dance by Sue Spargo of Uniontown OH (37 x 43)
Bird Dance by Sue Spargo of Uniontown OH (37″ x 43″)

 

Bird Dance, detail, by Sue Spargo
Detail of Bird Dance by Sue Spargo

 

Something for every taste, wouldn’t you say?

I took so many photos at the quilt show that I’m dividing my show-and-tell posts into two segments. I do hope you’ll come back for more.

 

 

 

Posted in Sisters OR Outdoor Quilt Show, update | 10 Comments

Reach for the Stars: Border Breakthrough

When I posted almost a month ago on my Reach for the Stars sampler quilt, pictured here . . .

2014-10, RFTS before borders

. . . I had finished the center medallion and 14 surrounding blocks and was getting ready to tackle the intricate pieced border. I say “tackle” because I knew it would be a challenge figuring out how to get the corners perfectly symmetrical. I knew I wanted to emulate the lacelike effect designer Terri Krysan achieved by putting nine-patch blocks on point in her border, but I also knew I wanted all of my corners to match.

First I added a narrow black border on all four sides, mitering the corners. Next I made several nine-patch units and cut several setting triangles and then just started playing with their positions around the perimeter of the quilt top, which had been moved to the floor after outgrowing my design wall. I walked around the quilt countless times, trying out nine-patch units and setting triangles in different spots along the outer sides.

Border Breakthrough #1 occurred when it became apparent to me that the corner design needed to include two nine-patch units with a strip between them, like this:

Border Breakthrough 1
I mocked up the rest of the corner and even sewed some pieces together. I expected I would need to miter the corner with a seam in the middle of the center strip to match the mitered seam in the narrow black border.

Border Breakthrough 2
When I looked at the photo I had taken above, it hit me that I didn’t need to miter the seam at all! If you follow the horizontal line at the tip of the narrow black border, you’ll see what I saw. Here is Version 2 of the corner unit . . .

Border Breakthrough 3
. . . showing a much easier way to finish the corner. And here is Version 3, which assures the continuity of the black print fabric all around the quilt next to the narrow black border:

Border Breakthrough 4
The position of the black print setting triangles at each corner coincided with a black print setting triangle hitting the exact center of the top and bottom of the quilt. You’ll see what I mean when you look at the next photo:

Border Breakthrough 5
See the point of the black sashing on the middle block, right where it touches the narrow black border? Follow the line into the border and note how it intersects both the black print setting triangle next to the black border and the blue setting triangle on the outer edge.

Unfortunately, there was no way that same design element was going to hit the middle of the long sides. That’s when Border Breakthrough #2 came into play. After much fiddling around, I determined that if I completely removed one nine-patch unit from a long side and added one more strip to two of the remaining nine-patch units, the middle of a black print setting triangle would hit the middle of the long side. Just what I wanted it to do!

Here’s what the “nine-patch plus” unit looked like just before adding the setting triangles . . .

Border Breakthrough A

. . . and here’s what it looked like next to a regular nine-patch:

Border Breakthrough B
I sewed all of my blocks together and then discovered that the border strip was about an inch too long (much better than an inch too short!). My solution? To re-sew the nine-patch units taking a full quarter-inch seam rather than my regular scant quarter-inch seam. Doing that with six nine-patch units and two “nine-patch plus” units took up the excess fullness, and my border fit perfectly. Was someone doing the Happy Dance? Oh, yeah!

Here’s a look at the middle of one long side, with the setting triangle hitting in just the right spot. Look above the small blue and black hourglass block in the valley between the two blocks near the top center of the photo:

Border Breakthrough 6
Here you are looking across the quilt to one corner:

Border Breakthrough 7
The “nine-patch plus” units — the ones with two black print squares on point — are evenly interspersed along the long sides, and even though the two short sides have no “nine-patch plus” units, everything still looks balanced because the borders match. My approach was strictly trial and error — no graph paper, no computer software program, no calculator work — with just a dash of intuition and a lot of luck.

I do have one more thing to figure out. It has to do with preserving the points of the narrow black border and it just may involve some paper piecing. Have I piqued your curiosity? I hope so! Please come back in a few days to see what I’m talking about.

 

 

 

Posted in Reach for the Stars sampler quilt, update | 11 Comments