Often when I finish a quilt, there are one or two things I would have done differently. Not with this one. I love every block, I’m happy with every modification I made to Terri’s original design, and I’m thrilled to pieces with the combination of computerized and free-motion quilting done by Loretta Orsborn.
Instructions for Reach for the Stars appeared in seven consecutive issues of Quilters Newsletter Magazine, beginning with the Oct./Nov. 2013 issue and ending with the Oct./Nov. 2014 issue. Sadly, QNM is no longer in publication.
Almost every month I receive a request from a quilter wanting to know how to get directions for Reach for the Stars. A few years ago I could point to eBay or Etsy for the needed issues but copies are getting harder to find. My advice nowadays is to check with a local quilt guild to see if any member has these seven issues and would be willing to lend or sell them to the person wanting to make the quilt.
Catch a Falling Star was my first ever sampler quilt. I wasn’t sure I would ever make another one. But I did. You’ll see that one when I reach Week 10 of Throwback Thursday.
Thanks for joining me on my weekly trip down Memory Lane!
First things first: Happy New Year!! Can you believe it’s 2020?
I’m taking a look back at some of the quilts I’ve made over the last 10 years, starting in 2010. (I got the idea from Thelma at Cupcakes’n’Daisies who posted on Instagram yesterday with photos of 10 gorgeous quilts she made between 2010 and 2019. Check out her beauties at instagram.com/thelmacupcake.
For 2010 I chose this quilt, Dianthus:
The pattern is 4-Patch Stacked Posies by HD Designs. I had recently discovered the four-patch kaleidoscope block and was having great fun investigating the possibilities with other fabrics and other settings. Here you see a large strip of the focus fabric as well as the blocks that didn’t make the cut for the front of the quilt:
I quilted this one myself and I don’t mind telling you I was a bundle of nerves during the process. Here are a couple of close-ups:
I used a variegated thread of green and lavender. The color variation is very subtle, which is just what I wanted.
Why the name Dianthus? The fabric is a gorgeous melange of blossoms including tulips, hydrangeas, and carnations. Dianthus is the Latin word for carnation. The quilt wound up at the home of my twin sister, Diane. ‘Nuff said.
When Diane’s grandson Edward was a baby, the quilt was used in his bedroom at her home:
Edward is now 10 years old. (How did that happen?) He’s still a frequent overnight visitor but as you might imagine his room looks very different today. The crib has been replaced with a trundle bed, for one thing.
And the quilt? Nowadays it’s folded at the bottom of the bed in the first floor guest room and is often pulled into service for a lap quilt while watching TV. The 57″ x 67″ size makes it a good candidate for that.
Thanks for stopping by on this second day of the New Year. Do come back for next week’s Throwback Thursday to see a quilt I made in 2011.
Now that Christmas is over, I can show you the pillowcases I made for my twin sister Diane and her husband Ed:
The cases are made for a king size bed so they measure a generous 20″ x 33″. I am so in love with that floral fabric; it’s from a 2010 line for Henry Glass Fabrics called “At Home for Christmas” designed by Heather Mulder Peterson of Anka’s Treasures. It’s been in my stash for years. Knowing I would be using most of it, I scoured the Internet looking for more and even contacted Heather to see if she still had some in her shop; alas, it is gone.
I confess it was really hard to cut into that fabric but I knew that pillowcases made from it would look wonderful in Diane and Ed’s master bedroom:
The colors are Christmas-y but the prints are not, making the pillowcases appropriate for use all year round.
I had one other thing in mind when I chose the fabric. In the picture below you can just get a glimpse of a quilt on the wall:
It’s Midnight in the Garden, one of my very favorite quilts, made from my pattern 4-Patch Wonder:
I gave the quilt to Diane for her 60th birthday a few years ago and I get to see it whenever I travel to Georgia to visit her. I figured the pillowcases would complement her quilt very nicely. And they do, don’t they?!
Well, friends, many a Friday has come and gone since my last Friday Finish so I am extra happy to show off my latest Junior Billie Bag. First one side . . .
. . . and then the other:
I’m not sure which one I like better! How about you?
In the next two photos you can see (sort of) the exterior pockets on each side:
I sure do like how the striped binding frames the front and back panels. You can see that I used it on the straps and exterior pockets on one side, too.
It’s so much fun to customize these quilter’s totes. I’ve used a variety of 12″ blocks in the nine Junior Billie Bags I’ve made and I’ve also played around with the size and number of exterior pockets. Speaking of pockets, here’s a shot from the top down that shows the interior pockets as well as the second set of handles, the smaller ones that allow you to carry the JBB like a satchel:
Here’s a shout out to Billie Mahorney, the designer of the Junior Billie Bag and my mentor. It’s easy to see why I often refer to the JBB as “the quintessential quilter’s tote.”
If you’d like to see the other ones I’ve made, clicking here will take you to the Junior Billie Bag page in my Gallery.
. . . of making a Junior Billie Bag is that moment when the bag, until now a series of flat panels . . .
. . . becomes three-dimensional:
You are looking at the inside of my Junior Billie Bag, with the side panels/bottom unit pinned to one of the front/back panels. You may not be able to tell from the photo that there are 14 pockets showing. The other front/back panel (not shown) has five pockets.
Combined with the pockets on the outside of the bag . . .
. . . this JBB has 23 pockets. Now you know why I call it the “quintessential quilter’s tote!”
It’s a lot of fun playing with pocket design for the outside of the bag. For the pockets on the left side above, I trimmed them in the same striped fabric I’m going to use for the binding. (While I love the look of striped binding cut on the diagonal, I opted to cut my strips on the straight of grain for this one.)
For the pocket on the right side, I started with a four-patch kaleidoscope (what I call a Four-Patch Wonder block) and made a double inset circle.
I sure do like that vivid blue against black and white!
It’s been a week since we flew back to the states from Portugal. Fortunately, I have many memories and lots of photos to remind me of the delightful time my husband and I spent cruising the Douro River and the many shore excursions we took to medieval hill towns and modern cities. Everywhere we went, images appeared that made me think of quilt blocks, appliqué designs, and even free motion quilting motifs.
When we got to Lisbon, our final destination in Portugal, the amount of gorgeous tile work I was seeing made my head spin. These three designs were on the walkway outside our hotel:
This one was on the floor of the main entrance to the hotel:
On the north bank of the Tagus River near the Monument to the Discoveries there’s a huge tile wind rose and map of the world charting Portuguese explorations. The map is embellished by wonderful designs that would look right at home on a quilt:
We visited the National Tile Museum dedicated to the azulejo, a glazed colored tile traditionally used in Spanish and Portuguese buildings. The museum houses examples dating from the 15th century to today. With the battery in my cell phone running low I took very few pictures but they’re enough to give you a sense of what I was seeing:
Tile work from the 21st century evoking a sampler quilt (a modern take on Dear Jane, perhaps?):
Among the many special exhibits at last week’s Northwest Quilting Expo (held in Portland, Oregon) was a small one called “Reach for the Stars” featuring quilts made using Minnesota quilter Terri Krysan’s design of the same name. The quilts were made by Portland quilters who had seen my version on display at the Pine Needle and wanted to make their own.
Here is Maxine’s bold and beautiful quilt in black, white, and blue:
Joie’s quilt is a vision in green and purple, one of my favorite color combinations:
Lana’s lovely quilt was made as a fundraiser for her grandson’s school (it sold for over $2000!):
The owners of the quilt graciously loaned it to Lana so it could be part of the special exhibit.
Andrea’s quilt was made from the same line of fabrics as Lana’s but with a more limited palette of blues and greens:
So serene! Did you notice the different border treatment? Andrea opted not to carry the checkerboard blocks to the outer borders so she put the unused ones on the back:
You can see some of the lovely motifs that longarmer Kazumi Peterson used.
Sharon R.’s scrappy checkerboard border cleverly pulls together all the colors used in her blocks:
Sharon S. used the bright colors in her butterfly focus fabric to great dramatic effect, then calmed it down with her earthy brown and black checkerboard border:
This is my version, also displayed in the exhibit:
Andrea was out of town during the quilt show but the remaining six of us gathered for group shots in front of each quilt. Here we are in front of Maxine’s:
Left to right: Sharon Schaper, Sharon Ripley, Joie Lattz, Maxine Borosund, Dawn White, and Lana Kamerer. With us in spirit: Andrea Hinderhofer.
I got a phone call last night from one of the organizers of Northwest Quilting Expo (coming up later this week in Portland, Oregon) that my quilt Where It’s @ won a second place ribbon. I am thrilled!
If I remember the rest of the phone call correctly (I was a bit dazed), winners will be announced Thursday at 1:30 pm at the quilt show. That was the day I was planning to visit the show with my quilt group, the Quisters, so the timing is perfect.
I started this quilt in July 2016 in a class with Karla Alexander of Saginaw Street Quilts and finished it late last year. The name of her quilt pattern is Rewind. Karlee Sandell of sewinspired2day.com quilted it for me.
Quilters who enter their creations at Northwest Quilting Expo can opt to have their quilts judged. I chose to have mine judged, as I’m always interested in what the experts have to say, hoping I can learn from their remarks.
In 2011 I won a ribbon in a non-juried show. Here’s a look at that quilt:
The venue was Quilts in Bloom, a small quilt show held at the Oregon Garden in Silverton, Oregon. Much to my surprise and delight, this quilt won the viewer’s choice award for Best Traditional Quilt. I’m sure that the beautiful custom quilting by Melissa Hoffman contributed to that award. (You can see other examples of Melissa’s beautiful work on her Instagram page, fiddlestitches.)
This quilt is very special to me. It was made from my own pattern 4-Patch Wonder, published in 2010. I originally called the quilt Carmen, after the name of the fabric line from Timeless Treasures, changing it later to Midnight in the Garden. I don’t have it anymore but it’s still in the family. I gave it as a gift to my twin sister Diane as a 60th birthday present. It’s on display in her home in Georgia and I get to enjoy it on my annual visits.
The Northwest Quilting Expo runs Thursday-Saturday, Sept. 28-30, at Portland Expo Center, 2060 N. Marine Drive. Maybe I will see you there!
Here’s my second Big Block Star, made using Victoria Findlay Wolfe’s pattern of the same name and her large diamond ruler:
Don’t you love that bold beautiful print? It’s from the “Black, White & Currant 5″ line by Color Principle for Henry Glass Fabrics. I bought a few pieces from the line a couple of years ago. I find it hard to resist Jacobean floral prints and I rarely see them printed on a true red background.
I don’t have enough of the Jacobean print to make three more Big Block Stars — each star finishes at 41″ square — but I do have enough to play around with 4-Patch Wonder blocks (my name for faux-kaleidoscope blocks made from four identical patches). Here’s a test block that measures 8” square:
Do I have a plan for this quilt? Not yet. I could keep it simple, surrounding my Big Block Star with one wide border, perhaps using 4-Patch Wonder blocks as cornerstones, or I could surround the entire Big Block Star with faux-kaleido blocks. No need to decide now. I’ll sleep on it.
And what of Big Block Star, Take One? After not looking at it for a few days, I have come to really like it. Comments from readers who saw my blog post about it or saw it on my Instagram have given me a fresh perspective.
Here’s to 2017! Specifically, here’s to lots of sewing and quilting in 2017. I’m already looking forward to several projects — and not just new ones. There’s a stack of UFOs beckoning that I am actually enthusiastic about tackling. But not today.
On this fresh new day of the year, I’m looking back on what I created in 2016. Rather than going in chronological order, I’m grouping my finishes by categories.
This was the year of the Junior Billie Bag, the quintessential quilter’s tote designed by Billie Mahorney. I made a bag for myself . . .
. . . and one for my friend Deborah . . .
. . . and one for my friend Miriam:
Next category: baby quilts. This is the first of two incorporating a charming giraffe-themed fabric panel:
Here’s the second one, using the same fabrics in a slightly different setting:
I didn’t use a pattern for these quilts, preferring to play with simple shapes (squares and rectangles) so that the giraffes on the fabric panels would be the focal point.
My third baby quilt of the year was this one using the pattern Just Can’t Cut It from All Washed Up Quilts:
All three were quilted by longarmer Sherry Wadley.
All by itself in the mini quilt category is Ring Toss, based on the pattern Mini Rings by Sew Kind of Wonderful:
Mini Rings was quilted by Karlee Sandell of SewInspired2Day. Oh, and that’s our new rescue kitty Princess Cordelia (Coco for short).
Lap quilts is the next category. Once again I used a Sew Kind of Wonderful design, adapting the pattern Chic Diamonds into this quilt I named Dragonfly Kisses:
It was quilted by Sherry Wadley.
The next quilt, Where It’s @, was started in July in a class with Karla Alexander of Saginaw Street Quilts. It’s based on her pattern Rewind. I really stepped outside my comfort zone with this quilt, and I absolutely love the result:
The last quilt in this category is Stella by Starlight, a “kaleido-spinner” using the Spinners block by Heather Peterson of Anka’s Treasures:
I call it a “kaleido-spinner” because the six equilateral triangles in each block were cut from identical repeats of the focus fabric, creating a kaleidoscope effect of sorts. The four small hexagon blocks are true kaleidoscope blocks.
Both Where It’s @ and Stella by Starlight were quilted by Karlee Sandell.
The next category is runners, both bed and table. I made one of each, using the same focus fabric in each (Wander by Joel Dewberry) and the same block design (Spinners by Anka’s Treasures) with completely different outcomes. Here is WanderLust I, the king size bed runner made with five blocks:
I liked the focus fabric so much I made the bed runner reversible:
The final category is a bit of a hodgepodge. I made a quilted cover for my stepmother’s new iPad Pro . . .
. . . and a cardholder for her bridge hands:
For my friend and fellow Quister (Quilt Sister) Vickie I made an iron caddy that doubles as a pressing mat . . .
. . . plus a matching 4″ x 4″ fabric box that she can use as a threadcatcher:
For myself I made some accessories to match my Junior Billie Bag: a rotary cutter coat made from my tutorial . . .
. . . and a scissors case . . .
. . . and a sewing caddy that sits upright in a Lucite stand:
A 4″ x 4″ fabric box (yes, it’s a threadcatcher) completes the ensemble:
As you have surmised, I’m crazy in love with that fabric line (Paradise by Alisse Coulter for Camelot Cottons). I expect you’ll see more of it in 2017, as I bought a lot when it was released a couple years ago.
I’m sending a shout out to the talented longarm quilters who transformed my 2016 quilt tops into beautiful quilts — Coleen Barnhardt, Karlee Sandell, Debbie Scroggy, and Sherry Wadley — and to you, my loyal blog readers, for your continuing interest and support of First Light Designs.