Ah, it feels good to be back.
Last week I was at Quilt Camp, my first trip back in five years. (The Dear Husband, who died in May, had a very bad fall in early 2022 so I didn’t spend any nights away from him from that point on.) It was lovely to reconnect with quilting friends, some of whom I have known for at least 25 years, and to meet some new ones.
Our group meets in early November for two full days and two partial days at Camp Tilikum, a retreat center outside of Newberg, about an hour’s drive from my home in Portland. We are served delicious meals three times a day, leaving us with nothing to do but sew to our heart’s content on whatever projects we have brought along.
I can’t wait to show you what I worked on. First up is my test block for a Halloween quilt:
Is that not one of the most beautiful witches you’ve ever seen? She has company! I bought this panel of 16 witches at Montavilla Sewing Center in Lake Oswego, where I teach:
Making a Halloween quilt was never something I wanted to do, probably because most Halloween prints include spiders. There are no arachnids in this panel, I’m happy to report, just a group of winsome witches and a few black cats.
My test block is from the pattern Dandelions at Dusk, which happens to be the pattern I used on my last quilt top (completed in August but still waiting, alas, for me to piece a backing and turn it over to my longarm quilter). I’m showing the top again here . . .
. . . to remind you how the focus fabric blocks are arranged with half-square triangles and two different sashing fabrics. You might think when first looking at my test block for the witches quilt that aqua was an odd choice for one of the sashing fabrics but I loved the look of the narrow aqua strip around each witch in the panel. I had to eliminate those strips to fit the pattern requirement so I decided to pick up the color in the sashing strips.
My fabric for the second set of sashing strips is a darker aqua that I hadn’t bought when I went to Quilt Camp. It will be revealed in my next post. The 16 blocks are mostly pieced at this point.
On to my second test block:
Except for the red triangle, the prints are from the “Something in Blue” collection by Tilda that was released in June. I succumbed to fabric lust and bought prints from the entire line, enough to make several quilts (and a bathrobe!). This block is from the Fig Tree pattern Papillon, which I have had for years. While I like the look of my test block very much, I think I am going to switch gears and make a fan quilt with larger blades. Stay tuned for my next test block using a different pattern.
My next project at Quilt Camp was to put a binding on my name tag made by a fellow member of the Metropolitan Patchwork Society, a guild I have belonged to for several years now:
Using the same aqua fabric you see above in my witches quilt, I applied single-fold binding using my own tutorial and fused it to the back with Steam-a-Seam 2, a double-stick fusible web. Then I added a neck strap. It will be a pleasure to wear it to the guild’s next meeting.
Another project I worked on needs a bit of explanation:
What you are looking at is a wheelchair transfer cloth made for my friend Lisa, who lives in Atlanta. The sides of the transfer cloth are rolled up as Lisa’s caregiver transfers her in and out of her wheelchair. The satin fabric on the underneath side makes it easier to slide her in and out. Lisa designed it herself and had several made but they are wearing out.
Using one of her transfer cloths as a pattern, I made this one at Quilt Camp using flannel for the center top and corduroy for the sides. The transfer cloth is fortified by a length of cotton canvas that goes in the middle, where batting would go in a quilt sandwich. The cloth measures about 17″ x 34″.
I mailed my sample to Atlanta so Lisa could inspect it. She pronounced it “absolutely wonderful and super slide-y!” so now I can forge on and make her a few more. As it happens, I am spending the second half of November in Atlanta with my twin Diane, who is a dear friend of Lisa’s, and I can work on the transfer cloths at Diane’s house because I keep a sewing machine there along with a set of all my sewing and quilting necessities. Diane and Lisa and I will have occasion to get together and celebrate; champagne may be involved.







Is that not the perfect fabric for the borders? Just the right shade of cornflower blue and just the right amount of pattern to augment rather than compete with the quilt blocks. This lovely piece of fabric has been in my stash for oh, a mere 18 years:





These four blocks make up the fourth row, bringing the total to 20:










