It’s Week 8 of Throwback Thursday. Over the last seven weeks I’ve shown you seven quilts, one for each year between 2010 and 2016. Today’s quilt is my first red and white quilt (though not my last, as you know from my most recent post). Here, representing Week 8, is Dutch Treat:
Made from the pattern A Mid-Winter’s Night by Cottage Rose, the quilt features a mix of reds and two light background fabrics, all from my stash. The quilting was done by longarm quilter Debbie Scroggy.
Dutch Treat gets its name from the windmill shaped blocks:
Eight weeks and eight quilts down, two to go! I hope you’ll join me next week for 2018’s pick.
The pattern is Love Rocks, from the brand new book Text Me by those talented sisters at Sew Kind of Wonderful. The curves were made with the Wonder Curve Ruler, also by Sew Kind of Wonderful, which made its debut last fall:
The book was just released at the end of January. Being a huge fan of Sew Kind of Wonderful’s other rulers and designs, I ordered Text Me as soon as it was available. And even though I couldn’t possibly justify starting a brand new project, I absolutely couldn’t wait to try out the new ruler and one of the designs in the book.
I already had the perfect fabric in my stash: a pair of positive/negative prints in red and white from the “Blossom” collection by Christopher Thompson for Riley Blake Fabrics. Here’s a close-up of the print:
To give you some perspective, the block above is 4″ square. The letters L, V, and E in my quilt top measure 17½” tall! The quilt finishes at 35″ x 40″. (Mine will be a little larger because I cut my borders a bit wider.)
Here’s a photo of the Love Rocks quilt on the back cover of Text Me:
As you can see, I reversed the red and white fabrics in my version. Doesn’t have to be red and white, of course. Wouldn’t it be a darling baby quilt in just about any combination of fabric and colors?
The book has instructions for making letters and numbers in three different sizes. Also included are directions for five quilts plus two bonus quilts made with leftover blocks. And there are 16 fun emoji blocks. The sisters even included an alphabet made from half square triangles (HSTs) in case you want to create letters without sewing curves.
Gosh, my post sounds like a commercial endorsement, doesn’t it? I’m not being sponsored by Sew Kind of Wonderful. I just love their designs and enjoy sewing curves using their rulers and no-pin method of sewing them.
And I have an idea in mind for the back of my quilt that may just involve some letters . . . and maybe an emoji . . .
My plan to showcase one quilt made each year between 2010 and 2019 by posting a photo every Thursday is showing me how quickly time flies. It seems I posted my quilt for 2015 just yesterday but no — an entire week has passed!
We are up to Week Seven of the New Year and I am pleased to show you a quilt I absolutely loved making:
It’s called Dragonfly Kisses, made from Chic Diamonds, yet another pattern by Sew Kind of Wonderful, creator of the Quick Curve Ruler. The quilt gets its name from the fabric line “Dance of the Dragonfly” from Benartex Fabrics.
I made some changes to the pattern . . .
. . . resulting in more background space, which shows off the beautiful edge-to-edge quilting by Sherry Wadley.
This quilt was given as a gift to a special family member. I have a feeling I will make another version if I come upon the perfect combination of fabrics.
Often when I finish a quilt, there are one or two things I would have done differently. Not with this one. I love every block, I’m happy with every modification I made to Terri’s original design, and I’m thrilled to pieces with the combination of computerized and free-motion quilting done by Loretta Orsborn.
Instructions for Reach for the Stars appeared in seven consecutive issues of Quilters Newsletter Magazine, beginning with the Oct./Nov. 2013 issue and ending with the Oct./Nov. 2014 issue. Sadly, QNM is no longer in publication.
Almost every month I receive a request from a quilter wanting to know how to get directions for Reach for the Stars. A few years ago I could point to eBay or Etsy for the needed issues but copies are getting harder to find. My advice nowadays is to check with a local quilt guild to see if any member has these seven issues and would be willing to lend or sell them to the person wanting to make the quilt.
Catch a Falling Star was my first ever sampler quilt. I wasn’t sure I would ever make another one. But I did. You’ll see that one when I reach Week 10 of Throwback Thursday.
Thanks for joining me on my weekly trip down Memory Lane!
The best way to describe progress on my Churning Stars quilt is “intermittent.” I’ve not spent much time in my sewing room recently. Over the weekend, though, I did find the time to make a few more big blocks — the ones that will finish at 18″ square. Take a look:
Last month I discovered that a seller on Etsy had a Layer Cake of “Cheddar and Indigo,” the fabric line from Penny Rose Studio that launched this project. Even though it was not a bargain, I snapped it up because a) fabric from this line that came out in 2015 is virtually impossible to find now, and 2) I really wanted more of these background fabrics:
If I’m very careful in cutting up these 10″ squares, I’ll be able to maximize the number of blocks that contain the fabrics as background.
Curiously, I was able to find a lot of almost every cheddar and indigo print from the line — I started looking three years ago — but only two of the six light background prints, the ones you see on the left:
I’m especially fond of the smaller of the two background prints. Good thing, as I have plenty of it. And I have enough of the other prints to make at least one more cheddar and indigo quilt. Even though I’ve practically just begun working on this one, I’m already auditioning patterns for a second one.
Is this normal behavior (for a quilter) or am I obsessing?
Throwback Thursday already?? It seems impossible but we are in the final week of January, Week 5 (and Year 5) of my 10-year-lookback at quilts. I started with 2010 at the beginning of the month and now I’m up to 2014.
In Square Dance you see my interpretation of the classic Twist block. Every Twist quilt I’ve ever seen features a solid fabric in the center of each block and two fabrics for the lattice. My version incorporates a lovely folk art floral in the center of each block and 12 fabrics in the lattice — four each of rose, green, and purple:
It was quite a challenge getting the balance of fabrics just right but I was very pleased with the outcome.
The beautiful quilting by Melissa Hoffman of Fiddlestitches is hard to see so here’s a close-up:
I remember Melissa telling me she had to wear a headlamp to stitch the free-motion filigree design in the interior of the quilt. Black thread on solid black fabric: what a challenge that must have been!
Square Dance is one of my quilts in rotation on the back of the couch in our living room. In fact, it’s there right now, and I managed to get a shot just now while the sun was briefly shining:
Here we are at Week 4 of Throwback Thursday, in which I’m looking back at quilts I’ve made over the last 10 years. By coincidence, my choice for 2013 is, like last week’s pick, a design by Sew Kind of Wonderful using the Quick Curve Ruler.
The pattern is Metro Rings, which I believe is Sew Kind of Wonderful’s #1 seller. Here’s my version:
This quilt was so fun to make! Instead of laboriously sewing individual curved pieces together for the rings, you sew strip sets and then cut them into curves. I used a variety of black and white fabrics, several of them French-themed. The quilting motif I chose included fleur-de-lis, another nod to France:
Honeymoon in Paris was beautifully quilted by Debbie Scroggy. The French-themed fabrics, combined with the fact that the pattern is based on the traditional Double Wedding Ring block, led me very easily to the name of the quilt.
Little did I know how significant the title would turn out to be!
You see, during the following year my dear friend Lisa received a proposal of marriage from her longtime beau, James. The proposal was followed by a lovely garden wedding and — you guessed it — a honeymoon in Paris. This quilt was destined to be Lisa’s. My sister Diane is the one who introduced me to Lisa and together we gave this quilt to Lisa and James as a wedding present.
I made a new Churn Dash block the other day for the quilt I’m currently working on using fabrics from the line called “Cheddar and Indigo” by Penny Rose Studio. Because these fabrics have been out for five years, I don’t have a full set of the line and am lacking light prints for the background. I’ve filled in with cream tone-on-tone prints from my stash.
Imagine my delight when I stopped by an LQS (that’s Local Quilt Shop for you non-quilters) the other day and happened upon two fat quarters of a light print from a different Cheddar and Indigo line, this one by Nancy Gere for Windham Fabrics. A perfect addition, I thought. After making my block I thought it looked just fine . . .
. . . until I put it up on my design wall in the company of some other blocks:
I had thought the new background fabric was creamy but it looked positively snowy white against the other blocks. What to do? I wondered if I could tea-dye the fabric. I’d never done it before but how hard could it be? After a bit of research on the Internet, I approached my task.
First, I found the widest shallowest bowl in my kitchen, one that was big enough for the block to lie almost flat on the bottom:
After removing the block, I plopped one tea bag in the bowl and filled it halfway with boiling water. I let the teabag steep for 90 seconds, then fished it out of the bowl when the water was a nice light brown. In went the block for a timed tea bath of three and a half minutes:
I could have let it steep longer but I wanted just a bit of color. I figured I could always dip the block a second time if it wasn’t dark enough.
After removing it from the bowl I plunged it into a bowl of cold water to which I had added a couple tablespoons of white vinegar (a tip from the Internet, intended to set the dye so it wouldn’t wash out when laundered). When the block was dry I gave it a good pressing . . .
and put it back up on the design wall:
Can you see the difference? It’s very subtle but unmistakably a better match with the other backgrounds.
Here’s a look at the block before and after:
Mission accomplished! Now I just have to tea-dye what’s left of the two fat quarters so I can make some more blocks.
Continuing my look back at quilts I’ve made over the last 10 years, we come to Week 3 and this baby quilt I made in 2012 for my great-granddaughter Marta:
This is the first of 11 quilts I’ve made using the Quick Curve Ruler designed by Jenny Pedigo of Sew Kind of Wonderful and one of her very first patterns, Urban 9-Patch. The fuchsia diamonds in the interior of the quilt were my additions to Jenny’s design.
Three of the fabrics are from the “Party Dress” line, Portlander Mo Bedell’s debut line for Blue Hill Fabrics. Lucky me, I still have a few pieces from the line that I’m saving for other projects.
Marta’s quilt finished at 47″ square. I quilted it myself and bound it in the same fuchsia fabric (polkadots!) used in each block:
Did you happen to notice one of the blocks is different from the others?
. . . I could make Churn Dash blocks till the cows come home.
The Churn Dash really is one of my very favorite traditional blocks. It’s right up there with stars of any kind — note the Sawtooth Stars above. Last year I spotted a quilt called Churning Stars in a book by Jenifer Gaston (Primitive Style) with this combo of Churn Dash blocks inside Sawtooth Star blocks and was instantly hooked.
I made a couple of test blocks back then, dipping into my collection of cheddar and indigo fabrics from Penny Rose Studio. Then nothing until Quilt Camp in November, when I made a few more blocks. Since then I’ve picked up a few fabrics from other lines to add to the mix.
I stole a few moments last week to make a handful of blocks, all destined to be part of a bed-size quilt. I’m not working with a pattern. I’m just making blocks in different sizes, ranging from the 3″ blocks you see in the upper right corner to the 18″ block in the lower left corner. I’ll play around with them on my design wall when I have enough to make a quilt.