“The most vivid day of the year in Sisters” — that’s how one quilt group describes the second Saturday of the year, when the little town of Sisters in Central Oregon is covered in quilts. That’s the day of the Sisters Outdoor Quilt Show, now in its 40th year.
Forty years! Little did Jean Wells Keenan know that summer day in 1975 when she hung a few quilts outside her quilt shop, the Stitchin’ Post, that a great tradition had just been born. This year some 1400 quilts were on display, extending far beyond the quilt shop to buildings up and down the main street and two blocks in on either side.
Here is a representative sample, shown pretty much in the order I snapped them:
Swirling Sea by Karen Oster of Sisters OR (57″ x 63″)
Elephants on Parade by Crystal Darr of Willamina OR (51″ x 61″)
Oriental Shimmer by Betty Green of Baker City OR (71″ x 85″)
Chateau Rouge by Jeannie Wiggins of Redmond OR (71″ x 87″)
Vintage quilt circa 1930, Maker Unknown (67″ x 82″). Exhibited by Sally Rogers of Bend OR.
Vintage Quilt, Maker and Date Unknown, Quilted in 2014 (72″ x 75″). Exhibited by Randy Danto of Scotts Valley CA.
Hot Lips by Roxanna Hill of Redmond OR (86″ x 96″)
Robot at the Whitehouse, exhibited by Gee’s Bend Quilters (76″ x 94″)
Day of the Dead Dresdens by Opal Cocke of Camano Island WA (65″ x 77″)
Detail, Day of the Dead Dresdens by Opal Cocke
Chain of Fools by Candy Wood of Bend OR (67″ x 75″)
Jackie’s Log Cabin on Point by Sally Rogers of Bend OR (70″ x 84″)
Freddy Moran of Orinda CA in front of her quilt Houses on Point (80″ square)
Circles of Life by Andrea Baloskey (80″ square). Exhibited by Jean Wells Keenan.
Labyrinth by Patty Six of Santa Barbara CA (57″ x 62″)
Joseph’s Coat of Many Colors by Pam Goecke Dinndorf of Rice MN (48″ x 62″)
Pumpkin Pie and Ice Cream by Sarah Kaufman of Bend OR (33″ x 38″)
Woolie Garden by Anna Bates of Sisters OR (70″ square)
Detail of Woolie Garden by Anna Bates
Rip Tide by Karla Alexander of Salem OR (60″ x 74″)
Concentricities 2015 by Sue McMahan of Bend OR (43″ square)
Eccentric Circles by Tonye Belinda Philips of Camp Sherman OR (51″ x 67″)
Detail, Eccentric Circles by Tonye Philips
Detail, Eccentric Circles by Tonye Philips
Windmills or Squares? by Sarah Kaufman of Bend OR (23″ x 35″)
Out of Focus by Colleen Blackwood of Pendleton OR (66″ x 72″)
Flower Pops by Alex Anderson of Livermore CA (58″ square)
Bird Dance by Sue Spargo of Uniontown OH (37″ x 43″)
Detail of Bird Dance by Sue Spargo
Something for every taste, wouldn’t you say?
I took so many photos at the quilt show that I’m dividing my show-and-tell posts into two segments. I do hope you’ll come back for more.
I made these fabric baskets a few months ago for Deborah and Peggy, my fellow Quisters (Quilt Sisters). Their birthdays are in March but they didn’t receive their baskets until very recently, which is why I held off posting pictures. (The Quisters try to meet every month but this spring and summer our schedules have just not been meshing. We’re working on that.)
Kelly of kelbysews, one half of the design team Hearts and Bees, posted a tutorial in the spring for the 1 Hour Basket. The tutorial is available as a pdf digital download from Craftsy. In no time at all photos began popping up everywhere on Instagram. When I saw them, I knew right away I wanted to make birthday baskets for Deborah and Peggy.
I made one change in the tutorial directions: I lined the handles with the same fabric used for the basket lining. Here’s a close-up of Deborah’s basket:
On Peg’s basket, I turned the handles inside out because I liked the look of the contrasting fabric on the outside:
The baskets are perfectly sized to hold a bundle of fat quarters, so of course I tucked some into each basket before wrapping it up.
Two years ago today my friend Lee Fowler died, succumbing to a rare form of cancer called leiomyosarcoma. Lee was a nationally recognized quilt artist, designer, and teacher who also loved to knit, craft, hike, garden, and travel.
The first quilt blog I ever followed was Lee’s. It was called The Polkadot Debutante, so named because she absolutely loved polkadots and because she actually had been a debutante — in the true Southern tradition in which a young woman on the threshold of adulthood is formally introduced to society at a ball or cotillion. That experience was decades removed from the woman with the hearty laugh who collected ceramic monsters, loved the color orange, and dressed up in outlandish Halloween costumes she made herself.
Lee was also a professional longarm machine quilter. I met her in 2009 when she was recommended to me as a longarmer especially skilled in free motion quilting. I didn’t know it at the time but she was already fighting cancer. She quilted three quilts for me before the progression of the disease forced her to retire from longarm quilting for clients. However, she continued to quilt, knit, craft, and enjoy the great outdoors right up to the end of her days.
For the last two years of Lee’s life, she was a member of our small quilt group, the Quisters (short for Quilt Sisters). Lee and I represented the Portland contingent; Peggy, Deborah, Vickie, and Vivienne were the Salem contingent. Every month or two, the six of us would get together at one of our homes to sew, chat, laugh, eat homemade desserts, and share our latest crafty and quilty creations.
I well remember the last time all six Quisters were at my house. It was June 28, 2013, two weeks to the day before Lee died. A few weeks earlier, with time running out, Lee had put out a request to her many quilting friends asking for help in creating a quilt she had always wanted to make: a Pickle Dish quilt.
Now, this pattern is not for the faint of heart. Take a look at the basic block:
Pickle Dish Block. Image from Flickr.
A block is made up of four quarter blocks, each usually featuring nine rings made up of wedges (trapezoids). The rings are joined to other curved pieces. One block typically contains 88 pieces.
Lee had seen a Pickle Dish quilt made by Australian designer Kathy Doughty in the Fielke/Doughty book Material Obsession 2 (STC Craft, 2009). The quilt pictured in the book hung in the 2013 Sisters Outdoor Quilt Show:
Gypsy Kisses (92″ x 103″) by Kathy Doughty of Sidney, New South Wales
Lee started planning her own version. She figured that if enough friends agreed to make a ring or two using fabrics from their stashes, she could combine the rings with fabrics from her stash and create a scrappy Pickle Dish quilt in reasonably short order. Her request was that those of us making blocks choose fabrics with bright colors and – of course – polkadots.
Before long Pickle Dish units by the dozen were flowing Lee’s way and she was at work putting the blocks together. With a bit more help from a close cadre of friends working at her home, she completed the quilt top in June. Janet Fogg quilted it and finished the binding the day before the gathering at my house.
The Quisters were among the very first to see Lee’s finished quilt. The big reveal:
Lee Fowler’s Pickle Dish Quilt, 66″ Square (2013)
Isn’t it stunning? Lee took a vast array of blocks made by 25 different people and created a colorful, cohesive quilt that sparkles with the kind of energy and vibrance that characterized her quilting – and her life, for that matter.
The ring I made for Lee’s quilt is the fuchsia and lime green one in the top center of this picture:
Lots of Dots
At the service in August 2013 celebrating her life, Lee’s Pickle Dish quilt was on display. Most of us who worked on it were at the service, and Lee’s husband Rick LePage managed to round us all up for a photo:
The Pickle Dish Gang, August 2013
Rick dubbed us the Pickle Dish Gang. Then he announced that Lee’s quilt was going traveling. Each one of us would have Lee’s Pickle Dish quilt in our own home for a month. Can you imagine how thrilled we all were?
Ever since then, I have been patiently waiting my turn. And now it has come. Lee’s quilt was delivered to me last Sunday when I arrived in Sisters, Oregon for a weeklong getaway with my Quisters, and it will have pride of place in my home until it’s time to hand it off to the next member of the Pickle Dish Gang.
A small park at the east edge of Sisters served as a backdrop for some pictures of Lee’s gorgeous quilt. Here’s my favorite:
Lee’s Quilt in Creekside Park, Sisters OR
I treasure my memories of Lee and will always treasure the time that her Pickle Dish quilt was mine for a month.
It’s the center medallion of my quilt Catch a Falling Star, based on Terri Krysan’s Reach for the Stars star sampler quilt. During all of 2014 I was engrossed in making this quilt. Regular readers were with me each step of the way.
Here’s my quilt, 84″ x 105″, reduced to a thumbnail:
Back in February 2014, after making the center medallion and a couple of blocks in the quilt you see above, I started playing around with a different set of fabrics — Barbara Brackman’s Morris Tapestry line for Moda. I made a couple of test blocks to see how I liked the focus fabric:
I liked it.
I decided then and there to make a second version. Those two blocks were as far as I got, though. Now, several months after finishing Catch a Falling Star, I have returned to that idea.
Here is the center of medallion of my Reach for the Falling Stars, Version 2 quilt:
You must think I’m crazy. Or maybe just star crazy.
Ah, but there’s a method to my madness. You see, I am not going to make the 14 blocks that surround the center medallion. My Version 2 of Reach for the Stars is going to be a bedrunner. I’m going to choose my six favorite blocks from the 14 I made for Catch a Falling Star. I replaced a couple of blocks in Terri Krysan’s quilt design for some I liked better, and at least one of those will wind up in my Version 2.
Either I’m a committed quiltmaker or I should just be committed. What do you think?
See that foot? It’s the darning/free motion quilting foot for my Janome sewing machine. I’ve had this sewing machine for 10 years and have used it quite a bit for free motion quilting but today I did something with it that I’ve never done before: I used it for darning.
Decades ago I bought this vintage dresser scarf at an estate sale in Portland:
It’s the kind of find that quickens the heart of any lover of vintage linens. (Of course it didn’t have a hole in it at the time.) It measures 17″ x 64″ and, in addition to the inset initials, features beautifully crocheted edging all around and this lovely design on both ends:
I’ve used it on a side table in my dining room ever since I brought it home. (My initials, by the way, are DW. I don’t think I even know anyone with the initials AH.)
Over time the scarf developed a pinhole, which eventually turned into a hole the size of a pencil eraser:
Something definitely needed to be done. After practicing my darning skills on a scrap of fabric (up and down, back and forth, in a crosshatch pattern), I was ready to work on the real thing:
I put a scrap of tissue paper underneath the runner before stitching to help stabilize the cloth. This is what it looked like from the back:
The tissue paper peeled away easily, just as you’d expect.
Now freshly laundered and ironed, the scarf is back in its proper spot in the dining room:
Flush with success, I proceeded to mend holes in another vintage linen, a round jacquard tablecloth 84″ in diameter that I got for $10 at a garage sale in my neighborhood some years ago. It was badly yellowed with age but otherwise seemed to be in good condition. It washed up beautifully, and I have used it many times over the years on the round patio table on our back deck. Like the dresser scarf and other well loved linens in my collection, the cloth had developed holes over time from extensive use and repeated launderings.
Here’s a before and after shot of one of the holes:
The tablecloth is so big I drew lines around the holes so I could locate them more easily when the bulk of the tablecloth was under and around my sewing machine. (Those colored lines were made with a Frixion pen; the lines disappear with the touch of hot iron.) I also stitched over some pinholes before they had a chance to turn into larger holes.
At the meeting of the Metropolitan Patchwork Society last night, I bought $5 worth of raffle tickets. The MPS raises money for speaker fees by raffling off donated fabrics, bundling them in pleasing combinations according to color or theme, sometimes adding a book or pattern to sweeten the deal. It’s a terrific way to raise money, destash, or take home a prize, depending on whether you’re the guild, the fabric donor, or the lucky recipient. I’d say that’s a win-win-win.
Last night about a dozen bundles of fabric were being raffled. I was particularly taken with this one:
A Beautiful Bundle
Reader, you know what’s coming: I won it!
The largest piece was this lush hydrangea and berries print designed by Holly Holderman for Lakehouse Fabrics:
Bountiful Blossoms and Berries
When I got home and measured this piece, I discovered it was 5¼ yards long. What a bonanza! The other three pieces were considerably smaller, but I still wound up with over seven yards of beautiful fabric. For five dollars. Wow.
When this fabric line came out a few years ago, I bought a piece of it in the pink colorway and eventually made this quilt from my 4-Patch Wonder pattern:
Framboise, 69″ x 84″ (2012)
This quilt, named Framboise, is one of my favorites. (You can read about the making of it in this post.) Here’s a shot of Framboise with the beautiful McKenzie River in central Oregon as a backdrop:
Framboise au Naturel
Framboise is currently on the bed in the guest room so I get a glimpse of it every time I walk by the room.
What will I make with my new blue hydrangea fabric? I haven’t a clue. I’m just happy that it’s now in my stash along with the other three pieces in the bundle.
Thanks to modern technology, I made virtual friends last year with several quiltmakers who, like me, were enchanted with Terri Krysan’s star sampler quilt, Reach for the Stars, and decided to make their own versions. Directions for the quilt were released in serial form by Quilter’s Newsletter beginning with the Oct./Nov. 2013 issue. As each issue was released, our little band of quiltmakers would share our progress and cheer each other on.
Last fall I began corresponding with Fawn S. of New York, who was working on two versions of Reach for the Stars — one as a birthday gift for her mother and one for herself. Several of the quilters in Fawn’s group, the Honey Bees, were also making RFTS. Now Fawn has sent me photos of quilts and quilt tops made by her and her quilting colleagues Rose, Linda, Nancy, and Janet. I am so happy to share those photos with you.
First up, the quilt Fawn made for her mother:
This quilt, featuring fussy-cut cardinals, was made with deep reds, tans, and browns. Here’s the center medallion . . .
. . . and here’s a close-up of one of those fussy-cut cardinals:
Fawn quilted this herself on her mid-arm. Beautiful!
Rose’s finished quilt is a handsome combination of blues, greens, and tans, very dramatic against a white background:
Love the batiks. And did you notice the accent pillow?
Linda’s focus fabric is a lovely floral on a soft blue background. Her palette of greens, pinks, and creams, combined with that floral focus fabric, yielded this romantic result:
The version of RFTS that Fawn is making for herself is made with teals, tans, and browns:
It features a different bird print than the one she used on her mother’s quilt.
Nancy’s version also features birds. Her color palette includes deep reds, tans, and blues:
Can’t wait to see both of those quilts with the borders added.
Although this next photo is not in sharp focus, you can still appreciate the gorgeous combination of fabrics in Janet’s quilt top:
Rusts, corals, tans, and greens on a cream background — so striking. And the batik print in her checkerboard border sets off the inner fabrics beautifully.
Thank you, Honey Bees of Honeyville, NY, for sharing your beautiful quilts with me! I hope seeing them inspires others who are also reaching for the stars to keep working on their own versions.
Twinship — the perfect kinship! I’ve just returned from a 10-day trip to Atlanta to visit my twin sister. Diane was supposed to join me for part of my recent trip to Paris but had to bow out at the last minute when one of her family members became seriously ill. Happily, the family member is well on the road to recovery. The only thing Diane and I could think of to assuage our mutual disappointment was for me to make a visit to her home, so just days after my return from Paris I was back on an airplane winging my way from Oregon to Georgia.
We had a lovely time! I usually wind up with a home dec project when I visit Diane but this time my trusty old Elna, which I took to Atlanta a few years ago so I could sew there, stayed put. We did get in a bit of antiquing, though. My visit happened to coincide with the Scott Antique Mall, open just one weekend a month in Atlanta, so off we went.
I wasn’t planning to buy anything but . . . you know how that goes. Minutes after walking through the entrance at Scott’s I spied a collection of vintage buttons. If I had found just this one thing, I would have been delighted:
This little 2″ x 3″ card will go up on the bulletin board in my sewing room.
I also found these green glass buttons dating back to the 1940s:
How do I know how old they are? The back of the card is marked “Germany – U.S. – Zone,” indicating they were made between 1945-1950.
And look at these fun clock buttons:
I have no idea how old they are or even what I will use them for. Hmmm, let me see. . . . What if I were making a mini quilt with buildings on it, and what if one of the buildings were a clock tower? Wouldn’t one of these buttons make a fun clock? Something to think about.
Toward the end of the day I spotted this charming ironstone lidded jar:
What is it? A large sugar bowl? A biscuit jar? It measures about 7½” tall and 7″ wide. The maker is John Maddock & Sons, one of the many potteries located in Burslem, Staffordshire, England. Here’s a look at the bottom of the jar:
I haven’t found information on this specific mark but judging from other maker’s marks from this pottery that I read about on line, my jar may have been made between 1870, when the mark changed from “Maddock and Son” to “Maddock and Sons,” and 1896, when “Ltd” was added to the mark. The pottery continued to produce until the 1960s, though, so perhaps my jar is not as old. It doesn’t really matter; I bought it because I loved it, not because of its age.
I thought it would be perfect on the narrow table opposite the clawfoot tub in the master bath but it turned out to be a little too small in scale. Now it’s in the guest bathroom where it does double duty as a Pretty Little Thing and as a holder of cotton balls:
Diane found a couple of Pretty Little Things, too. For some time she has been looking for a slotted spoon small enough to scoop fruit from a can or olives from a jar. She finally found what she has been looking for:
A pleasing combination of form and function. As Diane would say, “Elegantly simple and simply elegant!”
She also found the perfect container to corral the various and sundry remotes for the TV, the DVD player, the sound system, and who knows what else. It’s a round paper maché box covered with vintage wallpaper:
The colors match her living room scheme and go well with the reversible table runner I made her a few months ago:
(That narrow quilted table runner was made to cover the “seam” created when Diane put two chests back to back to create a larger surface area between the two chairs in her living room. You can see the reverse of the table runner and read about the making of it in this post.)
Diane’s final find of the day was made from a recycled Reader’s Digest Condensed book:
The vendor had laser cut old volumes into letters of the alphabet. In this case, E is for Edward, Diane’s 6-year-old grandson (named after his grandfather, Diane’s husband Ed). Young Edward is a frequent overnight guest at his grandparents’ home, so much so that he has his own room. Here the letter E is displayed with another of his grandmother’s marvelous antique store finds, a vintage appliquéd wall hanging:
Can you tell we had fun at the antique mall? The entire visit was fun. Now I’m back home and eagerly anticipating getting back to my quilting projects. My sewing machine is not used to being idle.
Continuing to relive my recent Paris trip, here are some photos, in no particular order, starting with this one of Notre Dame on a cool and drizzly day in early May:
(That’s moi in the foreground, in the polka-dot raincoat.)
Inside Le Grand Colbert, the restaurant featured in the 2003 Diane Keaton film Something’s Gotta Give:
A niche in the wall at Place St. Germain des Pres:
The giant stained glass dome inside the Galeries Lafayette department store:
A perfect Parisian rose, rivaling those in my hometown Portland OR, known as the City of Roses:
A theater lover’s delight: seeing Juliette Binoche in an English language production of Antigone:
Street scene snapped while riding on a city bus:
One of the most iconic images of Paris:
Inside E. Dehillerin, the famous cook’s supply store frequented by the likes of Julia Child and the Barefoot Contessa:
A delicious grocery store discovery:
Best enjoyed with a cup of coffee served in a French mug:
Strolling along the Seine admiring the chestnut trees for which Paris is justly famous:
(Here you have to imagine Ella Fitzgerald singing “April in Paris, chestnuts in blossom, holiday tables under the trees . . .” And yes, I took that photo in April.)
And finally, since this is primarily a sewing/quilting blog, my final shots are of images I want to reinterpret as quilt blocks:
The sights, the sounds, the smells . . . Paris was a feast for the senses. I feel so fortunate to have spent three weeks there.
Hello out there, hello. Or should I say, “bonjour!”
I’ve been home from my woooonderful Paris trip for over a week now and have yet to get back into my sewing/quilting groove. Oh, I’ve washed and ironed several pieces of fabric pulled from my stack of recent purchases, and I’ve started prepping for a new class. I’ve even taught a class. But I have yet to sit down at my sewing machine. Unusual, most unusual. I usually return from a trip raring to sew.
I’m sure my sewing mojo will return shortly. In the meantime, since I’m still basking in the glow of all those happy Paris memories, I’ll share a few photos. My husband and I were there for three weeks, exchanging housing with a friend who stayed at our home and took care of our little cat Theodora while we took care of her big cat Buddy. The exchange worked out splendidly.
Some of the landmarks beginning (of course) with the Eiffel Tower, viewed on a rainy afternoon from the Trocadéro:
La Tour Eiffel
The Arch of Triumph (photo taken on the 70th anniversary of VE (Victory in Europe) Day:
Arc de Triomphe de l’Étoile
The Museum of the Army of France (Napoleon’s final resting place):
Musée de l’Armée, L’Hôtel national des Invalides
The doors of Paris! They could be the subject of a photo essay. Here are just a couple of those pretty portals:
Stately old buildings, so many of them beautifully adorned with wrought iron balconies:
We ate our share of what the French call “sandwichs,” our favorite being jambon et emmental (ham and cheese) on baguettes, often enjoyed on a park bench after a museum exhibition or other outing. I also sampled French onion soup:
Carpaccio di manzo, in a French-Italian bistro near the Bastille Métro stop:
Cafe crème, our favorite mid-afternoon pick-me-up, never served without a square of dark chocolate on the saucer:
Standing in front of French patisseries eyeing the offerings in the window was a form of entertainment in itself:
We visited a number of small museums and saw some fascinating temporary exhibits, most of which were not the least bit crowded. An exhibit at the Biblioteque Nationale de France (French National Library) celebrating the 100th anniversary of chanteuse Edith Piaf’s birth:
Au Temps de Klimit: La Sécession à Vienne (In the Time of Klimit: the Vienna Secession), tracing the development in Viennese art from the end of the 19th century until the first years of Expressionism:
Inside this beautiful building, Palais Galliera, also known as the Musée de la Mode de la Ville de Paris, a wonderful exhibition on milliner and couturier Jeanne Lanvin. She died in 1946 but her house of fashion survives, the oldest French one in existence:
I see now that I need to break this post up into two parts. I hope you will indulge me. Please come back to see several more pictures, including a few images that I took because of their potential as quilt blocks or quilting motifs.
