Category Archives: ’30s reproduction fabrics

“Hello in there, hello”

Hello, friends. Are you wondering where I’ve been? It seems like ages since I published a post. The good news is I finally have something quilty to post about:

It’s been six weeks since I made the binding for my ’30s reproduction quilt, Vintage Vignettes, but I didn’t actually get the binding sewn on until yesterday. This morning I joined the loose ends of the binding to complete the final seam . . .

. . . and sewed the remainder of the binding in place.

Then I started tacking down the binding on the back, a process I really enjoy:

As soon as I arranged the quilt on my ironing board to take a picture, Coco put in an appearance:

Her right paw is on top of the spot where I starting tacking down the binding. I always like to start near a corner to get the first of the mitered corners out of the way. So far I’ve stitched seven inches. Let’s see, now . . . this quilt measures 80″ x 92″. That means I only have 337 inches to go!

 

 

 

Posted in '30s reproduction fabrics, update, vintage quilts | 4 Comments

Binding Dilemma Solved

At what point does a WIP (work-in-progress) become a UFO (unfinished object?). It was early December 2022 when I last posted about one of my WIPs, a ’30s reproduction quilt top made some 20 years ago by my friend Vivienne, finished by me, and quilted by Karlee Sandell. I was speculating on my options for binding fabric, knowing the final choice needed to go well with the border fabric and the various ’30s repro fabrics within the quilt:

I figured it would be a cinch to find a medium-light solid blue, Alas, I visited three quilt shops and came home empty-handed each time. None of the shops had just the right shade of blue. I did have enough of the border print to bind the quilt but I was stubbornly holding out for a solid to frame the quilt.

Months passed. My WIP was dangerously close to becoming a UFO. To the rescue came a quilting friend, Sue H., who had inherited a friend’s vast stash of fabrics. The stash included a bin of ’30s reproduction prints and solids. Sue told me she thought there was a blue in the bin that might work. I admit to being dubious but when she brought me the piece of fabric last week, I had a glimmer of hope.

Sure enough, when I got home and put the fabric next to the quilt, I nearly jumped for joy: it was a nearly perfect match! Today I cut my binding strips and sewed them together:

It’s likely this blue was part of a ’30s reproduction line — but it’s also possible it’s a true vintage fabric. We’ll never know for sure. All I know is that the quilt I’ve already named Vintage Vignettes is closer to being completed. Thank you so much, Sue! Aren’t quilty friends the best?

 

 

 

Posted in '30s reproduction fabrics, update, vintage quilts | 6 Comments

Way To Go!

When it came time to choose a quilt motif for my Vintage Vignettes quilt, I just knew that feathers would be the way to go. Karlee at SewInspired2Day did a beautiful job on her longarm quilting machine with this edge-to-edge design called “Abundant Feathers.” I chose the same design a couple years ago for another quilt, Lilacs in September, and loved the result.

Here’s another close-up . . .

. . . and here’s a shot of the entire quilt, measuring 80″ x 92″ after trimming:

The outer border is a generous 8″ wide. I haven’t settled yet on what fabric to use for the binding. I could use the border fabric to completely float the blocks or I could go with a solid to provide a subtle frame.

Take a look at this close-up of the border fabric next to one of two blocks with almost the same colors (this was taken pre-quilting):

If I went with a solid for the binding, my choices would be the medium light blue of the background, the darker blue in the flowers, yellow or orange. Believe it or not, I’m leaning toward the orange (think creamsicle!). I’ll probably wind up hauling the quilt to my closest local quilt shop, cool cottons, which has an extensive collection of solid colors, to properly audition my choices. I love an excuse to visit a quilt shop!

 

 

 

Posted in '30s reproduction fabrics, update, vintage quilts | 8 Comments

Good News, Bad News

The good news:  the test valance I made for my stepmother Shirley’s living room windows last month was a great success. You’ll recall from my last post that I’m helping her update her living room by making bespoke valances out of an elegant furnishing fabric. The Dear Husband and I enjoyed a quick trip to Central Oregon at the end of September to visit her and test out the valance and drapery rod in her home.

The bad news:  at some point during that trip I was exposed to Covid-19. I woke up at home on Friday, Oct. 7, with mild cold symptoms, took a Covid test, and looked in dismay at the second pink line on the home test. The DH and I immediately went into isolation mode per CDC guidelines.

The good news:  my bout with Covid hasn’t been bad. My cold symptoms never worsened although I did experience three days of fatigue. Neither my stepmother nor a dear friend I had lunch with in Bend came down with Covid. The DH tested negative five days in a row.

The bad news:  on the sixth day the DH tested positive. I arranged a video conference the next day with a physician who prescribed the anti-viral drug Paxlovid for the DH. By then I was one day beyond my five-day isolation period and was able to mask up and get that prescription for him.

The good news:  within 24 hours of taking the first dose, my husband was feeling remarkably better.

More good news: yesterday I got the borders sewn onto the ’30s reproduction quilt top found at my guild’s silent auction in August. This is the border print next to a corner block:

Here’s a look at the top on a double bed:

Isn’t that pretty? I’m very happy with my choice of fabric for the outer border. The top measures 81½” x 93½” right now; it will shrink a bit from quilting and laundering.

It sure felt good hearing the sewing machine in my sewing room humming again! I’m now primed to cut into that gorgeous decorator fabric with the goal of heading over to Central Oregon before the end of the month with the finished valances.

 

 

 

Posted in '30s reproduction fabrics, family, home dec, update, valance, vintage quilts | 7 Comments

Charmed, I’m Sure

Third time’s the charm, they say. It took trips to three local quilt shops before I found the perfect print for the outer border on the reproduction ’30s quilt top I bought at my quilt guild’s recent silent auction:

The delicate floral print is from the “Aunt Grace Basket of Scraps” line designed by Judie Rothermel for Marcus Fabrics. It’s shown with one of two blocks in the quilt (out of 30) that have a similar colorway. This is the other one:

I brought the quilt top with me to the shop so I could audition border fabrics with it in hand. One thing I noticed right away is that reproduction prints in quilt shops now have whiter backgrounds. When this top was pieced 20 years ago or so, the prints were creamier. I’m confident the border fabric will work well, though.

After choosing the border fabric, I strolled around the shop looking for a vintage-y print that would work on the back. I found some lovely ones but none that had that ’30s vibe. Guess what I came back to. Yep — I bought enough of the border fabric to make a backing. I actually bought the rest of the bolt — almost 10 yards — thinking I might want to make a pair of pillowcases to go with the quilt.

As a reminder, here’s a look at the entire top (I’ll add lavender strips to the sides to complete the narrow first border):

Each of the 30 blocks was made with a different print. Most of the prints are floral but several represent characters and scenes from children’s storybooks (think Humpty Dumpty and Little Bo Peep) and a couple prints are of kittens chasing balls of yarn. You know I like to name my quilts. I’m thinking of calling this one Vintage Vignettes.

 

 

 

Posted in '30s reproduction fabrics, cats, roll-it-up pillowcases, update, vintage quilts | 8 Comments

I Couldn’t Resist

My quilt guild held its annual auction last week, selling over 200 items. My goodness, I’ve never seen such an array of generously bundled fabrics along with books, patterns, sewing notions, vintage linens, and even a Singer Featherweight machine. And what did I come home with? This beautifully pieced quilt top:

We all know the last thing I need is another quilt top when I have so many of my own begging to be finished, but friends, I could not resist. The final bid was $20 — an absolute steal. Truth be told, I would have paid more but the top didn’t seem to be drawing a lot of interest. Was it because I was hovering in the background willing my guildmates to keep passing it by? I also lingered nearby (inconspicuously, I hope) as the auction drew to a close, making sure no one could squeeze in at the last minute to outbid me.

I have no idea how old this top is or who made it. Judging by the looks of it, the fabrics are 1930s reproductions rather than vintage pieces. What struck me as I unfolded it to get a better look was how beautifully it was pieced. The quiltmaker sewed consistent quarter-inch seams . . .

. . . and every single point on the front is perfect as a result:

That makes my little wannabe perfectionist heart go pitty-pat. It also argues for the top being more recent. My guess is that the quiltmaker used a rotary cutter and made very accurate cuts before piecing the top so accurately.

I hadn’t seen that block design before but it seemed to be a variation on the Shoofly block. I did a little research from the best source of all: Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns. Looking in the index under Shoofly, it didn’t take long to find the block, which has several names. It’s known as Richmond, Aunt Vina’s Favorite, Pin Wheel, Butterfly, and Lucy’s Four and Nine:

Brackman notes that the earliest publication she has seen for the pattern is Hearth & Home magazine about 1915 under the name Richmond.

The quiltmaker used a 5 x 6 setting, separating the blocks with 2″-wide sashing. The blocks finish at 10½” square, which seems a bit unusual to me. Right now the top measures 61″ wide by 77½” long. But here’s something a bit odd:  there’s a border strip of the lavender lattice fabric on the top and bottom of the quilt top but not on the sides. Look back at the first photo to see what I mean. Could the quilt have been abandoned because the maker didn’t have enough of the lavender fabric to complete the border?

I’ll never be able to find the exact shade of lavender to add side borders. What are my options? Well, I could add side borders with a reasonably close match to the original lavender but in my heart of hearts I know that’s not going to happen. I could remove the top and bottom borders and find a different fabric — perhaps a reproduction print containing many of the colors in the quilt top — to border the blocks. Or I could cut down the lavender fabric on the top and bottom borders and make borders for the sides with what is cut off. Then I could add a larger border of print fabric. Just an idea — but I’m leaning in that direction.

What would you do?

 

 

 

Posted in '30s reproduction fabrics, Metropolitan Patchwork Society, update, vintage quilts | 19 Comments