The “new big leaf” I started last week in a workshop with Pat Pauly is almost done. The leaf is created using freezer paper templates. Today I sewed the leaf half-sections to their backgrounds and added the vein that runs down the middle of the leaf:
The only thing left was to join the two halves. And lo! the twain did meet:
Right now my leaf measures about 27½” square. Once quilted, it will be trimmed to 24″ square. Here it is cropped (the photo, not the leaf!) to give you a better idea of what the leaf will look like finished:
I’m so pleased with it!
I did make one change from my original vision of it. When I started working on this project, the tip of the leaf was oriented toward the lower right hand corner:
Today I decided I like my composition better with the tip of the leaf in the upper right hand corner. (You might say I turned over a new leaf . . .)
The next decision is whether to add a binding or face the edges. I’ll wait till it’s quilted and then let the quilt “tell me” what it needs.
That’s Pat Pauly’s motto. Pat is an award-winning art quilter and fiber artist from Rochester, New York. She’s known for making contemporary quilts with strong graphic compositions, many of them mixed media pieces on a large scale (hence the motto). She was in Portland this week to speak to the Metropolitan Patchwork Society (MPS) and lead a workshop on her “New Big Leaf” design, which employs freezer paper templates.
After seeing samples of Pat’s New Big Leaf and visiting her website, I signed up for her workshop. I’m interested in working more with freezer paper templates and wanted to learn about her methods and techniques. Her lecture for MPS, in which she zipped through 400 slides to illustrate her talk on “The New Face of Art Quilts,” was a wonderful precursor to her workshop the following day.
Here are two samples of Pat’s “New Big Leaf”:
Designed and made by Pat Pauly. 24″ square.Designed and made by Pat Pauly. 48″ square.
Pat brought to the workshop two other examples of her “New Big Leaf.” Here is the one-block version made with some of her own hand-dyed fabrics . . .
Designed and Made by Pat Pauly. 24″ square
. . . and a four-block version in commercial fabrics:
Designed and made by Pat Pauly. 48″ square.
Here’s Pat during the workshop talking about her quilt:
Pat Pauly with her New Big Leaf
After studying her samples in advance, I decided to make a single block using batiks from my stash. I brought a stack of batiks to the workshop and got to work. Here is my leaf in process:
The orange batik I brought for the veins of the leaf turned out to look a bit faded. My friend and fellow MPS guildmate Vickie generously gave me some of her own brighter orange batik to jazz up my leaf. Thanks, Vickie!
At the workshop I auditioned several purples and greens to fill the areas around the leaf. When I got home I started to second guess my choices:
I’m going to replace those two lighter purple pieces with ones that are a bit darker. I want the outer pieces to blend more so that the leaf remains the focus of attention.
Yes, I’m liking this better:
I’m liking it even more with the little wedges of color in the outer pieces:
Slowly but surely, my “new big leaf” is coming together.
Seeing one of your own designs interpreted by another quilter is one of the pleasures and rewards of designing quilts. Last weekend I was at the Pine Needle, the local quilt shop where I teach, and was thrilled to see Maxine Borosund’s version of my pattern Season to Taste:
Maxine’s Table Runner
Isn’t that stunning? Season to Taste can be a table runner or a wall hanging, depending on the maker’s point of view and intended use of the finished piece. Maxine’s version is a table runner.
The triangles that form the octagon can be made with a variety of fabrics, like Maxine’s, or from one fabric for a true kaleidoscope effect. You can see both options on the cover of the pattern:
pattern cover
Maxine added a design element to her quilt that I just love: a very thin flange right next to the bound edges. Take a look at this close-up:
See that narrow strip of chartreuse right next to the binding? She did a beautiful job on the flange, as well as the seams in the eight triangles where the thin chartreuse accent strips and outer black strips meet. Everything lines up perfectly, the sign of a quilter who sews with care and precision.
I asked Maxine to pose with her table runner so I could post a picture at this site:
Thank you, Maxine. Your table runner is beautiful!
In a few short hours, my twin and I will be winging our way back to America, our two-week sojourn to Paris at an end. And what a wonderful sojourn it has been! I cannot imagine a better way to celebrate turning 65.
The big day is actually next month, but every time Diane and I lifted a glass of wine or champagne, we smiled at each other and said, “Happy birthday!”
Dawn and Diane in Paris
In a few days, when I’ve had a chance to sort and edit my pictures, I’ll post my favorite ones. I hope you’ll come back to see the highlights of our trip.
The late great Yogi Berra supposedly said that. Even if he never spoke those words, I know what he meant. I’m having a very déjà vu moment. I am in Paris, in the same apartment (Chez Anna) where my husband and I spent three weeks in the spring. This time my twin sister Diane is with me, and we are here for two weeks.
How did this stroke of good fortune come about? Well, Diane was supposed to join my husband and me for several days during our earlier stay. A family emergency (since resolved) kept her from coming. Her ticket was good for a year. Through a combination of luck and good timing, we were able to arrange this visit to coincide with a trip my friend Anna and her beau had scheduled to the United Kingdom.
Part of the deal is that we take care of her cat Buddy, whom I already adore:
Diane and I have a Big Birthday coming up next month (think Medicare). Is this not the perfect way to celebrate turning 65?
Catch a Falling Star, my quilt pictured above, hung in the Northwest Quilting Expo show in Portland last week (Sept. 24-26). It was a terrific show, with over 650 quilts on display. A friend and I spent the entire day there, walking slowly up and down every aisle, admiring the quilts and enjoying the vendor mall. Really enjoying the vendor mall, if you know what I mean. Someone did not come home empty-handed.
Northwest Quilting Expo is a juried show, and entrants could opt to have their quilts judged, with written comments delivered when the quilts were returned after the show. I decided to do that. These are the comments from the three judges:
“Lovely color palette. Sampler blocks are very well balanced.”
“Exceptional border treatment and frames central panel well.”
“Wonderful selection of quilting motifs.”
Those are very nice comments. I’m not sure what I was expecting — perhaps something about what I could have done better?
I was very pleased to see that last comment because Loretta Orsborn, the longarm quilter who quilted Catch a Falling Star, did such an outstanding job. On the day I took my quilt to her studio, we spent three hours looking at designs and choosing motifs. She expertly combined digitized and free motion quilting. If you’d like to see some close-ups of her work on my quilt, you can check out this earlier post.
Slowly but surely I’m making progress on the four baby quilts at the top of my “to do” list. Two of the four quilts will contain fabrics from the Migration line by Michael Miller Fabrics.
Thus far I have one top made:
Isn’t that giraffe fabric charming? It’s a border print. I wanted to set it off simply, so I cut 6½” squares from the other fabrics and made a double row of squares above the giraffes and a triple row below. That should have gone very quickly.
Should have, yes. But my (slightly) obsessive-compulsive nature took over. I got it into my head that I couldn’t have the same fabric appearing in a row or a column. The result? I spent an inordinate amount of time moving those squares around to avoid duplication, also taking into account the need to balance color, texture, and value. I am quite sure that the baby who winds up with this quilt won’t care a bit about which fabric ended up where. But me? I couldn’t sew those squares together until I felt I had it right.
This top measures 42½” x 50″ at the moment. It will shrink slightly after quilting but it’s a great size for a baby-to-toddler quilt.
The second quilt using the Migration line will have a slightly different setting. I’m thinking of cutting 3½” x 6½” rectangles and stacking them like bricks above and below the giraffe panel. More obsessing ahead?
Time to get going on four baby quilts. Two of the babies have already arrived and the other two are due soon. Fortunately, the parents of the intended recipients are patient souls. They know that sooner or later (usually later), the new arrivals will have quilts made just for them by their great granny or great auntie.
A new line of fabric I spotted at the Pine Needle last weekend was just the shot in the arm I needed. It’s called Migration by Michael Miller and includes a border print of slightly abstract giraffes. It’s not overly babyish. In fact, it’s quite sophisticated. With a palette of light grey, charcoal, aqua and blue, the fabric line works equally well for a boy or girl. Take a look:
See that stripe in the upper left in the photo above? I’m going to cut that into bias strips for the binding. I’m thinking about making the binding wider than I usually do to really show off those stripes.
I also bought some of this companion fabric for the backing:
I have enough fabric to make at least two quilts. The plan for the first one is to cut sets of 6½” squares and arrange them in some fashion around the border print. This should be a fast and fun project! I’ll be sharing my progress so please stop by again.
Earlier this week I relinquished my temporary custody of Lee Fowler’s Pickle Dish quilt. It was the last quilt Lee made, finished just a couple of weeks before she died in 2013, and I was one of 25 friends who helped her make it. I wrote about it here. At the memorial service, Lee’s husband Rick LePage announced that each person who helped with the quilt would get to have it in her home for a few weeks.
In July this year, while I was in Sisters, Oregon with my quilt group, the Quisters, Lee’s quilt was passed on to me. As a member of the Pickle Dish Gang — the name Rick gave to the group of quilters who worked with Lee on the quilt — I had been waiting patiently for my turn.
As soon as I got home I put it over the couch in my living room . . .
. . . and can honestly say that I looked at it several times a day the entire time it was here. It was a vivid reminder of Lee’s friendship and of the love that the members of the Pickle Dish Gang had for her.
A handmade book accompanies the quilt as it makes its way from one member to the next, so that each of us can write a personal message. At the end of the quilt’s journey, it will be returned to Lee’s family along with the quilt. In my entry I included this photo, taken at Creekside Park in Sisters in July:
Everyone who knew Lee knew how much this quilt meant to her. It means a lot to me, too, and I am so glad I got to be a part of its creation.
The Pine Needle Quilt Shop in Lake Oswego, Oregon is having its annual Fall Festival this Friday and Saturday, Sept. 11 and 12. The Pine Needle is my home away from home. I teach there, meet friends there, buy fabric there. When I get into my car to head to the Pine Needle, I don’t even need to steer; my car seems to know the way. Just kidding, of course, but it gives you an idea of the amount of time I spend there.
Those of us who teach at the Pine Needle will be on hand Friday and Saturday to tell you about our new classes and demonstrate popular quilting products. My new quilt, Simply Dashing, is one of the first quilts you see when you come into the shop:
Simply Dashing at the Pine Needle
Not only that, it made the cover of the Pine Needle’s fall catalog:
I’m a Cover Girl!
The Pine Needle does a brisk mail order business, sending out thousands of catalogs to quilters who don’t live close enough to visit the shop in person. It tickles me to think my quilt is the first thing these people will see when they pull the catalog out of their mailbox.
I usually try to come up with a little quilt or craft project to share with the people who come to the Pine Needle’s open houses. Since the shop is well known for its extensive inventory of flannels, my Fall Festival project is a flannel coaster in the shape of an overstuffed armchair, inspired by a felt coaster I bought some 30 years ago at a holiday craft sale.
Aren’t these cute? And very practical, too, because they’re reversible. The pattern and instructions are free with any flannel purchase. A quarter yard each of two flannels is enough to make four coasters.
During Open House the Pine Needle is doing lots of drawings for prizes — including a $50 gift basket each day. A few sets of my Cozy Flannel Armchair Coasters will be raffled off as well. Do come if you are in the neighborhood. I’d love to see you — and you just might be a winner!
