Back in May — doesn’t that seem like a hundred years ago? — I wrote about a method I discovered quite by accident of printing computer-generated labels on fabric. It requires only two items: fabric and fusible interfacing — no freezer paper involved. I described my method and promised to write a proper tutorial on it. Here is that tutorial. Better late than never, right?
I’ve written this tutorial in two parts. Part 1 is all about getting the fabric ready. Part 2 is about creating the label on your computer.
Part 1, Preparing the Fabric for Your Label
Step 1. Choose a fabric for your label that allows the type to show clearly. The fabric can be a solid or tone-on-tone print in a light to medium-light value. You might also be able to use a printed fabric — perhaps one you used in your quilt – if it’s not too busy or too dark in value to make the printed label hard to read. I’m illustrating this tutorial by making a label for my most recent UFO finish, Lilacs in September, using a medium light spring green fabric with a crosshatch design.
Step 2. Cut the label fabric about ½” larger all around than a printed page. In the United States the standard paper size is 8½” x 11” so you would cut your fabric about 9½” x 12”. It doesn’t have to be exact. I just lay a piece of paper on top of my label fabric and cut around it with scissors:
Step 3. Choose a featherweight or lightweight fusible interfacing. I use Pellon 911FF (the FF stands for featherweight fusible) for most of my labels but other brands will work equally well.
Step 4. Cut the fusible interfacing slightly smaller than you cut the label fabric. I do this the same way, by laying a piece of paper on top of the interfacing and cutting around it with scissors:
Cutting the interfacing slightly smaller assures that you won’t accidentally fuse it to your ironing board cover when you iron it to the label fabric. No need to ask me how I know that . . .
Step 5. Place the fusible side of the interfacing on the wrong side of the label fabric, making sure none of the fusible extends beyond the edges of the label fabric . . .
. . . and fuse in place following the manufacturer’s directions.
Step 6. Place the fabric on your cutting mat interfacing side up. Trim to 8½” x 11”:
Make sure your cutting is precise because the piece of interfaced fabric needs to fit perfectly in the paper tray of your inket printer.
Step 7. Place the fabric in your printer’s paper tray. (Make sure you know whether the fabric side needs to go in the tray right side down or right side up, as it varies from printer to printer. It goes right side down in my HP Office Jet Pro 8620.) Now print the label:
Voilà! It should slide out of the printer just as if it were a piece of paper. (You’ll notice I put two labels on my page; I’ll explain why in Part 2.)
One more thing to do:
Step 8. Heat-set the ink on the label using a press cloth and plenty of steam:
This helps to keep the ink on the label from fading with repeated washings. Irons vary widely so let me caution you not to have the iron too hot as it may scorch the label, even with a press cloth on it. I like to set my iron on medium high and, with the press cloth on top, steam the writing on the the label for 10 seconds. I let it cool and steam it for 10 more seconds.
Now you’re ready to finish your label and attach it to your quilt. You’ll see in Part 2 below that I like to make my labels round but yours can be any shape you want. Squares and rectangles are popular and easy because all you need to do is turn and press the raw edges under ½” or so and stitch the label to the quilt.
Part 2. Creating the Label on Your Computer
Step 1. Open up a new document on your computer and type the information you want to include about your quilt. What you put on your label is entirely up to you. At a minimum I always include:
the name I have given my quilt
my name
my city and state
the name of my quilter (if I didn’t quilt it myself)
the year of completion
Notice that each line is centered.
If my quilt is an original design I might say “designed and made by Dawn White.” If the quilt was made from one of my own patterns I might include the name of the pattern or say “designed and made by Dawn White of First Light Designs.”
If my quilt was made using someone else’s design, I always credit the designer:
If I tweaked someone’s design, added my own design elements, or significantly changed construction techniques, I might add a line such as “based on (pattern) by (name of designer)” or “inspired by (name of designer)”:
Step 2. Determine the point size and typeface of your label. The point size refers to the size of the type, e.g. 12 point, 14 point, etc. The typeface refers to the design, or style, of the lettering. Most word processing programs offer dozens of typefaces to choose from. On my computer these typefaces are called “theme fonts.” (Did you know that font is the French word for face? Now doesn’t the word typeface make more sense?)
The point sizes you choose depend on the size and shape of your finished label and how much information you want to include. My label for Lilacs in September has five lines of copy. I put the name of the quilt in 24 point boldface and italic. The lines underneath are in 14 point. I auditioned a sans serif type face called Arial and a serif typeface called Cambria. Both labels fit on one page so I could make my final decision on which one to use after this page was printed on fabric. (Putting two labels on one page is just an option, of course. You could create one label and center it on the page, which would give you a lot of flexibility in deciding later on the shape of your label.)
Step 3. Save your document.
Step 4. Print your label on paper. This gives you a good sense of what the label will look like printed on fabric. Here is my label for Lilacs in September, printed with black ink:
If you have a color printer you can experiment with different colors of ink. Print the labels on paper first to test the depth of color. You may find the ink doesn’t look quite as dark or as vivid on fabric as it did on paper.
I used red ink on my label for All You Need is Love:
Take another look at the label for Scattered Stars, my cheddar and indigo quilt. I used indigo ink which turned out to be not as dark as I was expecting but I still chose it over black:
Most of my round labels are made using a compact disc as a pattern. A CD measures 4⅝” in diameter so a label with a few lines of text fits inside that circle nicely. My label for Give Me the Simple Life has eight lines but still fits inside the compact disc pattern size:
The addition of the red ring made the label finish at about 6″ in diameter.
Below is a computer-generated label I made in May to replace a label on Ramblin’ Rose, made several years ago. I had omitted two significant pieces of information — the inspiration for my quilt and the name of the longarm quilter — and wanted to correct those oversights. In the photo below the original label is still on the quilt, about to be removed and replaced with the one on the right:
I used to write all of my labels by hand, a time-consuming endeavor. Creating them on the computer and printing them directly onto fabric has turned out to be quick and easy — and rather fun to do. I don’t think I’ll ever go back to hand-printed labels.
I hope you find my tutorial helpful. Be sure to let me know if you have any questions. As always, thank you for visiting First Light Designs!
Note: I followed up this tutorial with a new one, posted Nov. 6, about how I make my round labels using a compact disc. You can find it here.
Here are all 20 blocks, arranged to spread the cheddar, indigo, and cream fabrics more or less evenly across the surface of the quilt:
I’ve decided to make 10 more blocks for a 5 x 6 layout. I’ll have to be very careful in selecting the remaining fabric combos. Four blocks will have cheddar in the outer triangles and the remaining six blocks will be divided between indigo and cream outer triangles. My goal is to get a mix of prints in such a way that neighboring blocks will not share fabrics. My problem is that I have a plethora of cheddar prints and several indigos but only two cream prints remaining from the 2015 “Cheddar and Indigo” line by Penny Rose Studio for Riley Blake Designs.
