. . . is not as easy as it looks.

I’m talking about the places on my red and white windmill quilt where the points of the windmills meet. Matching my points turned out to be much more challenging than I had anticipated.

Here’s why. Take a look at a complete block:

The seams in the Half Square Triangle (HST) corner blocks and in the center pinwheel are sewn at 45° angles . . .

. . . whereas the seams in the V blocks are sewn at sewn at 60° angles:

When a V block is sewn to an HST or pinwheel block, the seams don’t naturally “nest,” even when the seams are pressed in opposite directions. Accuracy in pinning and sewing is essential.

My individual blocks went together nicely. Joining the blocks to form rows and then sewing the rows together was where I ran into problems. I’m a pretty precise piecer but I found that getting my points to line up properly was not just a matter of careful pinning and stitching.

Eight seams come together where the outer points of the windmills meet in adjacent blocks. It’s very difficult to sew them together without some of the seams shifting ever so slightly. With the amount of contrast between light and dark fabrics, points and seams that are even a stitch or two out of alignment are going to stick out like sore thumbs.

The seam between Rows 1 and 2 gave me absolute fits. There was much ripping out and resewing of small sections, accompanied by much gnashing of teeth (and some unpardonable language). I finally resorted to pinning and basting two rows together, then going back to do corrective sewing on the problem points (ripping out, repinning, rebasting . . . multiple times) before sewing the entire seam with a shorter stitch length.

The horizontal seam in the center of the picture below shows two properly joined blocks:

On the back where the eight seams come together, the row seams were popped open to distribute the bulk, forming ½” square pinwheels:

I can now happily report that all of the frustration was worth it. Take a look at my finished quilt top:

Now that all of the blocks are joined, can you see the overlapping circles? You should be able to see both light and dark circles. They are illusions, as there are no curved seams in this quilt top. The quilt block is a variation of the classic Winding Ways block, which employs curved seams to form overlapping circles.

The pattern (A Midwinter’s Night by Cottage Rose) calls for borders with pieced cornerstones but I like the look of this without any borders at all. It measures 48½” x 60½”, a nice sized throw.

And I have a name for it. Because I think of the blocks as windmills, I’m going to call this quilt Dutch Treat. Some of my readers suggested I call it Coco’s Valentine, since my calico kitty seems to like it so much. Truth be told, Coco likes every quilt I make, never missing an opportunity to lounge on a quilt under construction or a finished one.

Linking up with Kelly of My Quilt Infatuation.

Local pundits are calling it “Snowpocalypse” — the epic snowfall on Wednesday that pretty much shut Portland down. We can go years in Portland without snow in winter but this season it has already snowed four times. The temperatures aren’t rising enough to melt the snow so we are stuck with it for a while.

What a great excuse to hunker down and get some sewing done! This is what I’ve been working on:

Aren’t those pretty blocks? They remind me of windmills. The pattern is A Mid-Winter’s Night by Deb Eggers of the Cottage Rose Quilt Shop:

The pattern is a reworking of the classic Winding Ways block with a pinwheel in the center. If you look carefully at the quilt pictured on the pattern cover you can see overlapping light and dark circles. The circles are illusions, as all of the cutting and stitching lines are straight. I believe the Winding Ways block is traditionally made with curves resulting in a four-patch block. The method I’m using here results in a nine-patch block.

Working strictly from my stash — I couldn’t have driven to a fabric store in this weather even if I’d wanted to! — I pulled out some red tone-on-tone prints that read as solid and a couple of white-on-red prints.

Now I’m making my way through my little piles of V blocks:

The pattern calls for the Tri-Recs rulers, which I own, but I am getting great results from the V Block Trim Down Ruler by Deb Tucker. I resized the block from 9″ to 12″ so the units you see above measure 4½” square. With the V Block Ruler you can trim down blocks for 11 different sizes ranging from 1½” to 6½”.

I may add another red for more variety in my darks. With the exception of a few small pieces in my scrap bin, I’m limited to the vine and toile prints for the lights. I’ll save the smallest pieces for the center pinwheels.

While I am happily ensconced in my sewing room, Coco is keeping tabs on the weather from her perch above the plantation shutters in the master bath:

The icicles start to melt in the morning sun but refreeze when the sun moves out of sight.

This is our back yard as seen from the kitchen door:

This is the view from the front porch:

You can see why I have no desire to drive anywhere. And freezing temperatures are expected for the next four days!