My Quatrefoil Christmas Quilt — Quilted!

My Quatrefoil quilt is back from the quilter already! Take a look:

Because of all the straight lines and angles in this quilt, I had already decided on “something with loops and swirls” for a quilting motif. After consulting with longarmer Sherry Wadley, we went with “Retro Heart,” an edge-to-edge pattern by Anne Bright Designs. I just love how it turned out!

Of course Coco decided to make an impromptu inspection, as she is wont to do:

Here’s a look at the whole quilt:

After trimming, it now measures 57″ x 71″ — a good size for a throw.

I made a simple pieced back using some of the leftovers from Corey Yoder’s “Holliberry” layer cake (10″ squares) and a larger piece of the grey floral:

That light fabric at the top is something I pulled from my stash, and it just happens to have loops and swirls on it, too:

I’ve decided to name this quilt ‘Tis the Season. That pretty much covers Christmas, the holidays, and winter, doesn’t it?

If I don’t dilly-dally, I can get it bound and labeled before the end of the year.

On the other hand . . . wouldn’t it be great to start 2021 with a finish?

 

 

 

Posted in cats, Quatrefoil, stitch-and-flip corners, update | 8 Comments

First Light Designs: Best of 2020

Cheryl at Meadow Mist Designs is hosting a Best of 2020 Linky Party, inviting bloggers to highlight their top five posts of the year. It’s a fun way to look back over the last 12 months and identify some of the high points. (And wouldn’t we all much rather dwell on the high points of 2020 than the low points?!)

My top five are below, in reverse order. Clicking on the links will take you to the original posts.

5. Uptown Funk. My version of Dresden Neighborhood by Kim Lapacek of Persimon Dreams. It was so much fun to make!

Uptown Funk (24″ x 26″) by Dawn White (2020)

 

4. Something in Red: New Oven Mitts. Every oven mitt I’ve tried on in a store has been oversized, and every tutorial I’ve found online has included a pattern that’s too big. What’s a quilter to do? Why, make her own, of course! I just started making oven mitts in December and am still tweaking my process but I plan to offer my own tutorial and free pattern in early 2021.

Mitts that Fit! Made by Dawn White (2020)

 

3. A Bee in my Bucket Hat. A reversible hat made using the Sorrento Bucket Hat pattern from Elbe Designs.

Dawn’s Sorrento Bucket Hat (2020)

 

2. Love Rocks. All You Need Is Love, made using the Love Rocks pattern and alphabet (both contained in Sew Kind of Wonderful’s latest book, Text Me) and the Wonder Curve ruler.

Love Is All You Need (38″ x 44″) by Dawn White, quilted by Sherry Wadley (2020)
back of All You Need Is Love (38″ x 44″) by Dawn White, quilted by Sherry Wadley (2020)

 

1. Scattered Stars, an original design using a block first seen in Jenifer Gaston’s quilt Churning Stars.

Scattered Stars (66″ x 88″), made by Dawn White, quilted by Karlee Sandell (2020)

 

Thank you so much for checking out my “top five” blog posts. If you’re a blogger, you can join Cheryl’s party, too. The link is open until January 2. Be sure to check out the top five posts of the other quilting/blogging partygoers — and prepare to be inspired!

 

 

 

Posted in bucket hat, cheddar and indigo, Churning Stars quilt block, home dec, machine applique, tutorial, update, wall hanging, Wonder Curve Ruler, wonky Dresden neighborhood | 10 Comments

Something in Red: New Oven Mitts

Are these not the cutest oven mitts you’ve ever seen?

Last month, while visiting my twin sister Diane, we were commiserating on the sad state of our oven mitts. We have the same ones — we bought them years ago when we were together in a kitchen shop. They’re in pretty bad shape but they’re the best-fitting oven mitts we’ve ever found so we’ve just hung on to them. (The ones in the stores today are too darn big. I suppose they’re meant to be one-size-fits-all but I swear they’re made for ham-fisted cooks and chefs.)

I resolved to make a pair of oven mitts for Diane when I got back home as a thank-you gift for the marvelous hospitality she and her husband Ed bestowed on the Dear Husband and me over the two-plus weeks we spent with them at their home in Georgia over Thanksgiving. I finished the mitts last week and popped them in the mail. Since then I’ve been waiting (im)patiently for Diane to receive the mitts so I could show them to you. They arrived today — finally!

Diane’s kitchen has accents of red so I chose this darling Michael Miller print that’s been in my stash for a few years. I traced around my old oven mitt to make a pattern out of freezer paper:

I looked at several tutorials online and combined what I thought to be the best features. Interestingly, the patterns that accompanied the tutorials also make oversize mitts. I like the lines and fit of mine so much better!

Diane started her holiday baking today — that’s Ina Garten’s recipe for Salty Oatmeal Chocolate Chunk Cookies on the cookbook holder — so her new oven mitts have already been put to the test:

 

 

 

Posted in family, home dec, oven mitts, update | 18 Comments

Border Patrol: Quatrefoil Christmas Quilt

The borders are on my Christmas Quatrefoil quilt and I couldn’t be more pleased:

The inner border is a 2″ finished strip of background fabric to float the blocks. For the outer border I auditioned this red focus fabric and the same print in the light grey background. The grey print is lovely but it just wasn’t bold enough. I was initially concerned that the red focus fabric would overpower the interior of the quilt but happily the individual blocks hold their own.

I think of this as my Christmas Quatrefoil quilt but this line of “Holliberry” prints by Moda is not overtly Christmas-y. The holly leaves and the pointsettia blossoms give it a Christmas vibe to be sure but the prints speak more to me of winter than holiday. What that means is that when it’s quilted and bound, this quilt can take up rotation on the back of my sofa all winter long. I leave my outdoor icicle lights up until Valentine’s Day, after all! I love the way they light up the porch and are reflected in the glass door and windows:

And you can also see my little tree on the sideboard by the front door. Here’s a close-up:


Princess Cordelia aka Coco is on her best behavior.

Tomorrow I’ll make a pieced backing for my quilt top using some of the yardage I bought along with a set of precut 10″ squares. Wouldn’t it be wonderful if I could get this quilted and bound before Christmas? I might reach out to a couple of my favorite local longarmers to see if they are working their magic this coming week. . .

 

 

 

Posted in Quatrefoil, stitch-and-flip corners, update | 14 Comments

Quatrefoil Christmas Quilt: An Update

I didn’t just decide on a final layout for my 12 Quatrefoil Christmas blocks; I sewed them together with the sashing strips. Oh my, I am loving this quilt top!

Behold:

Right now it measures 40½” x 52½”; the next step is to add a strip of background fabric all around to float the top and then add a border (or maybe two). I have yardage in the large red and the large light grey floral prints. I’ll audition both fabrics before deciding.

As for binding, I could go with the green diagonal stripe or the small red print used in the corners of each block. It really depends on the outer border. Decisions, decisions!

 

 

 

Posted in Quatrefoil, stitch-and-flip corners, update | 8 Comments

Quatrefoil Quilt Blocks: Second Set of Six

. . . and here they are:

These join the six blocks, shown below, that I wrote about in my last post:

All the fabrics except the background are from Corey Yoder’s “Holliberry” line for Moda Fabrics. The background is from Lori Holt’s “Seasonal Basics” line for Riley Blake Fabrics.

Now that the second set is done, I’m playing with all 12 blocks on my design wall to get just the right distribution of color and value. Each time I think “This is it,” I take another look and start moving blocks around again. Am I obsessing? Yes, but it’s what I do.

Well, tomorrow is another day. With any luck, I’ll arrive at a final setting and post it right here for all the world to see.

 

 

 

Posted in Quatrefoil, stitch-and-flip corners, update | 4 Comments

Building Blocks

Building Quatrefoil blocks, to be specific. You saw Block 1 in my last post. Here are a few more:

Quatrefoil Block 2
Quatrefoil Block 3
Quatrefoil Block 4
Quatrefoil Block 5
Quatrefoil Block 6

Do you have a favorite? I like every block but confess I’m partial to Number One:

Quatrefoil Block 1

The pattern I am using is Quatrefoil from the Missouri Star Quilt Company. It’s available as a paper pattern and also as a pdf download. I bought it in pdf format for a mere $3.95 and was able to print the pattern almost immediately.

These blocks finish at 12″ square. I’ve decided to make a throw-size quilt with 12 blocks. With sashing strips and borders added, my quilt will finish somewhere around 56″ x 68″ — a good size to display on the back of a couch or over one’s lap.

Here are the first six blocks stuck up on my design wall with some sashing strips:

You can see how the sashing strips and the four-patches in the corner of each block combine to create an Irish chain effect. That’s one of the reasons I like this Quatrefoil quilt pattern so much.

I need to pay careful attention to how I put the fabric combinations together in the final six blocks so that the over-all effect is balanced. Isn’t it funny how hard we quilters work to make a scrappy quilt look effortlessly planned?

 

 

 

Posted in Quatrefoil, stitch-and-flip corners, update | 8 Comments

A Quatrefoil Christmas Quilt

Oh, I know I am going to enjoy working on this new project! This is Test Block #1 of a quilt I’ve started with a festive line of holiday fabric called “Holliberry” designed by Corey Yoder for Moda Fabrics. The block is called Quatrefoil, which means “four leaves” in French.

When I first learned about “Holliberry” a few months ago, I knew I wanted to make something with it. Not knowing what to make, I decided to buy a Layer Cake (a package of 10″ squares featuring the entire line) and a few pieces of yardage. I already had my background fabric: a polkadot print from another designer, Lori Holt of A Bee in My Bonnet. I love how the green and red dots are scattered randomly over the white fabric.

The fabrics got packed up last month and hauled to Atlanta so I could work on the quilt while visiting my twin sister Diane over Thanksgiving. I keep a sewing machine there, along with a complete set of accessories, because I always do some sewing while I am at her home.

This year my sewing experience was especially enjoyable because Diane had her handyman make a “Big Board” that sits on top of her ironing board to increase the ironing surface. This Big Board is BIG! Check it out:

My own Big Board is 22″ x 60″, which suits me (and my small-ish sewing room) just fine. Diane’s Big Board measures 26″ x 68″. I had sent her a king-size cotton batt, unbleached muslin, and fabric for the cover beforehand. She and her handyman wrapped three layers of batting and one layer of muslin around the frame and stapled them in place. Then they stretched the top layer of fabric over the surface and held it in place underneath with large 2″ T-pins I had ordered from a wig shop. Because the top layer is pinned rather than stapled in place, it will be easy to take it off for laundering or replace it when the time comes.

My Christmas Quatrefoil quilt will be what I call “controlled scrappy.” I’ll be using different combinations of prints from the “Holliberry” line:

The stacks of squares on either side of the block can either be the four leaves of the quatrefoil or the centers of four blocks.

Despite the wonderful addition of Diane’s Big Board, the block you see at the top of the post was the only one I made on this visit. Diane and I were too busy celebrating a big birthday — our 70th! — and let’s just say that it’s not a good idea to drink champagne and sew at the same time.

After making Test Block #1, I determined I needed to make one change but I didn’t get  to it until after returning home earlier this week.  Here is Test Block #2:

Can you see the difference?

I’ll give you a hint:  look at the four small green blocks with the diagonal print.

Here are the blocks side by side (I wish the colors were the same but the photos were taken at different times of day in different light):

I replaced the four-patch units in each corner so I could change the orientation of the diagonal green lines. The green lines on the right block form a diamond shape that echoes the diamond shape of the red print. The change might not be noticeable to some but I find the revised block much more pleasing to the eye.

Now that I’ve finished the first block, I can hardly wait to make some more!

 

 

 

Posted in family, Quatrefoil, update | 6 Comments

Half a Lifetime

Hello from Atlanta, where my husband Charlie and I are visiting my twin sister Diane and her husband Ed. It’s our annual Thanksgiving trip. We arrived earlier than usual this year for a special reason: Diane and I turned 70 on November 16th and we wanted to celebrate the big 7-0 together. We weren’t going to let Covid keep us apart.

Charlie and I took extreme precautions on the trip here from Oregon, including wearing safety goggles in transit that made us look like very large insects. Two days after we left Portland the governor of Oregon announced new statewide restrictions because of the alarming increase of Covid cases. We will self-quarantine for two weeks on our return.

In the interim, we are having an absolutely wonderful time doing not very much at all. Lots of Scrabble games, brisk walks outdoors in the fresh air, reading, watching movies, making favorite recipes and trying out new ones. On our actual birthday we got all dressed up — Diane and I in our Little Black Dresses — and went to an early and very properly socially distanced dinner at a lovely French restaurant.

As fraternal twins Diane and I were never dressed alike by our mother but half a lifetime ago, when we turned 35, we bought matching sweaters and posed for this photo:

Fast forward another 35 years. We decided to recreate the photo with new matching sweaters:

Who says you can’t be silly at 70? Of course we can never go out in public wearing these outfits at the same time!

Here’s Diane in her Little Black Dress (which is actually midnight blue) . . .

. . . and here I am in mine:

I whipped up masks for us to wear with our LBDs:

I’ve taken to adding neck straps to my masks after hearing from a fellow quilter, Linda B. No more needing to stuff a mask into a pocket or leave it dangling on one ear. (Thanks so much for the idea, Linda!)

That’s the extent of my sewing on this trip to date but I hauled a bunch of fabric all the way from Portland to start on a new quilt. Here’s hoping I have a couple of test blocks — Quatrefoil blocks, in fact! — to show you real soon.

 

 

 

 

Posted in face masks, family, Quatrefoil, Scrabble, update | 12 Comments

Tutorial: Making a Perfectly Round Quilt Label

Most of my quilts sport round quilt labels on their backs. My go-to “pattern” to make a round label is a compact disc, which measures 4⅝” in diameter. It seems to be the perfect size to contain all the information I want to put on a label. I described my method in a couple of posts earlier this year but not with great specificity. That’s why I decided to write a detailed post about it.

This tutorial is a companion to my most recent tutorial on printing quilt labels on fabric. Whether you write your labels by hand or create them by computer, you can follow the directions below to make a perfectly round label.

(By the way, I first wrote about my method of using compact discs to make quilt labels in 2012. Back then I was writing my labels by hand. I’ve streamlined the label-making process since then and have also moved to creating labels on my computer rather than printing them by hand. If you are writing your labels by hand, you can follow steps 1-5 of my 2012 tutorial and pick up the finishing process below.)

My labels are made with quilter’s cotton. I use fusible interfacing on the back because I like to “baste” the label in place by lightly fusing it to the back of the quilt before appliquéing it in place by hand. You can also use non-fusible interfacing and simply pin the label in place to appliqué it.

Supplies
⦁ quilt label printed on fabric (or quilt label hand-printed on scrap of fabric at least 6½”square)
⦁ scrap of light to medium-weight fusible interfacing at least 6½” square (I use Pellon 911FF)
⦁ compact disc
⦁ #2 pencil with a very sharp point
⦁ temporary marking pen or pencil (I recommend the Frixion erasable gel pen)
⦁ pinking shears

Step 1. Print a test copy of your computer-generated label on a sheet of paper. In my example I have created two labels on one page using two different typestyles so I can decide which one I like better after seeing it printed on fabric:

You might prefer to create just one label and center it on the page.

Edit added August 11, 2024:  Read Step 2 below — but do not follow the directions! The reason? You can skip directly to Step 6 to view the printed label through the fusible interfacing. You can see what the label will look like through the outline of the compact disc without going through Step 2.

I am leaving Step 2 in the tutorial for reference. Now you can move directly to Step 3 to continue.

Step 2. Find the midpoint of the label by measuring the longest line and dividing by two, then by measuring from the bottom of the top line to the bottom of the last line. In my label below, the midpoint is the top of the stem on the letter “d” in the word “Portland.” Using a sharp #2 pencil, mark the center with a small dot.

Center the hole in the middle of the compact disc over the dot you marked. Draw a complete circle around the disc:

This gives you a preview of what your finished label will look like. If your circle is slightly off, erase the lines and redraw.

Step 3. Print your label onto fabric:


Step 4. Determine which label you plan to use and trim excess fabric. I decided to use the top label so I measured 6½” from the top of the fabric before making the horizontal cut:

My label is 8½” wide — more than it needs to be — because it’s the width of a piece of paper. A label that’s been hand-printed need not be wider than 6½”.

Step 5. Fusible interfacing usually has a bumpy texture on the fusible side whereas the non-fusible side is flat and smooth. On the flat, non-fusible side of interfacing fabric trace around the compact disc:

This is your stitching line so make sure it’s dark enough to see clearly. You can use a pencil like I did or a Frixion pen.

Step 6. Lay the interfacing over the label fusible side down and center it. You should be able to see the lettering clearly through the interfacing:

The circle you drew on the smooth non-fusible side is on top. When the label is turned right side out, the bumpy fusible side will be on the outside.

Step 7. Pin the layers in place:

I like to put pins in the 3, 6, 9, and 12 o’clock positions first, adding four more pins evenly spaced. The thinner the pin the better because you want the layers to be as flat as possible.

Step 8. Using a small stitch (2.2 on a computerized machine or about 12 stitches to the inch), sew all the way around the circle, removing each pin as you come to it. Go five or six stitches beyond where you started so you don’t have to knot the thread:

First Light Designs tip: Make sure you are using an open-toe foot on your sewing machine that allows you to see the needle going in and out of the fabric. You need to stitch precisely on the drawn line. If you stray even a stitch or two off the line your label won’t be perfectly round. Any sharp points in stitching will be visible when the label is turned right side out.

Step 9. Trim around the label with pinking shears. Notice that the inside point of the pinked edge is just a few threads from the stitching line:

First Light Designs tip: If you don’t have pinking shears, trim around the label a generous 1/8” from the stitching line. You can probably get away with a scant 3/16” but a quarter of an inch is too much. Clip from the outside edge almost to the stitching line all around the label; the clips should be no more than a quarter of an inch apart.

Step 10. Pull the interfacing away from the label fabric and make a small snip in the middle. Cut across the middle of the interfacing to within a half-inch or so of the edges:


Step 11. Turn the label right side out. From the back side of the label run a softly pointed tool around the stitched line until the label attains its round shape:

In the photo above you see a white point turner (also known as a bone folder) and a multipurpose quilter’s tool called That Purple Thang. Both tools work well for turning a round quilt label. So does a long fingernail.

Your label is now ready to be attached to the back of your quilt.

First Light Designs tip: After determining where you want the label to go — but before lightly fusing it in place — use a ruler aligned with two outside edges to make sure the lines on the label are parallel with a bottom edge.

Step 12. Fuse the label to the quilt lightly — enough to hold the label in place but not enough to completely melt the fusible. Use a press cloth and make sure to use the iron temperature specified by the directions that came with the fusible interfacing. You don’t want to scorch the label!

Allow the label to cool and appliqué it in place by hand:

And there you have it: a perfectly round label securely attached to the quilt.

Be sure to let me know if you have any questions!

 

 

 

Posted in appliqué, quilt labels, tutorial, update | 6 Comments