Category Archives: vintage quilts

“Hello in there, hello”

by Dawn Posted on May 28, 2023

Hello, friends. Are you wondering where I’ve been? It seems like ages since I published a post. The good news is I finally have something quilty to post about:

It’s been six weeks since I made the binding for my ’30s reproduction quilt, Vintage Vignettes, but I didn’t actually get the binding sewn on until yesterday. This morning I joined the loose ends of the binding to complete the final seam . . .

. . . and sewed the remainder of the binding in place.

Then I started tacking down the binding on the back, a process I really enjoy:

As soon as I arranged the quilt on my ironing board to take a picture, Coco put in an appearance:

Her right paw is on top of the spot where I starting tacking down the binding. I always like to start near a corner to get the first of the mitered corners out of the way. So far I’ve stitched seven inches. Let’s see, now . . . this quilt measures 80″ x 92″. That means I only have 337 inches to go!

 

 

 

Posted in '30s reproduction fabrics, update, vintage quilts | 4 Comments

“Coming Soon,” She Said: A Tutorial on Y-Seams

by Dawn Posted on May 10, 2023

When I started my First Light Designs website/blog in 2012, I created a “Tutorials” link at the top of my home page. One of the first tutorials I planned was on sewing Y-seams, formed when three seams meet at one junction; when stitched together the seams form the letter Y. Although the prospect of sewing Y-seams terrifies many quilters, I’ve never had an issue with them, probably because when I started making them in the 1990s I didn’t know they were to be feared. Ignorance is bliss, so they say.

In the last 13  years I’ve written 24 tutorials, which you can see here, and not a single one is about Y-seams. Now the time has come to write that tutorial. Why now? Well, I’m scheduled to give a demonstration on Y-seams at an upcoming meeting of my quilt guild, the Metropolitan Patchwork Society. Our meetings are hybrid now, with in-person presentations also available over Zoom in real time. I need to do a PowerPoint presentation for the Zoom portion and figure it will be easy to turn the PowerPoint into a picture-heavy tutorial on my blog.

I’ve decided to use the classic Bow Tie block to demonstrate my method, which differs from all others I’ve seen. It’s been years since I made any Bow Tie blocks but I knew I had some tucked away in a drawer. Imagine my surprise to find five dozen 6″ Bow Tie blocks! And a baggie filled with pieces already cut to make at least that many more!

I have no idea why I made so many blocks. Maybe I was just trying to use up some of those ditsy prints I bought in the 1980s. So what do you think? Should I turn these blocks into a quilt? Many of the prints are not ones I would buy now but they do have a sort of vintage charm. And the photo at the top of this post is giving me an idea for a setting . . .

 

 

 

Posted in bowties, Metropolitan Patchwork Society, update, vintage quilts | 4 Comments

Binding Dilemma Solved

by Dawn Posted on April 14, 2023

At what point does a WIP (work-in-progress) become a UFO (unfinished object?). It was early December 2022 when I last posted about one of my WIPs, a ’30s reproduction quilt top made some 20 years ago by my friend Vivienne, finished by me, and quilted by Karlee Sandell. I was speculating on my options for binding fabric, knowing the final choice needed to go well with the border fabric and the various ’30s repro fabrics within the quilt:

I figured it would be a cinch to find a medium-light solid blue, Alas, I visited three quilt shops and came home empty-handed each time. None of the shops had just the right shade of blue. I did have enough of the border print to bind the quilt but I was stubbornly holding out for a solid to frame the quilt.

Months passed. My WIP was dangerously close to becoming a UFO. To the rescue came a quilting friend, Sue H., who had inherited a friend’s vast stash of fabrics. The stash included a bin of ’30s reproduction prints and solids. Sue told me she thought there was a blue in the bin that might work. I admit to being dubious but when she brought me the piece of fabric last week, I had a glimmer of hope.

Sure enough, when I got home and put the fabric next to the quilt, I nearly jumped for joy: it was a nearly perfect match! Today I cut my binding strips and sewed them together:

It’s likely this blue was part of a ’30s reproduction line — but it’s also possible it’s a true vintage fabric. We’ll never know for sure. All I know is that the quilt I’ve already named Vintage Vignettes is closer to being completed. Thank you so much, Sue! Aren’t quilty friends the best?

 

 

 

Posted in '30s reproduction fabrics, update, vintage quilts | 6 Comments

Way To Go!

by Dawn Posted on December 7, 2022

When it came time to choose a quilt motif for my Vintage Vignettes quilt, I just knew that feathers would be the way to go. Karlee at SewInspired2Day did a beautiful job on her longarm quilting machine with this edge-to-edge design called “Abundant Feathers.” I chose the same design a couple years ago for another quilt, Lilacs in September, and loved the result.

Here’s another close-up . . .

. . . and here’s a shot of the entire quilt, measuring 80″ x 92″ after trimming:

The outer border is a generous 8″ wide. I haven’t settled yet on what fabric to use for the binding. I could use the border fabric to completely float the blocks or I could go with a solid to provide a subtle frame.

Take a look at this close-up of the border fabric next to one of two blocks with almost the same colors (this was taken pre-quilting):

If I went with a solid for the binding, my choices would be the medium light blue of the background, the darker blue in the flowers, yellow or orange. Believe it or not, I’m leaning toward the orange (think creamsicle!). I’ll probably wind up hauling the quilt to my closest local quilt shop, cool cottons, which has an extensive collection of solid colors, to properly audition my choices. I love an excuse to visit a quilt shop!

 

 

 

Posted in '30s reproduction fabrics, update, vintage quilts | 8 Comments

Good News, Bad News

by Dawn Posted on October 15, 2022

The good news:  the test valance I made for my stepmother Shirley’s living room windows last month was a great success. You’ll recall from my last post that I’m helping her update her living room by making bespoke valances out of an elegant furnishing fabric. The Dear Husband and I enjoyed a quick trip to Central Oregon at the end of September to visit her and test out the valance and drapery rod in her home.

The bad news:  at some point during that trip I was exposed to Covid-19. I woke up at home on Friday, Oct. 7, with mild cold symptoms, took a Covid test, and looked in dismay at the second pink line on the home test. The DH and I immediately went into isolation mode per CDC guidelines.

The good news:  my bout with Covid hasn’t been bad. My cold symptoms never worsened although I did experience three days of fatigue. Neither my stepmother nor a dear friend I had lunch with in Bend came down with Covid. The DH tested negative five days in a row.

The bad news:  on the sixth day the DH tested positive. I arranged a video conference the next day with a physician who prescribed the anti-viral drug Paxlovid for the DH. By then I was one day beyond my five-day isolation period and was able to mask up and get that prescription for him.

The good news:  within 24 hours of taking the first dose, my husband was feeling remarkably better.

More good news: yesterday I got the borders sewn onto the ’30s reproduction quilt top found at my guild’s silent auction in August. This is the border print next to a corner block:

Here’s a look at the top on a double bed:

Isn’t that pretty? I’m very happy with my choice of fabric for the outer border. The top measures 81½” x 93½” right now; it will shrink a bit from quilting and laundering.

It sure felt good hearing the sewing machine in my sewing room humming again! I’m now primed to cut into that gorgeous decorator fabric with the goal of heading over to Central Oregon before the end of the month with the finished valances.

 

 

 

Posted in '30s reproduction fabrics, family, home dec, update, valance, vintage quilts | 7 Comments

Home Dec Project in the Works

by Dawn Posted on September 29, 2022

It’s been more than a minute since my last post, that’s for sure. The year has flown by but September flew by faster than usual. Between working alongside the Dear Husband in the garden (and harvesting the results), resuming classes at Montavilla Sewing Center after a break during August, taking visiting relatives around Portland and through the Columbia Gorge, and continuing my usual everyday pursuits of reading, trying new recipes, and playing Scrabble, very little time has been spent in my sewing room.

I thought for sure I’d have the borders added by now to the 1930s reproduction quilt started by my friend Vivienne years ago but all I’ve managed to do is cut the strips. I can claim only one accomplishment: a prototype of the tailored valances I’m making for my stepmother. Here’s a look at the beautiful furnishing fabric and a rough sketch:

This home dec project was actually launched a year ago. My stepmother bought new upholstered furniture for her living room and asked if I would make valances for the three windows plus one in the hallway. This is just the kind of home dec challenge I love so of course I said yes. Then, during my annual November trip last year to my twin sister’s home in Georgia, we found this lovely tweedy herringbone fabric.

Finding the proper drapery hardware after I got home proved unsuccessful. Good thing my stepmother is a patient soul because I dithered for months before finding the right curtain rods online. I ordered only one so I could test it first with the valance design.

The math indicates we have enough furnishing fabric for four valances but not enough to cover a mistake, hence the need for a prototype. I used some old fabric I had on hand from a home dec project years ago. It was important to test my sketch because I’m departing from the usual way of making inverted pleats. I’ll fill you in later on my plan. At the moment, the DH and I are getting ready to head over to my stepmother’s home in Central Oregon to test the mock valance in place along with the drapery hardware.

More anon!

Posted in family, home dec, Scrabble, update, valance, vintage quilts | 2 Comments

Charmed, I’m Sure

by Dawn Posted on September 10, 2022

Third time’s the charm, they say. It took trips to three local quilt shops before I found the perfect print for the outer border on the reproduction ’30s quilt top I bought at my quilt guild’s recent silent auction:

The delicate floral print is from the “Aunt Grace Basket of Scraps” line designed by Judie Rothermel for Marcus Fabrics. It’s shown with one of two blocks in the quilt (out of 30) that have a similar colorway. This is the other one:

I brought the quilt top with me to the shop so I could audition border fabrics with it in hand. One thing I noticed right away is that reproduction prints in quilt shops now have whiter backgrounds. When this top was pieced 20 years ago or so, the prints were creamier. I’m confident the border fabric will work well, though.

After choosing the border fabric, I strolled around the shop looking for a vintage-y print that would work on the back. I found some lovely ones but none that had that ’30s vibe. Guess what I came back to. Yep — I bought enough of the border fabric to make a backing. I actually bought the rest of the bolt — almost 10 yards — thinking I might want to make a pair of pillowcases to go with the quilt.

As a reminder, here’s a look at the entire top (I’ll add lavender strips to the sides to complete the narrow first border):

Each of the 30 blocks was made with a different print. Most of the prints are floral but several represent characters and scenes from children’s storybooks (think Humpty Dumpty and Little Bo Peep) and a couple prints are of kittens chasing balls of yarn. You know I like to name my quilts. I’m thinking of calling this one Vintage Vignettes.

 

 

 

Posted in '30s reproduction fabrics, cats, roll-it-up pillowcases, update, vintage quilts | 8 Comments

A Perfect Match

by Dawn Posted on September 3, 2022

In my post the other day about this quilt top (by an unknown maker) that I bought recently at my guild’s annual auction, I lamented that I would never be able to match the solid lavender sashing fabric that was missing from the sides of the quilt top. I was wrong but you’ll never guess the reason why.

The same day that I posted the photo of the quilt top and explained how I acquired it, I heard from the quiltmaker herself — and it turned out to be Vivienne Moore, who also happens to be a good friend of mine! Vivienne follows my blog and immediately recognized the quilt top. It turns out that she is also good friends with two of my Metropolitan Patchwork Society guildmates who organized the auction. Viv was cleaning out her sewing room earlier this year so she donated a few bags of fabric and tops for the auction. She lives 50 miles away so I would never have predicted she would be the maker.

But wait, there’s more. Vivienne was pretty sure she had a piece of that lavender sashing fabric in her stash. And she did! Yesterday’s mail brought a remnant of the fabric large enough to cut sashing strips for the sides. A perfect match, of course. I’ll have to work around a few fade lines to piece the sashing strips but that’s easily done.

Vivienne told me she made the quilt top over 20 years ago. She remembers that the lavender fabric was from a line of solids produced about 30 years ago by one of the manufacturers of 1930s reproduction fabrics.  The solids were pink, green, yellow, blue and lavender, and were supposed to be authentic to the time period.

Viv isn’t sure why she didn’t finish the quilt but thinks it may be that her interest in pastels and ’30s reproduction fabrics had waned by the time she neared the end of piecing it. In addition, she was doing all of her quilting by hand at that point and probably didn’t want to invest the time to finish the quilt in that manner.

“I still can’t quite believe that this quilt ended up in your hands,” she told me, “but I’m so happy it did!”

There’s yet another coincidence. The photo I posted the other day was taken in my living room and in the background you can see a small quilt draped over the chair:

That too was made by Vivienne Moore! It’s a miniature Feathered Star measuring 33″ square. Vivienne gave it to me as a gift in 2011. At the time we were both in the same small quilt group, the Quisters (short for Quilt Sisters). It was our group’s custom to give each other birthday gifts, usually something quilty or crafty that we had made. I had no idea I was taking a photo last week of two quilts made by the same person.

Here’s a close-up of the Feathered Star quilt, showcasing more of Vivienne’s exquisite work:

Each star block is only 6½” square. And those little green feathers? A mere one-half inch each.

As far as the auction quilt goes, the search is on to find a suitable ‘30s reproduction print for an outer border so I can finish the top and get it quilted. With a wide border added to the quilt, it will easily fit a double or queen-size bed.

It tickles me to know that when this quilt is complete, my friend’s name will be on the label along with mine.

 

 

 

Posted in Metropolitan Patchwork Society, quilt labels, Quisters (Quilt Sisters), update, vintage quilts | 13 Comments

I Couldn’t Resist

by Dawn Posted on August 28, 2022

My quilt guild held its annual auction last week, selling over 200 items. My goodness, I’ve never seen such an array of generously bundled fabrics along with books, patterns, sewing notions, vintage linens, and even a Singer Featherweight machine. And what did I come home with? This beautifully pieced quilt top:

We all know the last thing I need is another quilt top when I have so many of my own begging to be finished, but friends, I could not resist. The final bid was $20 — an absolute steal. Truth be told, I would have paid more but the top didn’t seem to be drawing a lot of interest. Was it because I was hovering in the background willing my guildmates to keep passing it by? I also lingered nearby (inconspicuously, I hope) as the auction drew to a close, making sure no one could squeeze in at the last minute to outbid me.

I have no idea how old this top is or who made it. Judging by the looks of it, the fabrics are 1930s reproductions rather than vintage pieces. What struck me as I unfolded it to get a better look was how beautifully it was pieced. The quiltmaker sewed consistent quarter-inch seams . . .

. . . and every single point on the front is perfect as a result:

That makes my little wannabe perfectionist heart go pitty-pat. It also argues for the top being more recent. My guess is that the quiltmaker used a rotary cutter and made very accurate cuts before piecing the top so accurately.

I hadn’t seen that block design before but it seemed to be a variation on the Shoofly block. I did a little research from the best source of all: Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns. Looking in the index under Shoofly, it didn’t take long to find the block, which has several names. It’s known as Richmond, Aunt Vina’s Favorite, Pin Wheel, Butterfly, and Lucy’s Four and Nine:

Brackman notes that the earliest publication she has seen for the pattern is Hearth & Home magazine about 1915 under the name Richmond.

The quiltmaker used a 5 x 6 setting, separating the blocks with 2″-wide sashing. The blocks finish at 10½” square, which seems a bit unusual to me. Right now the top measures 61″ wide by 77½” long. But here’s something a bit odd:  there’s a border strip of the lavender lattice fabric on the top and bottom of the quilt top but not on the sides. Look back at the first photo to see what I mean. Could the quilt have been abandoned because the maker didn’t have enough of the lavender fabric to complete the border?

I’ll never be able to find the exact shade of lavender to add side borders. What are my options? Well, I could add side borders with a reasonably close match to the original lavender but in my heart of hearts I know that’s not going to happen. I could remove the top and bottom borders and find a different fabric — perhaps a reproduction print containing many of the colors in the quilt top — to border the blocks. Or I could cut down the lavender fabric on the top and bottom borders and make borders for the sides with what is cut off. Then I could add a larger border of print fabric. Just an idea — but I’m leaning in that direction.

What would you do?

 

 

 

Posted in '30s reproduction fabrics, Metropolitan Patchwork Society, update, vintage quilts | 19 Comments

Happy Mail #2

by Dawn Posted on April 19, 2019

It started with this:

Isn’t that a pretty teapot? The pattern is called English Scenery. It was made by Enoch Wood and Sons, one of the many Staffordshire potteries in the United Kingdom. This teapot probably dates to the middle of the last century. At one point, about 25 years ago, I thought I might start a collection. Ultimately I decided not to — because I was already collecting English Scenery in the blue and white version! I have almost a full set and use it every day.

Now I’m in the process of paring down (yes, Marie Kondo had something to do with that). My pink and white teapot was among the items I was prepared to part with. I was getting ready to donate it to charity when I thought of Jera Brandvik.

Jera is a quilter, author, and fabric designer living in Seattle with her husband and two darling boys. (Her website is Quilting in the Rain.) I follow Jera on Instagram, where I occasionally catch glimpses of pink and white transferware in photos of her lovely home. It occurred to me that Jera might like to have this teapot. I asked her and she said “yes!” immediately.

As we corresponded via email, Jera asked me if I had her books. No, I replied, though I’ve been on the lookout for them. It seems that the quilt shops I’ve visited in the last couple of years don’t carry many books. Although I sent my teapot to Jera without expecting anything in return, a few days later look what arrived in the mail:

Not just one but both of her books! She even inscribed them to me — such a thoughtful touch. I have been thoroughly enjoying reading through the books and have decided that I really need to give Quilt-As-You-Go techniques a try now that I have these great resources.

Thank you, Jera! I hope you enjoy your teapot as much as I enjoy my books.

 

 

 

Posted in home dec, update, vintage quilts | 5 Comments