It’s been two months since I worked on my kaleidoscope quilt based on the pattern Grandma’s Surprise. The quilt top was finished in 2015 but not quilted until this May. When I got it back from the quilter, I decided to add a narrow red flange to the outer border before binding the quilt. My thought was to add a wider than usual binding using the outer border fabric so the red flange would float.

Trouble was, I didn’t have enough of the red fabric left, a paisley tone-on-tone print from P&B Textiles. The search was on for a few extra inches of that print. In my last post about this project I was eagerly awaiting the delivery by USPS of the very fabric I needed, offered by a very kind quilter in Pennsylvania named Nancy. The coveted piece of fabric arrived quickly. Alas! Although it was a red paisley tone-on-tone print from P&B textiles, it wasn’t the correct shade of red.

So near yet so far . . . Nancy and I were both philosophical about it. As she wrote, “The story made us smile for a few days so it was well worth it.” The only choice left was to find a solid red that was a good match. Happily, I found it a few days later at Montavilla Sewing Center in Lake Oswego: “Scarlet” from the ColorWorks Premium Solid 9000 line by Northcott Studios. In the shot below you can see how close the solid red is to the red paisley and how well it goes with the border fabric:

Instead of getting right to work on the flange and binding, I put the project on the back burner while working on other things. Now I’m back at it, eager for a finish. Here’s a shot of the flange strips attached to the quilt:

The flanges will finish at ⅜” so the strips were cut 1¼” wide. When I trimmed the quilt I allowed for a ¾” finished binding. After attaching the flanges I decided to go with single-fold binding (rather than the more traditional double-fold or French binding) to reduce bulk at the corners. I’m in the process of tacking the binding now. Here’s a sneak peek at the first corner:

Just as I envisioned!

Here’s the carrot:

I’m eager to sew these triangles together into the second block of my winter version of Season to Taste. I made the first block a month ago:

Sewing is on hold for now, though, because of the stick:

You’re looking at one upper corner of my sewing room closet shortly before it underwent a transformation. I hired a master plasterer to repair the ceiling and upper walls, which have been in this sorry condition for — well, let’s just say it’s been a while.

After living in our 1913 Craftsman house for 40 years, I had completely filled this 3½ x 7½-foot closet. It was, in my sister Diane’s words, “crammed to the gunnels.” Stacks of fabric on three upper shelves. Storage carts, plastic bins, and a garage sale dresser along the lower walls . . . you get the picture.

After emptying the contents of the closet into the spare bedroom (which I laughingly call “the Annex” because it has evolved into a second sewing room), I proceeded to peel off the ugly plaid wallpaper on the lower walls:

See that green paint? That’s a piece of plywood that was nailed onto lath strips behind it and then wallpapered. The plaster job suddenly loomed larger.

On this wall you can see how the previous owner used leftover strips of wallpaper to finish papering the wall:

The plaid strips didn’t match, of course. This would have driven me crazy had I not blocked the offending view with the contents of the closet.

Fortunately, master plasterer Steve and his assistant Corey were willing to tackle the lower walls along with the upper walls and ceiling. It took the better part of a day for them to work their magic:

I decided to paint the closet myself to save money — having the lower walls replastered  added considerably to the cost — and also time. Most house painters are booked out weeks ahead and I was oh, so anxious to get everything back into the closet. I promised myself I wouldn’t sew a stitch until the painting was done. Ah yes, the carrot and the stick. It was time to get to work.

Here’s one side of the closet primed and ready for another coat of paint:

It took me two days to prep and prime the closet. Getting thorough coverage was a challenge as the plaster absorbed paint like a sponge. But I prevailed, and I must say: it’s already looking pretty good!

Here it is all done with the two short shelves back in place:

Before refilling the closet, I took the opportunity to edit its contents while they were still in the Annex. Several stacks of fabric and notions have been set aside for donation.

Now when you open the door to the closet, here’s a glimpse at what you see:

Sure looks better in there!

If you’re looking for me today, you’ll find me at my sewing machine. I think I’ve earned it, don’t you?

I have been saved by a quilter 2500 miles away! Nancy L. of Irwin, Pennsyvania read yesterday’s post in which I wrote about my delight at finding an online quilt shop in the Midwest that had a piece of older fabric I needed to finish a quilt project. My delight was supplanted by disappointment when the shop notified me it didn’t have the fabric in stock after all. When I woke up this morning and looked at my email, there was a message from Nancy telling me she has a third of a yard of this fabric that she is willing to send me. Oh Happy Day!

Not only is the fabric already in the mail, Nancy even sent me the tracking information! If the US Postal Service does its job, those precious inches of currant red fabric will be in my eagerly waiting hands by Friday. I could have made do with another cut of fabric but I had my heart set on using the same red that’s in the center of this kaleidoscope quilt:

The piece that Nancy is sending me will be used as a narrow flange between the outer border and the binding. Thank you, Nancy, from the bottom of my heart.

Aren’t quilters the best people?!

My elation at finding just the right amount of an older fabric to complete a flange binding on my latest kaleidoscope quilt was short-lived. After purchasing a quarter-yard from an on-line quilt shop in Iowa, I subsequently heard from the shop that the yardage in question was actually no longer in stock. Oh nooooooooo!

The fabric I need — okay, I want it more than need it — is a particular shade of red, a deep bright red like a currant. In fact, the leaf print I’m using for the border of my quilt is from the line called “Black, White & Currant 5” by Color Principle for Henry Glass Fabrics. I have several red blenders in my stash but not a single one matches the red in that print or the red shown above.

Unless someone reading this post has some Moda Puzzle Pieces Paisley 1007-51 on hand and is willing to part with a small amount, I’m going to have to embark on a search for a replacement, probably a solid currant. I have very few solids in my stash because I don’t care to sew with them but I’m sure there’s a piece out there that will work just fine.

In the meantime, I’m dealing with my disappointment by starting a new project:

In the works is an 18″ Chicago Star block using this fun group of fabrics. I actually have two quilts in my head using these fabrics plus a few others not shown here.

Kristin at Montavilla Sewing in Lake Oswego, the quilt shop where I teach, introduced this pattern to some of my students and me last month in a Zoom meeting. It’s part of an optional block-of-the-month project we can learn about online while we wait for in-person classes to resume. I’ll be ready for virtual show-and-tell on Wednesday. It will be fun to see what fabrics other quiltmakers have chosen!

That’s a funny phrase to use when talking about fabric but it perfectly expresses how I feel after finding a quarter of a yard of fabric online that was a total long shot.

In my last post I showed photos of a kaleidoscope quilt I had just gotten back from the longarm quilter. (The quilt, based on the pattern “Grandma’s Surprise,” was made in a class with Joyce Gieszler six years ago.) In the comment section of the blog post, my friend Vickie asked what I was thinking about for the binding. I replied, “I’m going to bind it in the same black leaf print (shown above) that I used for the border because I want the focus to be on the kaleidoscope in the center of the quilt.” My thought was that binding the quilt in solid black or the red paisley tone-on-tone blender used in the quilt (also shown above) would create a frame around the quilt that might distract from the kaleidscope in the center.

But as I pondered Vickie’s question, the thought of a narrow flange of that red fabric sandwiched between the border and the binding popped into my head. Last night I added this sentence to my reply: “If I had more of the red fabric, though, I would be very tempted to add a narrow flange between the border and the binding.” Only two small rectangles of that fabric remained in my stash and neither scrap had selvage information on it. I had bought it years ago and had no idea if it was even still available.

Sometime between last night and this morning, that idea of a flange took hold. I woke up and thought, “Why not see if I can find that red fabric online?” I tried entering several search phrases with no luck. Then I struck paydirt with “dark red on red paisley blender.” Up popped this image. . .

. . . with a link to an online quilt shop in Waukee, Iowa called Twiddletails. The fabric turned out to be a blender by Moda that was part of a line of blenders called Puzzle Pieces. All that was available was a quarter of a yard — a mere nine inches! Reader, I ordered it on the spot. Between this piece and my two scraps, I think I can eke out enough strips for a flange, provided the dye lots are similar enough. There’s a surprising amount of variation among dye lots. This bit of yardage from Twiddletails is the only one I’ve found so my fingers are firmly crossed.

My latest kaleidoscope quilt is back from the longarm quilter! While it was still on Sherry’s frame on Monday, she sent me a couple of sneak peeks:

I knew then I’d made the right choice with the quilting motif: “Bordeaux” by Urban Elementz. The motif features spirals and swirls that work really well with the design of the quilt and the leaf print.

The quilt isn’t trimmed yet but I couldn’t wait to show you more of the quilting:

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Here’s a shot of the center:

Even though the quilt pieces are all angular, there’s a suggestion of roundness because of the way the blocks are set. I wanted the quilt motif to have a roundness to it as well. I was also looking for another element to suggest the shape of leaves like the ones in the black print. Perhaps you can see this better in the close-up of the center area:

Once the quilt has been trimmed, I’ll post a few more pictures and show you the simple pieced backing. This six-year-old UFO is very close to becoming a completed quilt!

Oh, and here’s an update on the migration front. The not-so-good news is that the migration of my website/blog to a new server is not yet complete. The better news is that readers can once again leave comments. So feel free to comment on this post or even the last couple of posts when comments were blocked.

I am especially eager to know if subscribers are also getting notifications of new blog posts — so here’s your chance to let me know. Thank you!

. . . or perhaps I should say “My Next Quilt Finish.” Today I pulled a UFO out of my sewing room closet that’s been waiting in the wings for — oh, the last six years (!) and put a border on it:

This Unfinished Object dates back to 2015, when I took a class from Joyce Gieszler on Grandma’s Surprise, the quilt pattern featured in her book Then and Now Quilts (Kansas City Star Quilts, 2014). In 2015 Joyce’s colorful version using cotton+steel fabrics had set Pinterest ablaze . . .

. . . but it was her three-color version shown on the right that I had fallen for:

Her class was great fun and I made my top pretty quickly, eking out a border of the background fabric with just enough left over to cut binding strips so the image would float. The quilt top finished at 57″ square. Because I like to piece my quilt backs, I put the project on the back burner while waiting for inspiration to strike.

Well, you know what they say: time marches on for all of us. Suddenly, 2021 was well underway and I had never gotten around to the backing. Today, when I pulled the quilt top out to take a look, I decided I wanted it to be a bit larger and added a border of the black leafy print. Now it measures 66″ square, a really nice size for a throw or lap quilt.

And the backing? Some time ago I had purchased a piece of 118″ wide backing fabric in a pale grey leafy print. In the spirit of “get ‘er done!,” why not forget the pieced backing and just make a backing out of one piece? I got ready to cut the 74″ square I needed for the backing — longarmers like the backing to be 4″ larger on all sides — and then discovered a 3″ tear in a spot which made it impossible to cut the backing from one piece.

Boohoo!

It looks like a pieced backing is in the cards after all.