It’s time for the tenth and final installment in my Throwback Thursday series looking at quilts made in the last decade. Coming up with my choice for 2019 was easy: it was the only quilt I completed last year! Here is Give Me the Simple Life:
I’m very proud of this accomplishment, as I made it my goal to become proficient in needleturn appliqué during the making of the quilt. It certainly provided ample opportunities for practice! Longarm quilter Kazumi Peterson did the amazing quilting.
Give Me the Simple Life will be on display later this month at Northwest Quilters’ 46th annual show, “A Festival of Quilts,” in its new venue, Camp Withycombe, in Clackamas, Oregon. Dates are Friday and Saturday, March 20 and 21. If you are in the neighborhood, please stop by. There’ll be over 300 quilts on display and lots of vendors selling wonderful things (like fabric).
Thank you so much for joining me in this 10-week lookback at some of my favorite quilts!
Often when I finish a quilt, there are one or two things I would have done differently. Not with this one. I love every block, I’m happy with every modification I made to Terri’s original design, and I’m thrilled to pieces with the combination of computerized and free-motion quilting done by Loretta Orsborn.
Instructions for Reach for the Stars appeared in seven consecutive issues of Quilters Newsletter Magazine, beginning with the Oct./Nov. 2013 issue and ending with the Oct./Nov. 2014 issue. Sadly, QNM is no longer in publication.
Almost every month I receive a request from a quilter wanting to know how to get directions for Reach for the Stars. A few years ago I could point to eBay or Etsy for the needed issues but copies are getting harder to find. My advice nowadays is to check with a local quilt guild to see if any member has these seven issues and would be willing to lend or sell them to the person wanting to make the quilt.
Catch a Falling Star was my first ever sampler quilt. I wasn’t sure I would ever make another one. But I did. You’ll see that one when I reach Week 10 of Throwback Thursday.
Thanks for joining me on my weekly trip down Memory Lane!
Throwback Thursday already?? It seems impossible but we are in the final week of January, Week 5 (and Year 5) of my 10-year-lookback at quilts. I started with 2010 at the beginning of the month and now I’m up to 2014.
In Square Dance you see my interpretation of the classic Twist block. Every Twist quilt I’ve ever seen features a solid fabric in the center of each block and two fabrics for the lattice. My version incorporates a lovely folk art floral in the center of each block and 12 fabrics in the lattice — four each of rose, green, and purple:
It was quite a challenge getting the balance of fabrics just right but I was very pleased with the outcome.
The beautiful quilting by Melissa Hoffman of Fiddlestitches is hard to see so here’s a close-up:
I remember Melissa telling me she had to wear a headlamp to stitch the free-motion filigree design in the interior of the quilt. Black thread on solid black fabric: what a challenge that must have been!
Square Dance is one of my quilts in rotation on the back of the couch in our living room. In fact, it’s there right now, and I managed to get a shot just now while the sun was briefly shining:
First things first: Happy New Year!! Can you believe it’s 2020?
I’m taking a look back at some of the quilts I’ve made over the last 10 years, starting in 2010. (I got the idea from Thelma at Cupcakes’n’Daisies who posted on Instagram yesterday with photos of 10 gorgeous quilts she made between 2010 and 2019. Check out her beauties at instagram.com/thelmacupcake.
For 2010 I chose this quilt, Dianthus:
The pattern is 4-Patch Stacked Posies by HD Designs. I had recently discovered the four-patch kaleidoscope block and was having great fun investigating the possibilities with other fabrics and other settings. Here you see a large strip of the focus fabric as well as the blocks that didn’t make the cut for the front of the quilt:
I quilted this one myself and I don’t mind telling you I was a bundle of nerves during the process. Here are a couple of close-ups:
I used a variegated thread of green and lavender. The color variation is very subtle, which is just what I wanted.
Why the name Dianthus? The fabric is a gorgeous melange of blossoms including tulips, hydrangeas, and carnations. Dianthus is the Latin word for carnation. The quilt wound up at the home of my twin sister, Diane. ‘Nuff said.
When Diane’s grandson Edward was a baby, the quilt was used in his bedroom at her home:
Edward is now 10 years old. (How did that happen?) He’s still a frequent overnight visitor but as you might imagine his room looks very different today. The crib has been replaced with a trundle bed, for one thing.
And the quilt? Nowadays it’s folded at the bottom of the bed in the first floor guest room and is often pulled into service for a lap quilt while watching TV. The 57″ x 67″ size makes it a good candidate for that.
Thanks for stopping by on this second day of the New Year. Do come back for next week’s Throwback Thursday to see a quilt I made in 2011.
A rather cryptic title for a blog post, I know, but regular readers know what it means. My latest Junior Billie Bag in-the-making has gone three-dimensional:
As I’ve mentioned before, this is my favorite part of the process, when a series of flat panels like this . . .
. . . and this . . .
. . . and this . . .
. . . are transformed into the quintessential quilter’s tote known as the Junior Billie Bag.
Junior Billie Bags (JBBs for short) have been a frequent topic on my blog since I started teaching Billie Mahorney’s design three years ago. I have been asked many times about a pattern for this tote but Billie, who owns the copyright on the design, never wanted to create a pattern.
Teaching her design in a hands-on class is by far the best way to go because I can share tips and techniques that have come to me through experience and also troubleshoot problems my students may encounter, just as Billie did when she was teaching. I’m so sorry that quilters across the country and beyond who have seen pictures of various JBBs on my blog don’t have the opportunity to create one of their own.
As I was snapping photos for this post, a little white paw made its way into the frame:
Give Me the Simple Life, my version of Hazel’s Diary Quilt, is home again after hanging for three days at last week’s Northwest Quilting Expo. I entered my quilt for judging in the traditional category and received the judges’ comments when I picked my quilt up this morning.
Here’s what the judges said:
“A very compelling combination of a primary color palette. Presentation inside scalloped sashings is so appealing and beautifully executed.” Credit is due Shelly Pagliai of Prairie Moon Quilts, who designed Hazel’s Diary Quilt and cheered me on every step of the way as I posted my progress on Instagram and on this blog.
“Hand appliqué stitch is very well done.” This comment means a lot to me because I took on the challenge of making this quilt to become proficient at needleturn appliqué.
“Machine piecing is precisely done.” Thank you, judges.
“Quilting motifs are well chosen to fill the spaces.” Kudos to Kazumi Peterson, whose free motion quilting skills and precise ruler work greatly enhanced the finished product.
“Outside edge of quilt should be straight and corners square.” This comment caught me by surprise. Were the corners really not square? I used a square ruler to trim my quilt before attaching the binding. Of course I got out that ruler and checked the corners. The first three were perfectly square. But guess what? The fourth corner was an eighth of an inch off!
I know there are many other imperfections in this quilt but all in all, I am very happy with how it turned out. Most of all, I am glad that it’s done!!
Yesterday found me happily wandering around NW Quilting Expo, now in its 19th year, out at Delta Park in Portland. Hundreds of quilts were on display, including mine and several made by friends, fellow quilt guild members, and students.
Given my recent experience with needleturn appliqué, I found myself looking more closely at quilts featuring appliqué. There were some stunners, that’s for sure! Let’s look at a few of them:
Detail of Audra Rasnake’s Hosanna:
Detail of Sharon Engel’s Spring Explosion:
Here’s a fun one made by Judy Liebo, one of the featured quilters:
Judy reproduced Disney princesses (with permission), replacing the faces with photos of her granddaughters. Check out Tinkerbelle — that’s Judy’s face — in the upper right corner:
Here’s my quilt:
Among the other quilts that caught my eye:
Here’s another of featured quilter Judy Liebo’s whimsical challenge quilts . . .
. . . and here’s Judy herself with another one:
Linda Reinert, a fellow teacher at Montavilla Sewing Center in Lake Oswego, was another featured quilter. Here’s Linda with her husband’s favorite quilt:
This one was also made by Linda as part of a group challenge on the theme of architecture:
Look at the beautiful embroidery in this detail of Marcia Sanderman’s award-winning quilt:
Here’s a look at the entire quilt:
I hope you enjoyed seeing a few of the quilts that caught my fancy at the show. If you are anywhere in the vicinity, I highly recommend that you visit NW Quilting Expo today or tomorrow. If that’s not in the cards, you can see videos and photos on NWQE’s Instagram page. Sometime soon photos of all the winning quilts will be pictured on NWQE’s website.
Cheryl at Meadow Mist Designs is hosting a Best of 2018 Linky Party, inviting bloggers to highlight their top five posts of last year. It’s a fun way to look back over the past 12 months and identify some of the high points.
Finished projects are always high points for me so that’s where I’m taking you now, showing you five projects in random order. Clicking on the links below will take you to the original posts where you can read more about the finishes and see more photos.
This 44″ square quilt was made from the pattern Dancing Churndash by Jenny Pedigo and Helen Robinson of sewkindofwonderful.com. I’ve made several quilts using their Quick Curve Ruler; this is one of my favorites.
The essential quilter’s tote, designed by Billie Mahorney. It’s 14″ wide, 17″ tall, and 7½” deep. I’ve been teaching Billie’s design for three years now and make a bag every time I teach a class. This one is a gift for a dear friend.
I became quite enamored with Corey Yoder’s pattern Idyllic and taught it at a quilt retreat last year. This quilt was my class sample. It’s a lively design so I simplified three blocks to give the eye a place to rest. The quilt measures 53½” x 67″.
Joining the Best of 2018 Linky Party has been a useful exercise in reviewing my quilting accomplishments over the last year. I’m also inspired by looking at the work of other quilters who blog. Take a few minutes right now and join the party! Clicking on the link will transport you right there.
Happy first day of fall! This year is flying by way too fast.
After our unusually hot summer in Portland with a record number of days in the mid to high 90s, many folks are relieved that fall has arrived. Me, not so much. As a native Oregonian I don’t mind the rain and cooler weather that fall brings but I do miss the long days of early summer when the evening light doesn’t fade till close to 10 pm.
The official change of seasons is my cue to change the wall hanging in the master bathroom. Off the wall goes Sun Flowers . . .
. . . and up goes Autumn Reflections:
Both quilts were made from my pattern Season to Taste. They measure 18″ x 55″.
A month ago today I was in Sisters, Oregon with Vincent van Gogh. And I have the picture to prove it:
I must say, even with a bandaged ear Vincent is looking pretty cheerful. Not at all like the unsmiling tormented soul we see in his self portraits.
So what’s this all about? In 2017 Cherrywood Fabrics issued a challenge for quiltmakers to interpret the paintings and life of Vincent van Gogh in a 20″ square quilt. Contestants were required to use three saturated blues and one black — all hand dyed fabrics by Cherrywood — in their creations. The company received 465 submissions and ultimately selected 200 to be included in two traveling exhibits, one called “the Dutch Gallery” and the other “the French Gallery” to represent the time van Gogh spent in his home country and the country where he spent the last years of his life.
The 2018 Sisters Outdoor Quilt Show included a special (indoor) exhibit of the French Gallery. I went to the exhibit near the end of the day and quickly snapped a few photos of the quilts in groups:
I’m amazed at the artistry, creativity, and skill displayed by these quiltmakers. I could have spent hours at this exhibit and probably would have had I arrived there earlier in the day.
If you look carefully at the last photo, you’ll catch a glimpse of “Vincent” between the first and second vertical panels. He was standing against a backdrop of The Starry Night holding an empty frame and a bouquet of sunflowers. His colleague was encouraging viewers to stop for a photo op. So I did.
The dates and venues of both traveling exhibits can be seen here along with the names of the quiltmakers and close-ups of the quilts made by the five winners of the challenge. If you get a chance to see either one, I highly recommend it.
Having viewed the French Gallery, I am now very keen to view the Dutch Gallery. I see that it will be in Spokane, Washington Oct. 19-21, at the Washington State Quilters Show. That’s only 350 miles from my home in Portland, Oregon. Road trip?!