Sisters Outdoor Quilt Show 2018
Here, without further delay, are just a few of the quilts that caught my eye at the 2018 Sisters Outdoor Quilt Show on the 14th of July. On that day the tiny town of Sisters in central Oregon filled with 10,000 quilt lovers and other sightseers who strolled around town on a very hot day looking at the quilts displayed on the outside of buildings along the town’s main and side streets. With 1300 quilts on display, it was impossible to see every single one but we all did our best.
The first 10 you see below were made by quiltmakers who taught during Quilter’s Affair, the five days of classes and special events preceding the Saturday show. These quilts were on display in the Teachers Tent.
That’s quite an eclectic group of quilts, isn’t it? The quilts outside the Teachers Tent were just as varied in design and technique. Take a look:
The Portland Modern Quilt Guild had a special exhibit of word quilts, the result of a challenge the guild issued to its members. My favorite was this one:
My photo of the label identifying the following quilt was too fuzzy to read. If anyone reading this post knows who made and quilted this quilt, please let me know, and I will update the information:
This next quilt has a special story. It was made by Jane Humphrey of Escondido CA, who lost her home — and a lifetime of fabric and quilt projects — in the 2007 Witch Creek Fire in San Diego. In her own words, “I naturally had to start rebuilding both. A pretty daunting task at 81. So much new, pretty fabric to buy! When I saw this pattern in the May/June 2010 issue of Quiltmaker, I immediately knew it was the quilt to make with all my new fabrics. That was the most fun, choosing the fabrics that would look delicious together! It was a difficult pattern for me but rewarding. At 92 now, I don’t plan on stopping anytime soon. I have too much new fabric!”
Here is Jane’s lovely — and lively — quilt:
The last quilt I want to show you wasn’t in the quilt show. In fact, it’s not quite finished but it’s so spectacular I just had to share it with you — with the permission of its maker, Frances Barnes of Portland OR:
I first saw this quilt in June, when I was teaching at a quilt retreat in Washington State. Frances brought it along to work on. She’s quilting it by hand using a utility stitch. I didn’t get a picture of it at the retreat so when I ran into Frances during a Quilter’s Affair class and saw she had the quilt with her, I jumped at the chance to take a photo.
The quilt was inspired by Sujata Shah, author of Cultural Fusion Quilts: A Melting Pot of Piecing Traditions (C&T Publishing, 2014). Sujata was a guest speaker at last year’s Quilter’s Affair, and both Frances and I bought her book after hearing Sujata speak and seeing a selection of her colorful quilts made using free-form blocks.
Then last fall Frances saw the cover of Issue #10 of Simply Moderne magazine, featuring a quilt called Paper Beads designed by Sujata Shah:
Paper Beads is composed of free-form string quilt blocks. Frances combined Paper Beads with blocks from the Cultural Fusion Quilts book and came up with the vibrant quilt you see above. Who knows? Maybe it will be in next year’s Sisters Outdoor Quilt Show!
Aren’t these lovely? They are the first group of Mini Mod Tile blocks coming from the second group of quilters attending the Pine Needle Quilt Shop’s retreat in western Washington last month. (You can read all about the first group’s output in my preceding post.) The blocks you see above were made by Sandra and Dena (top row) and Linda and Barbara B. (second row).
Do you see how there’s a fifth block in the center that is made up of partial blocks from the four? This is an example of a secondary block design being the same as the primary.
Or maybe raspberry sorbet?
