A Walk in the Neighborhood


It’s a bit of a stretch. The reference is to the walking foot on my Janome sewing machine, used to quilt Uptown Funk, my version of the Dresden Neighborhood quilt.

A pattern of green and yellow colors with white background
I seriously considered doing some free motion quilting in the background. Little spirals would have looked good or perhaps some pebbling. Alas, free motion quilting is not my strong suit. After considerable waffling I opted to keep it simple and go for straight lines. The doors on my wonky Dresden houses appear to radiate from the center circle so I extended the concept with my quilting lines radiating to the outer edges of the quilt.

Here’s a peek at the backing fabric:

A pattern of green and yellow colors with white backgroundThe fabric, an older print from Timeless Treasures, features another kind of uptown neighborhood: Central Park in New York City. I’ve used this fun retro print in other projects and am happy to report I have plenty left. (There’s a funny story about this fabric you can read about here.)

My wonky Dresden neighborhood quilt measures 24″ x 26″ after trimming. Now I’m trying to decide what fabric to use for binding. Solid black seems too severe. Solid green? No, that would be too much green. I’m leaning toward using one of the black prints from the quilt and maybe inserting a very thin green flange.

Do you approve?

 

 

 

 

Posted in free motion quilting, Janome 9450QCP, update, wall hanging, wonky Dresden neighborhood | 7 Comments

Of Luck and Labels


I made a serendipitous discovery today when making the label for All You Need Is Love, my latest quilt. Before I explain, let me show you a few photos of the quilt taken outdoors this afternoon. The photos are so much better than the indoor shots I showed you in my last post. I’m especially loving the contrast between the red of the quilt and the green of the grass:

A pattern of green and yellow colors with white background
A pattern of green and yellow colors with white background

Did you happen to notice the label in the lower left corner in the photo above?

No? How about in the photo below, showing the front of the quilt with one corner turned back?

A pattern of green and yellow colors with white backgroundIt’s not very noticeable, is it? That was my goal!

Here’s a close-up:

A pattern of green and yellow colors with white background

The label contains important information: the name of the quilt, who designed it, who made it, where it was made, who quilted it, and the year it was finished. But I wanted the label to take a back seat to the message on the back of the quilt.

To achieve that I did three things: printed the label from my computer so that I could use smaller letters than I can comfortably write by hand; used red ink, which blends into the background better than black ink would; and reduced the size of my circle pattern from my usual measurement of 4â…” in diameter (the width of a compact disc) to 3¾” in diameter . The quilt finishes at 38″ x 44″ so a smaller label was definitely called for.

This is my second experience printing a label using my inkjet printer. The first time was a few months ago when I made the label for Give Me the Simple Life. The procedure was pretty straightforward. You start with label fabric and freezer paper that are both cut larger than a standard piece of paper, press the shiny side of the freezer paper to the wrong side of the label fabric, and trim the result very carefully to exactly 8½” x 11″. You create a label on your computer, determining the font and point size based on the desired finished size of your label. You insert the fabric/freezer paper combo into your printer and print the label.

When I tried this the first time I found I had to use two layers of freezer paper to get my printer to accept the combo and even then it was a bit temperamental, jamming my printer a couple of times until I got the the result I wanted.

I would have followed the same procedure this time but for my concern that the bright little flowers on my background fabric would show through the white label fabric. I was using the same white fabric for the back of the label but I wanted an extra layer in the middle to make sure those bright little flowers stayed hidden.

I decided to try fusing featherweight interfacing to the back of my label fabric before pressing it to one layer of freezer paper. I’m so glad I did! The interfacing gave the fabric just the right amount of body to feed smoothly through my printer. Serendipity!

I previewed my label first on paper using two different shades of red:

A pattern of green and yellow colors with white background

The bottom red was a better match with the red in the quilt. Next I printed the label on my fabric/interfacing/freezer paper combo:

A pattern of green and yellow colors with white backgroundThe ink on fabric wasn’t quite as bright as the ink on paper but would certainly be fine for my purpose.

After determining a circle 3¾” in diameter would work well as a finished label size (based on the width of the longest line), I wandered around my kitchen opening cupboard doors until I found something just the right size to trace around for the back of the label:

A pattern of green and yellow colors with white background

In the next photo the fabric for the back of the label is on top of the label fabric, right sides together and pinned in place. You can just make out the printing on the label through the top layer:

A pattern of green and yellow colors with white background
After stitching all the way around the circle (taking out the pins as I come to them) and trimming very close to the stitched edge with pinking shears, I cut a slit in the back of the label so it can be turned inside out:

A pattern of green and yellow colors with white background
With the label turned, pressed, and hand appliquéd in place, the slit in the back will never be seen. And I’m very happy with the result:

A pattern of green and yellow colors with white background

I have a feeling I will be using this method on future labels!

 

 

 

 

Posted in appliqué, Hazel's Diary Quilt, quilt labels, update, Wonder Curve Ruler | 9 Comments

Love Rocks


Always has, always will!

May I present my latest quilt finish? It’s called All You Need Is Love based on the pattern Love Rocks from the new book Text Me from Sew Kind of Wonderful:

A pattern of green and yellow colors with white background

The book features several sizes of alphabets made using Sew Kind of Wonderful’s new Wonder Curve ruler. I like to piece the backs of my quilts so I decided to have some fun with the alphabet and carry a message from the front of the quilt to the back:

A pattern of green and yellow colors with white background

My little quilt — 38″ x 44″ — sports an edge-to-edge quilting design. I wanted something modern and was attracted to this design that looks a bit like doodling:

A pattern of green and yellow colors with white background

“Modern Ties” is a whimsical design that offers a pleasing counterpoint to the precision of the letters. Sherry Wadley did such a nice job on this for me. The quilting enhances the design of the quilt without overpowering it, just the effect I was going for.

A lot of quilters I know don’t enjoy binding their quilts but I do. Stitching down the binding on this quilt was a breeze both because the quilt is small and because I used a nifty little “sticky thimble” to push the needle through the fabric:

A pattern of green and yellow colors with white background
The thimble is called a Poke-a-Dot — how cute is that? — and comes in a little round tin containing 24 dots. Each thimble can be used multiple times so I probably have a lifetime supply. I could have ordered just the small tin of Poke-A-Dots but I treated myself to a bigger tin — the full Appliqué Set from Jillily Studio — several weeks ago:

A pattern of green and yellow colors with white background

Having learned how to do needleturnappliqué last year in the making of Give Me the Simple Life, I’m interested in learning other approaches. And I do confess that the tin this appliqué set comes in influenced my decision to purchase it. (This is not a paid endorsement, by the way; I just happen to like these products.)

Another confession: I jumped the gun in showing you my latest quilt. It’s not quite finished. Still to come: the label.

 

 

 

Posted in appliqué, Hazel's Diary Quilt, needleturn appliqué, update, Wonder Curve Ruler | 5 Comments

Another Pretty Little Basket . . .


. . . made from the Pattern Basket‘s new pattern, aptly named Pretty Little Baskets. This one is half again as large as the first one I made (subject of my last post) because I resized it. Here’s the new test block:

 

A pattern of green and yellow colors with white background

It measures 12″ unfinished. For comparison, here are both blocks together:

A pattern of green and yellow colors with white background

It took me the better part of a day to figure the correct measurements to cut the fabric strips and to sew one block. The reason? Fractions! The original block measures 8″ unfinished, 7½” finished. That’s a bit unusual. Most blocks are a whole number finished, and the unfinished block is a half inch larger because it includes two quarter-inch seam allowances.

I wanted to make a basket block as close to 12″ as possible. I figured the easiest way was to use the original instructions and scale the measurements up 150%, meaning the block would measure 12″ unfinished, 11½” finished. I knew that would mean some unusual cutting dimensions. As it turned out, the procedure for determining the exact measurements was more involved than I originally thought and almost every strip of fabric was cut to an eighth of an inch.

But hey, it worked! And now I have two pretty little baskets. I like both sizes and will probably make more of both eventually, though for different projects. Wouldn’t these blocks be wonderful with some kind of appliqué added?

 

 

 

Posted in appliqué, update | 5 Comments

A Tisket A Tasket


One pretty little basket:

A pattern of green and yellow colors with white background
Isn’t it darling? The block is a new pattern called Pretty Little Baskets from Margot Languedoc of — how appropriate — the Pattern Basket:

A pattern of green and yellow colors with white background

I’m a big fan of Margot Languedoc’s designs and downloaded the pdf version of the pattern last week as soon as it became available on her website. The block measures 8″ square so it will finish at 7½” square. The green floral fabric is from the “Canyon” line by Kate Spain for Moda.

I don’t know if this block will wind up in a quilt someday. I just know that I needed to make it today.

Back to making face masks tomorrow!

 

 

 

Posted in face masks, update | 5 Comments

Tie One On!


The face masks I’ve been making over the last several days are finished with fabric ties. For the most part I’ve been following the tutorial of ER nurse Jessica Nandino but I departed from her instructions by pressing my strips of straight-grain fabric in the manner of double-fold bias tape before sewing them onto the mask rather than after. This allows me to insert the raw edges of the mask into the center of the binding strips and stitch once through all the layers. The finished product is very neat looking (as in neat and tidy) but the ties aren’t as flat as I would wish. In addition, the process of pressing three separate folds into those fabric strips is time-consuming and tedious. Oy, is it ever!

I have a bias tape maker on order that converts strips of bias fabric into â…”-wide double-fold bias tape but it will be several days before it arrives. In the meantime, I decided to try something different: I cut â…ž”-wide strips of fabric on the bias, pressed them only once in the middle, then encased the raw edges of the mask in the folded strip, leaving the raw edges of the bias strips in plain view. I chose batik fabric for the bias strips because it’s very tightly woven. My assumption was that when a mask made this way goes through the washer and dryer, the raw edges of the straps won’t fray and the finished product will still look neat and tidy.

Friends, it worked! Granted, the finish isn’t as fine but I think it looks pretty darn good.Here’s my first attempt:

A pattern of green and yellow colors with white backgroundThis mask has been through the washer and dryer.

Here’s a close-up, looking at the inside of the mask:

A pattern of green and yellow colors with white backgroundIf you look carefully you can see that the raw edges of the binding are just the teensiest bit fuzzy but there is no raveling. That stitching you see on the inside mask fabric is the nose dart. The nose and chin darts in Jessica’s design give the mask its close fit. It’s a feature of her tutorial that I really like. No need to make a casing to insert a pipe cleaner or floral wire to shape the top of the mask, as I’ve seen in some face mask tutorials.

For my second attempt at a raw edge binding finish I used a zigzag stitch:

A pattern of green and yellow colors with white backgroundI think it gives a neater finish and may prove to be more durable than a single line of stitching.

Here’s a photo of the mask after having been laundered:

A pattern of green and yellow colors with white backgroundAgain, no raveling of the raw edges, just the slightest bit of fuzziness.

Here is the same mask being modeled by moi:

A pattern of green and yellow colors with white background

These masks are not medical grade but they’re certainly better than no protection at all. And you can add an additional layer of protection by inserting a coffee filter in the mask:

A pattern of green and yellow colors with white background

I did have to trim the top and bottom of this 12-cup coffee filter to make it fit.

Thus far I’ve been making one mask at a time because of my tinkering with the construction method. Now I’m at the point where I can move to assembly-line production. A very low-key assembly line, to be sure. I’m not a speedy seamstress but my output should increase significantly.

I did figure out a faster way to cut fabric. Jessica’s pattern represents half of the mask. It was designed to be pinned in place with the center of the mask on a folded piece of fabric and cut out one at a time. To speed up the cutting process I made a full-size freezer paper pattern and pressed it to the top layer of fabric. With a sharp blade in my rotary cutter I can easily cut several layers of fabric at a time.

A pattern of green and yellow colors with white background

Then I simply peel off the freezer paper pattern and it’s ready to be used over and over again.

When my next batch of masks is done (I’m still sewing for friends and family) I’m going to reward myself by taking a break from maskmaking and sewing something new.

 

 

 

Posted in face masks, family, update | 10 Comments

A Beautiful Day in the Neighborhood . . .


. . . my Uptown Funk neighborhood, that is, which now has doors and a few windows:

A pattern of green and yellow colors with white background I wanted the long skinny doors to really stand out, like rays radiating from a sun, so I cut them all from black and green solids. I thought the effect might be diluted if I used prints.

I was planning to use the same solid fabrics for windows. If you look at the Dresden Neighborhood pattern by Kim Lapacek that my neighborhood is based on, you’ll see that all the buildings have doors and windows:

A pattern of green and yellow colors with white background

My plan changed when I happened upon a piece of fabric in my stash of a cityscape with a variety of windows — in the perfect color combo of black, white, and green. Of course I had to audition them! I fussycut just a few sets of windows and placed them randomly around the circle of houses.

The windows weren’t printed on the straight of grain so they’re all a little bit wonky. Perfect for my wonky little neighborhood.Here’s a close-up:

A pattern of green and yellow colors with white background

Oh, and see the little chimney? It’s the only one in the neighborhood. It’s covering up the smudge of dirt I pointed out in my previous post about this project.I stitched around the base of the chimney with black thread so it would stand out a bit more, and I also added a row of black stitching around the roof. I stitched around the other four roofs that had a lot of white in them after noticing that they blended into the background fabric too much.

I’m thinking windows on only five of my houses may be enough. What do you think?

 

 

 

Posted in appliqué, machine applique, update, wall hanging, wonky Dresden neighborhood | 6 Comments

Strapped


A pattern of green and yellow colors with white backgroundIn my last post I showed you some face masks I made following ER nurse Jessica Nandino’s tutorial posted on a craft website called instructables.com. Jessica’s pattern calls for cutting strips from cotton fabric but I made my first few masks using packaged double-fold bias tape in ¼” and ½” finished widths. I wanted to give â…”-wide tape a try, thinking it might be more suitable — less bulky than half-inch wide tape but more substantial than quarter-inch — knowing I would have to make my own. I don’t think â…”-wide tape is made commercially. Even if it were, I wouldn’t be going to the store for some. This is all about making do with what’s on hand.

Some of my readers were interested in my experiment so I’m showing you the result.

This is what Jessica’s mask looks like when the two layers are stitched together:

A pattern of green and yellow colors with white background

Next step is pinning and stitching three pleats on each side of the mask. Normally when you sew, the fabric you are handling is to the left of the needle. In the photo below, the fabric is to the right of my needle. This enables me to sew with the pleats rather than against them:

A pattern of green and yellow colors with white background

(When I sew the other side, the mask will be to the left of my needle, the normal way, and I will also be sewing with the pleats rather than against them. And just so you know, I remove each pin before stitching the folds in place.)

To make my binding strips I cut several strips of fabric 1½” wide, cutting on the crosswise grain (from the fold to the selvages). I could have cut bias strips but I wanted to try it first with straight grain fabric, which would give me at least 40″ lengths (no need to piece the strips). Another plus: no struggling to iron folds in stretchy bias strips.

Double-fold tape is pressed in such a way that one side of the tape is slightly narrower than the other (from the fold to the outside edge). The narrow side always goes on the right side of the fabric. When fabric is inserted into the fold of the tape, the wider side of the tape, underneath, is caught in the line of stitching from the top.

Here’s a piece of double-fold bias tape opened up:

A pattern of green and yellow colors with white background

You can see three press lines: there’s a fold in the middle, then each end is pressed toward the middle. That’s exactly how I folded my strips, with one long edge pressed a full quarter-inch and the other side a scant quarter-inch, giving me the result you see below:

A pattern of green and yellow colors with white background

My finished binding actually measures a little over â…” wide. Next time I’ll cut my strips 1â…” wide.

Now I’m ready to encase the left and right sides in my binding. The raw edges of the mask are snuggled up to the center fold of the binding:

A pattern of green and yellow colors with white background
The binding is folded over the seam allowance and pinned in place:

A pattern of green and yellow colors with white background
This is how it looks from the back:

A pattern of green and yellow colors with white background

The binding is stitched from the front through all layers. You can see how the stitching caught both layers:

A pattern of green and yellow colors with white background

The ends have been trimmed . . .

A pattern of green and yellow colors with white background
. . . and now it’s time to add the top and bottom strips, which measure about 40-42″, depending on the width of fabric after selvages are removed.

I mark the middle of one strip and match it with the dart in the center of the mask (remember, there’s a nose dart and a chin dart in Jessica’s pattern). I put in three pins only: one at the dart, one where the side of the mask meets the top strip, and one between those two. The pins go through all the layers:

A pattern of green and yellow colors with white background
Now I’m ready to start stitching at the far end of the strip, holding the binding in place as I stitch very close to where the two folded edges meet. When I get to the center dart, I insert the next section of mask fabric into the center of the binding fabric and continue stitching, stopping as often as I need to adjust the layers of fabric. My stitch length is short — 2.2 on a computerized machine or about 12 stitches to the inch — because the binding strips are going to get some stress when they are tied behind the head.

I don’t bother finishing the ends of the strips because I’m going to trim them at a 45 degree angle when I’m done . . .

A pattern of green and yellow colors with white background. . . and it’s quite likely that someone winding up with one of my masks will find the strips too long and want to trim them anyway. As long as the ends are trimmed on the diagonal, they shouldn’t ravel, even after being washed multiple times.

A pattern of green and yellow colors with white background

My experiment turned out pretty well although the straps still feel just a tad bit bulky. For the next mask I might try making bias binding to see if it makes a noticeable difference. By the way, I like the fabric on this mask so much — it’s from an older line called “Birdie” by Pam Kitty Morning for Lakehouse Dry Goods — that I’m keeping it for myself. The mask I was wearing in my last post was laundered and mailed to my twin sister in Georgia.

I hope you are all staying as safe and protected as you possibly can and maintaining social distance. It’s the least we can do . . . and it’s so terribly important. As I continue to shelter at home, I have some great advice to follow: Keep Calm and Sew On.

 

 

 

Posted in face masks, family, update | 6 Comments

Making Masks, Making Do


And hoping to make a difference.

A pattern of green and yellow colors with white background
Like so many other quilters, crafters, and those who sew, I am making face masks, initially for close friends and family, then to meet the growing need for first responders who may not have access much longer to official PPE (personal protective equipment).

After looking over several tutorials this week and trying a couple, I settled on the pattern you see above. It was designed by Jessica Nandino, an emergency room nurse, who posted her tutorial here.

She points out that research on the efficacy of fabric masks is conflicting and stresses that nothing homemade will ever compare to medical grade PPE. These masks are not sterile and they’re not medical grade. But they’re better than nothing. The fact that our first responders will most likely be wearing homemade masks because of a shortage of PPE is downright scary in the midst of the COVID-19 pandemic.

Notice that the mask above has nose and chin darts, and it covers the entire face. The top straps go over the ears and tie in back. The lower ties go under the ears and are tied at the back of the neck. It’s designed to fit in two ways: first, directly over the face, and second, over an N95 respirator as a way to provide a protective barrier in hopes of extending the lifetime of the respirator.

Here’s my first batch:

A pattern of green and yellow colors with white background

Although mask-making is a sobering enterprise, I can find some enjoyment in choosing complementary fabrics from my stash for the inside and outside of each mask:

A pattern of green and yellow colors with white background

Jessica’s pattern calls for the straps to be made from strips of fabric. I thought I might be able to make masks faster by using commercially made double-fold bias tape I already had on hand. I tried both 1/2″-wide tape (on the pink mask in the middle) and 1/4″-wide tape (the remaining masks). Both sizes work but the half-inch wide tape seems bulky to me and the quarter-inch wide tape was difficult to work with in terms of fully encasing the raw edges of the mask in the fold.

I’m feeling a little bit like Goldilocks. Will 3/8″-inch wide (homemade) be just the right size? I’ll give it a try today and let you know.

 

 

 

Posted in face masks, family, update | 5 Comments

A Spot of Green . . .


. . . in honor of St Patrick’s Day. It’s rather nice to be thinking about St. Paddy’s Day and not about the self-confinement the Dear Husband I have entered as part of our responsibility to help flatten the curve of the coronavirus pandemic. I’ve read a lot of posts today about how people are coping and I deeply appreciate the perspective that Sharon Santoni of My French Country Home brings to the situation. She lives in France some 5,000 miles way from my home in Portland, Oregon but we are definitely on the same page.

So back to the wearin’ of the green, or rather the sewin’ of the green:

A pattern of green and yellow colors with white backgroundThat’s the last of the 20 roofs on my Dresden Neighborhood quilt (based on the pattern of the same name by Persimon Dreams).

I stitched all the roofs using the blanket stitch on my new Janome 9450QCP sewing machine. I confess: it was harder than I expected. Not because my machine is new. No, it’s because I’ve never machine appliquéd with a blanket stitch before! How did I get to this advanced age without learning that skill?

I had to practice — a lot — on scraps before attempting it on my funky little neighborhood. The most difficult part was stitching around the sharp corners. I couldn’t find a decent tutorial on how to do that so I fiddled with the points, trying different approaches until I was satisfied. And I matched my thread with the roof to minimize the imperfections.

A pattern of green and yellow colors with white background
See that zebra print roof above at about the 8:00 position? It’s the only roof that’s rounded and it was very easy going around it with the blanket stitch. Had I known that when I was cutting out the roofs, I would have made more of them rounded!

Uh-oh. There’s a dark smudge just to the left of the roof in the 11:00 position, made of the same zebra fabric. Here’s a close-up:

A pattern of green and yellow colors with white background
I have no idea how it got there. It definitely wasn’t there when I stitched around the roof. I tried dabbing it with a wet Q-tip but it looks like ink. The next time you see this there will probably be a chimney covering that sooty-looking spot. How appropriate.

What’s left? Doors and windows; a circle appliquéd in the center; and then it’s time to sandwich and quilt my little neighborhood.

As I was sewing the last roof on, the name for my quilt-in-progress popped into my head: Uptown Funk.

 

 

 

Posted in appliqué, family, Janome 9450QCP, machine applique, update, wall hanging, wonky Dresden neighborhood | 5 Comments