We’re only a few day into February and it’s turning out to be every bit as busy as January. I’ve only managed to make three more blocks for my new project, an autumn leaf quilt — but the blocks are beauties, as you shall soon see!
It feels like I’m moving at a snail’s pace but the fact is that my sewing time has been limited lately. The Dear Husband and I had a lovely week with visiting relatives from the East Coast. We went on some outings and worked on family history together. It turns out that our relatives are also voracious readers so while they (and the DH) were relaxing in the living room with books in hand, I managed to hie to my sewing room a few times to work on blocks.
Take a look:
In case you missed my last post, here are the first two blocks:
I gravitate toward primary colors so this palette is not one I normally work with, yet I am loving the look of the warm oranges, golds, and rusts against the two focus fabrics in the maple leaves.
I haven’t decided yet which design direction I will go with my quilt. On the one hand, I like the look of the floating leaves in Forest Floor. On the other hand, I like the way the stems of the leaves in Maple Stars touch smaller Sawtooth Stars. Kim Diehl also included an alternate design for a bedrunner where four stems meet at a single Sawtooth Star, a look that I absolutely love. The bedrunner can be made with just 12 blocks.
My plan is to make several more star blocks before deciding. I’m heading out of town for a few days so I will continue to ponder my choices as I anticipate my return to my sewing room. Do check back in, please!
After seeing my last post on using 3M Command Strips to hang quilts, one of my readers asked an excellent question: “Can you successfully remove the strip from the back of the quilt?”
The answer is “yes” — but there’s a surprise involved. When you take a quilt off the wall that was hung with Command Strips, the strips stay on the wall — not the quilt! And there is no residue whatsoever on the back of the quilt.
I discovered something else quite by accident: if you’re planning to take one quilt down and put up another one of the same or slightly wider width, you can reuse the strips that are already attached to the wall. Serendipity!
On one wall in our main floor bath I took down Uptown Funk (now on loan to a quilt guild for an upcoming workshop) . . .
I saw that I had hung Uptown Funk using Medium-size Command Strips, which measure ¾” x 2¾”. All I had to do was separate the top strip from the bottom strip of each pair on the wall. You will remember from my previous post that the strips work in pairs, with the Velcro-like textured sides coming together with an audible click. It’s quite easy to separate them, leaving one half of the pair on the wall with the Velcro-like side exposed:
I took three new strips from the package (each strip is half of a pair) . . .
. . . and pressed each Velcro-like side to its mate on the wall. Then I peeled off the paper backing to expose the adhesive and pressed Loose Leaf into place. Easy as pie! It took less than two minutes.
If you’re the least bit apprehensive about attaching adhesive strips to either your wall or your quilt, I have a suggestion. Start with one pair of Command Strips. Remove the paper backing from one strip and attach it to the back of one of your quilts. Remove the paper backing from the other strip and attach it to a wall in an inconspicuous place — perhaps behind a door or a piece of furniture. Leave both strips in place for a week or two. Then remove the strips, remembering to pull straight down and very slowly on the rounded tab . . .
. . . until the strips completely separate from the fabric and the wall.
Pulling slowly and straight down on the tab is what loosens the bond between the adhesive and whatever it is attached to (fabric or wall). If you pull the tab out from the wall instead of straight down, you run the risk of pulling part of the wall or paper off with the tab. (This has never happened to me, by the way). If you pull too fast, the strip will snap you like a rubber band when it comes off. (This has happened to me but it won’t ever again, I assure you.)
I predict that trying this experiment will give you the confidence to hang your own quilts with Command Strips.
Happy New Year!! I’m starting the year with a bit of practical magic: using Command Picture Hanging Strips from 3M to change out the wall hanging in my master bath. Command Strips have a sticky Velcro-like texture on one side and adhesive on the other side covered by paper backing. The strips are assembled in pairs, with adhesive facing out on both sides and the Velcro-like sides in the middle, like a sandwich. When the paper backings are removed, one adhesive side attaches to the wall and the other side to the back of the quilt — without leaving a trace on either when they are removed. Seriously!
I have several wall hangings that I like to rotate more or less according to the seasons. Dark Moon, pictured on the left below, went up in December as my choice for winter but as the New Year rang in I was longing for something brighter. It took fewer than five minutes to swap out Dark Moon for Hip Hop:
Dark Moon (2011) on the left, Hip Hop (2018) on the right
Hip Hop features five different kangaroos gamboling on an Australian aboriginal print background. The playful ‘roos and bright colors are definitely lightening my mood during these gray and rainy days in Portland:
But I digress. Let me show you how very easy it is to hang quilts using these Command Picture Hanging Strips.
Packaging varies. I bought a “value pack” containing four small and eight medium pairs of command strips:
The strips come in Small (holding up to four pounds), Medium (up to 12 pounds) and Large (up to 16 pounds). As mentioned above, the strips are geared for picture frames but they are eminently suitable for quilts. The size Small is more than sufficient for my wall hanging, which weighs much less than four pounds. FYI, Hip Hop measures 16″ x 59″.
These are the four pairs of small Command Strips, front and back:
The strips are separated by pulling them apart (very easy). I’m using three pairs for my wall hanging:
Each strip is ¾” wide and 2⅛” long. Before removing the paper backing, I press two sticky sides together to form a pair, causing them to make an audible clicking sound as they connect. This is what they look like from the side:
I peel off one set of paper backing pieces and place the strips sticky side down right next to the binding at the top back of my quilt — one strip on each end and one in the middle:
Then I remove the second set of paper backing pieces . . .
. . . turn the quilt around, and place it on the wall, pressing firmly from the right side of the quilt. I actually run my fingers up and down where the Command Strips are for a good 30 seconds, pressing the runner firmly against the strips for good adhesion. Note: this wall hanging is going on a painted sheetrock wall. I have also used the strips successfully on wallpapered walls (although the instructions say not to do this with picture frames) and on lath and plaster walls in my 1913 home.
Oh, and one more thing: I want to show you how to remove the strips from the wall after you’ve taken the wall hanging down. This shot was taken after I took Dark Moon off the wall:
All you do is grasp the rounded tab at the bottom and pull gently, firmly and — this is important! — slowly straight down from the strip. That tab will stretch a good 12″ or more before the entire strip releases from the wall, leaving no trace behind of the adhesive. If you pull too fast or too hard, the strip snaps like a rubber band. Ouch! You only do that once, believe me.
Note: I have no affiliation with 3M, the maker of Command Strips. I’m strictly a consumer, recommending this product based on personal experience. As far as I know, there is no other comparable product on the market. Using this method to display quilts on my walls has eliminated the need to mar the surface of the walls with nails or screws in order to hang rods or other hardware.
About the wall hangings: both are original designs. Hip Hop was made using my first pattern, Full Moon Rising. Dark Moon was made from my second pattern, Full Moon Rising II. If interested, you can look at the front and back of the patterns on the Patterns page on my website.
A final thought: I think this post qualifies as a tutorial. I’m adding it to the Tutorials page on my website. It’s Tutorial #23. Maybe you should check out the other ones!
It’s that time of year again. Cheryl Brickey of Meadow Mist Designs is inviting bloggers to share their top five posts of the year in her “Best of 2022 Linky Party.” This is the eighth consecutive year Cheryl has hosted this linky party and my fifth year participating.
Clicking on the links will take you to the original posts where you can see more photos and read about my creative process.
Isabella’s Quilt, made for a new great grandchild, was adapted from the pattern Star Stream Quilt by Sally Davies of Chasing Tigers. I chose to make only a portion of the original design, using just two stars and enlarging them for maximum graphic effect. Instead of using one fabric for the background, I used several greens from my ample stash to create a low volume effect.
Number 2. ArcticStars (I liked Isabella’s Quilt so much I made a second version!)
Arctic Stars, 50″ x 63″ (2022)
Made to be a throw size, the quilt features two additional stars, with each star containing a fussycut image from the “Icy World” line by Gareth Lucas for Windham Fabrics. Here are a couple of close-ups:
8″ Star Block in Arctic Stars16″ Star Block in Arctic Stars
I love sleeping on pillowcases made from beautiful cottons. These cases were made using the “Capri” line designed by Katarina Roccella for Art Gallery Fabrics. (I used the burrito or roll-it-up method for the pillowcases, using my own tutorial which you can find here.)
My very first finish of 2022 was this mini quilt using the delightfully whimsical pattern Dresden Neighborhood by Kim Lapacek of Persimon Dreams. I used scraps from Corey Yoder’s “Holliberry” line from 2021 plus a few other red and green fabrics culled from my stash. I embellished the quilt with a few strategically placed vintage buttons. The link above the photo will take you to the post in which I explained (with lots of photos) how I converted my little quilt from a square to a circle.
Thank you so much for visiting First Light Designs. And thank you, Cheryl, for getting the party going. Be sure to check out the top five posts of the other quilting/blogging partygoers. If you’re a quilter, you can join Cheryl’s Best of 2022 Linky Party, too. The link is open until January 2.
How appropriate! I finished Arctic Stars today and the temperature in Portland, Oregon as I write this is a frigid 14 degrees. I’ve lived in Portland for 65 years and can’t recall a time when it was this cold. With the wind chill factor taken into account, the temperature is -6 degrees. Brrrr!
I bound Arctic Stars in the same navy blue used for the star points. Here’s a look at the front . . .
. . . and the back:
In case you missed an earlier post, you can see close-ups of all the star blocks here.
The quilt measures 50″x 63″ — a nice snuggle size. I’m tempted to wrap myself up in it this very minute but it needs to take a trip first through the washer and dryer to get that soft, crinkly effect. Mmmm, now I’m thinking about how good it will feel to wrap myself up in it while it is still warm from the dryer . . .
P.S. As a follow-up to my last post about holiday decorating, here’s a look at the wreath I found on sale this week at the grocery store:
I added red jingle bells to dress it up a bit. Thus concludes my holiday decorating!
Isn’t this a sweet holiday scene? My sister Diane sent this photo to me a few days ago. The table runner was made last year by moi from my own pattern, Season to Taste, and gifted to Diane. I think the runner looks sensational on the built-in buffet in her dining room, don’t you? (I still have plans to make a second winter version of Season to Taste using a different color palette. Just haven’t gotten around to it yet.)
Christmas decorations at the Portland White House have become increasingly minimal. The Dear Husband and I have segued in recent years from a live tree decorated with strings of lights and lots of ornaments to a small imitation tree that sits on the sideboard opposite the front door. This year I added my mini quilt made from the pattern Dresden Neighborhood by Persimon Dreams:
The little scene looks lovely at night. I struggled to get a photo that would do it justice. This was the best I could do:
The tree and quilt can be seen from the street through the glass in our front door. I especially like how the icicle lights on the curved arch on our front porch are reflected in the door and windows:
Now I just need to find a wreath of fresh greens to hang above the house numbers.
There’s something irresistible about the combination of red and green, even if you don’t celebrate Christmas. It’s no coincidence that red and green figure prominently in my stash of quilt fabrics!
The simple tailored valances I made for my sister Diane’s garage are in place:
They were put up with spring tension rods because we knew the white trim around the windows would offer a crisp contrast with the blue floral valance fabric. (And you already know how I love blue and white.)
Here’s a close-up of one window:
Diane is horrified that I’m posting these pictures before she spackled the holes from the old curtain rod and touched up the paint. I assured her my readers would use their imaginations and pretend not to see them.
She loves the new valances, in no small part because of what she calls the “happy fabric.” We are definitely on the same page in that regard.
We both loved the valances I made last year:
It sure is a shame the ruffles got all floppy from the humidity (described in my last post).
Perhaps you are wondering what’s going to happen to those valances. Let me reassure you they will be repurposed in some fashion. The fabric really is beautiful:
I’ve already cut off the ruffled tops and rod pockets, leaving two rectangles measuring roughly 16″ x 66″. There’s enough there to make a couple of beautiful pillows or some other home dec or crafty item. If you have any suggestions, feel free to direct them my way.
And for those of you who saw my pictures from a year ago and thought Diane and Ed’s garage looked pristine and unused, here’s proof that they actually park their cars in it:
I hope those of you who celebrate American Thanksgiving had a delicious repast yesterday. We sure did, and now we get to enjoy the next best thing: leftovers!
No, that’s not a typo. I’m in the valance-making business again! Just a few weeks after finishing valances for my stepmother’s living room windows, I’m here in Georgia at my twin sister’s home making valances for her garage windows.
But wait, you must be thinking. Didn’t I make valances for Diane’s garage windows last year at this time? Yes, I did. Alas, our noble effort (captured in this post) did not stand the test of time. We think the humidity in Georgia caused the ruffles at the top of the softly gathered valances, made out of a linen-like decorator fabric, to flop over. Most unseemly! Diane coped by tucking the ruffle out of sight behind the valances, which was definitely not the look either one of us was going for.
Chatting several months ago about what our options were for replacements, Diane mentioned how much she loved the valances I had made for my own kitchen windows:
She was wild about the fabric (from the “A Breath of Avignon” line by Sandy Klop for Moda) but I was sure I didn’t have enough left to make more valances. So that was that.
Then, while surveying my stash last week to see what project of my own I might work on during the Dear Husband’s and my annual two-week visit in November, I spotted another piece of that very fabric. I tossed it into my suitcase, and Diane was beyond delighted to learn there was enough for valances.
So . . . I brought a project for me (more on that later) and a project for her. What’s with the projects? Well, my sister and our husbands like to watch college football. It’s definitely not my thing so I am perfectly content to be working away on a sewing project in the kitchen dining area while the three of them are ensconced in the living room watching grown men hurtling themselves at each other in the pursuit of making or preventing touchdowns.
Diane really liked the design of my tailored kitchen valances, which feature a flange of yellow fabric just under the rod pocket:We didn’t have suitable fabric at her house so she ordered a spool of ⅝” grosgrain ribbon in a bright yellow gold to take the place of a flange. We had a good laugh when the ribbon arrived:
Diane thought she had ordered 10 yards. Turns out she ordered 100 yards — roughly the length of a football field!
I got started by making a rough sketch of the valance . . .
. . . followed by a freezer paper pattern:
In this next photo the grosgrain ribbon is ready to be stitched to the first valance:
It will be lined with blackout fabric, a necessity to keep the valance fabric from fading from light hitting it from the outside.
As home dec projects go, this is a simple one. Please stop by again soon to see the result!
Here’s a sneak peek of one of three valances I made for my stepmother Shirley’s living room windows:
You’re looking at a little over half of the shortest valance, which measures 62″ wide. The finished width is actually 54″ because the rod has brackets that come out from the wall 4″ on each end and the valance wraps around the brackets. The pleat near the end is close to where the valance wraps around the bracket.
I’m looking pretty pleased, aren’t I? The valances turned out just as I had envisioned them: understated and elegant. The simple design — flat valances with inverted pleats at the center and ends — allows the subtle herringbone decorator fabric to be the star of the show.
So about those best laid plans . . . The idea was to head over to Bend in Central Oregon this coming weekend to install the valances with the help of my nephew Scott, coming to Bend from another part of the state. We’ve all been keeping our eyes on the weather forecast, knowing this may be one of the last weekends to travel across the state before ice and snow make driving conditions dangerous.
The forecast is still looking good but I’m not going anywhere. Why? Because the Dear Husband has a rebound case of Covid! You may recall from my last post that he got Covid from me and was prescribed the antiviral medication Paxlovid, which helped him bounce back from Covid almost immediately. Four days after testing negative, he started exhibiting cold symptoms again and subsequently tested positive. It turns out about four percent of Covid patients who take Paxlovid come down with Covid again within a very few days. It’s known as “Paxlovid rebound.”
So here we are . . . back in isolation. Not going to Bend this weekend. If by some stroke of luck the weather the following weekend looks decent, and provided the DH is recovered (which I expect to be the case), we’ll make the trip over the mountain. If not, we’ll all have to wait till spring to see the valances installed in Shirley’s home.
The valances were more challenging to make than I expected. I quickly realized that the decorator fabric was quite thick and heavy, which would make traditional inverted pleats bulky, especially because the fabric needed to be lined. So I made faux pleats!
Let me show you what I mean. Here’s a picture of a pleat at one end of the valance:
Here’s what that pleat really looks like:
Do you see what I did? Each “pleat” is actually a separate piece of fabric lined to the edge, layered underneath the main fabric pieces, and attached to the rod pocket. (The lining fabric is a 100% quilting cotton from my stash.) Each valance is made of seven lined rectangles, three of which are faux pleats, plus the rod pocket.
The good news: the test valance I made for my stepmother Shirley’s living room windows last month was a great success. You’ll recall from my last post that I’m helping her update her living room by making bespoke valances out of an elegant furnishing fabric. The Dear Husband and I enjoyed a quick trip to Central Oregon at the end of September to visit her and test out the valance and drapery rod in her home.
The bad news: at some point during that trip I was exposed to Covid-19. I woke up at home on Friday, Oct. 7, with mild cold symptoms, took a Covid test, and looked in dismay at the second pink line on the home test. The DH and I immediately went into isolation mode per CDC guidelines.
The good news: my bout with Covid hasn’t been bad. My cold symptoms never worsened although I did experience three days of fatigue. Neither my stepmother nor a dear friend I had lunch with in Bend came down with Covid. The DH tested negative five days in a row.
The bad news: on the sixth day the DH tested positive. I arranged a video conference the next day with a physician who prescribed the anti-viral drug Paxlovid. By then I was one day beyond my five-day isolation period and was able to mask up and get that prescription for him.
The good news: within 24 hours of taking the first dose, my husband was feeling remarkably better.
More good news: yesterday I got the borders sewn onto the ’30s reproduction quilt top found at my guild’s silent auction in August. This is the block in the upper left corner:
Here’s a look at the top on a double bed:
Isn’t that pretty? I’m very happy with my choice of fabric for the outer border. The top measures 81½” x 93½” right now; it will shrink a bit from quilting and laundering.
It sure felt good hearing the sewing machine in my sewing room humming again! I’m now primed to cut into that gorgeous decorator fabric with the goal of heading over to Central Oregon before the end of the month with the finished valances.
In case you missed my last post, here are the first two blocks:
I gravitate toward primary colors so this palette is not one I normally work with, yet I am loving the look of the warm oranges, golds, and rusts against the two focus fabrics in the maple leaves.
I haven’t decided yet which design direction I will go with my quilt. On the one hand, I like the look of the floating leaves in Forest Floor. On the other hand, I like the way the stems of the leaves in Maple Stars touch smaller Sawtooth Stars. Kim Diehl also included an alternate design for a bedrunner where four stems meet at a single Sawtooth Star, a look that I absolutely love. The bedrunner can be made with just 12 blocks.
You’re looking at a little over half of the shortest valance, which measures 62″ wide. The finished width is actually 54″ because the rod has brackets that come out from the wall 4″ on each end and the valance wraps around the brackets. The pleat near the end is close to where the valance wraps around the bracket.
