. . . of making a Junior Billie Bag is that moment when the bag, until now a series of flat panels . . .
. . . becomes three-dimensional:
You are looking at the inside of my Junior Billie Bag, with the side panels/bottom unit pinned to one of the front/back panels. You may not be able to tell from the photo that there are 14 pockets showing. The other front/back panel (not shown) has five pockets.
Combined with the pockets on the outside of the bag . . .
. . . this JBB has 23 pockets. Now you know why I call it the “quintessential quilter’s tote!”
It’s a lot of fun playing with pocket design for the outside of the bag. For the pockets on the left side above, I trimmed them in the same striped fabric I’m going to use for the binding. (While I love the look of striped binding cut on the diagonal, I opted to cut my strips on the straight of grain for this one.)
For the pocket on the right side, I started with a four-patch kaleidoscope (what I call a Four-Patch Wonder block) and made a double inset circle.
I sure do like that vivid blue against black and white!
Yes indeed. I’ve been hard at work on the components of this quilter’s tote in preparation for teaching a workshop later this month. The front/back panels are quilted and trimmed and the two sets of handles have been made.
The design of the handles is very clever. You start with strips of different widths, resulting in the wider strip wrapping around to the underside to form a faux piping. In the photo below you can see both sides of the handles:
The dark stripe would ordinarily go on the outside but I’m loving that jolt of royal blue with the contrasting piping so much I’ve decided to put it on the outside. That’s how the straps are positioned in the first photo.
I did some stash diving to come up with fabrics for the various and sundry pockets that make this quilter’s tote such a delight to use. Here you can see a few of the pockets I’ve made for the inside of the bag:
Still to come: pockets for the outside. All told, this Junior Billie Bag will have over 20 pockets, all thoughtfully sized to hold a quilter’s favorite tools.
When I started working on this tote I thought I might give it away. Now I don’t think I can bear to part with it!
Last night I got the proverbial bee in my bonnet and made this 12½” quilt block:
I’ve been wanting to make a test block since spotting Jenifer Gaston’s Churning Stars quilt in her book Primitive Style: Folk-Art Quilts and Other Finery (Martingale Press, 2015):
I’ve always liked the classic Churn Dash block and I love seeing it in the center of a Sawtooth Star block. I could see making an entire quilt using Jenifer Gaston’s charming design. In fact, I have a collection of indigo and cheddar prints that would be perfect for such a quilt.
For now, though, I am sticking with one block because it’s destined to be one of the front/back panels on my next quilter’s tote, namely the Junior Billie Bag.
See how well the new block goes with the star block I made the other day?
Not content to stop after making the block, I added the sashing strips that will make both blocks the correct size for the front/back panels of the Junior Billie Bag:
. . . is coming up and I couldn’t be happier about it.
In just a few minutes I’m leaving for Quilt Camp — four days and three nights with a group of terrific women I’ve had the pleasure of “camping out” with for several years. In the past few years we’ve gone to Camp Tilikum in Newberg, Oregon, just about an hour away from home. It’s a popular spot for quilt retreats.
I’m packed and ready to go:
Project boxes and fabric tub? Check. Sewing machine and wraparound table? Check. Suitcase? Check. Billie Bag? Check. Big board? Check.
Camp ends at 4:00 pm Wednesday but I’m heading back early, picking up the Dear Husband and heading to the Oregon coast where I’m doing a trunk show and lecture for a quilt guild on Thursday and teaching Part 2 of my Junior Billie Bag workshop on Friday. The DH and I are staying an extra day for a mini-vacation.
The quilts I’m taking for the trunk show are stacked on the couch, ready to be packed into bags when I get back:
I can’t wait to see the progress my students have made on their Junior Billie Bags in the couple of weeks since the first workshop. Speaking of which, I couldn’t resist seeing what my current one is going to look like when it’s sewn together. I’ll be demonstrating this step at the second workshop so for now I simply pinned the side/bottom panel unit to one of the front/back panels:
One of the fabrics I chose for pockets on the side panels is a batik with directional bubbles. Just for fun I made the bubbles horizontal on one side and vertical on the other. They may not be easy to see once the bag is all put together but I like knowing they are there.
No more work on this till after Quilt Camp. I’ll be working on Hazel’s Diary Quilt. Here’s hoping I make a lot of progress on it!
When I pulled fabrics a few weeks ago for my current Junior Billie Bag, these were my picks:
You can see at a glance this is a combination of batiks and regular woven cottons. Some quilters work exclusively with one or the other but I really like to mix ’em up.
You’ve already seen the front and back panels of my JBB in progress:
Now here’s a look at the pockets on the inside of the front and back panels:
I also have the side panels/bottom unit done (not pictured) and my binding made. This bag is ready to become three-dimensional! That happens next week, when I demonstrate how it’s done for a marvelous group of students from the Oregon Coastal Quilting Guild.
When this bag is finished it will go on display at Montavilla Sewing Center in Lake Oswego. Why? Because I’m teaching a Junior Billie Bag workshop there in February and March of next year. When the class is over the JBB goes home with a dear friend of mine who loves the color purple.
Thank you all so much for your kind comments on my last post about my father’s passing. I don’t often write about my personal life on this blog but in this case my connection with my dad intersected with my quilting life in such a meaningful way that I wanted to share it with my readers. I appreciate your words of comfort so very much.
My big project for 2018, the sampler quilt known as Hazel’s Diary Quilt, has been on hold the last couple months while I worked on small projects for friends and family. I think of these projects as Little Labors of Love.
In the past I’ve shown photos of pillowcases made for my sisters Reigh and Diane. Recently I made pillowcases for another set of very special sisters in my family, Jenny and Tracy. I asked them to let me know their color preferences and then selected fabrics from my stash I thought they would love.
Another labor of love is this mysterious item made from quilted fabric:
It measures about 18″ square (not counting the straps) and is doubled in order to create four channels, each about 4″ wide and open at one end. On the inside it has Velcro strips along the sides:
When folded in half the Velcro strips close and it becomes a carrying case:
Can you guess what this is for? Only if you are a Mah Jongg player! In addition to being a champion bridge player, my stepmother Shirley is an avid Mah Jongg fan and plays regularly. She asked me to make a carrying case for the tile racks in one of her sets.
My guide for this rack carrier came from another Mah Jongg player named Dorothy Huotari who posted a photo on Facebook in June of one she had made and graciously gave permission to other crafters to replicate it:
I have enough left of the quilted fabric to make Shirley a matching bag for the tiles similar to the one shown in the photo of Dorothy’s carrying case.
Last month I put the binding on a beautiful quilt made by my friend Virginia Hammon:
The quilt was one of many made by Virginia that were featured in a special exhibit at Northwest Quilting Expo last month. The quilts illustrate a book she has researched and written about the U.S. monetary system. With the text finished, Virginia can now concentrate on finishing the quilts. Since I truly enjoy the binding process, I was happy to add the binding to this beauty.
I get so much pleasure working on these Little Labors of Love, sandwiched as they are between longer term projects.
In the works: a new Junior Billie Bag, based on Billie Mahorney’s original design. I’ve had the pleasure of teaching this fabulous quilter’s tote for the last three years and will be heading to the Oregon coast next week to teach a two-day workshop for a quilt guild.
A new class necessitates a new Junior Billie Bag, and here’s a preview of the one I’m working on right now:
(My celadon green carpet isn’t the best backdrop to show off the front and back panels but it will have to do for now.)
My starting point was this gorgeous print from In the Beginning Fabrics that came out last spring. Designed by Jason Yenter, it’s called “Ajisai Hydrangea:”
For one of the front/back panels I made a windmill block, inserting a fussy cut blossom in the center with narrow trim around it:
For the other panel I made a kaleidoscope block of eight 45° degree triangles, converting it into a double inset circle:
I just happened to have the perfect button in my collection to put in the center of the circle. The button went on after the panel was quilted:
Now I’m preparing to make a plethora of pockets. Here’s my fabric pull, a pleasing mix of woven cottons and batiks — all from my stash:
Does anyone else love the combination of green and purple as much as I do?
Cheryl at Meadow Mist Designs is hosting a Best of 2017 Linky Party, inviting bloggers to highlight their top five posts of the year. It’s a fun way to look back over the last 12 months and identify some of the high points.
My top five are below, in reverse order. Clicking on the links will take you to the original posts.
5. Dutch Treat. Although I didn’t finish this quilt till June, I started it in January during an epic snowstorm that kept me and many Portlanders indoors for several days.
4. NYC and VFW. A trip to New York City with my twin sister in March combined many of the things I love in life: family, travel, theater, museums, and quilting. The quilting part? A visit to the Manhattan shop of Victoria Findlay Wolfe:
Victoria didn’t happen to be there that day but I had the pleasure of meeting her the following month in Paducah, Kentucky during AQS Quilt Week:
Designed over 20 years ago by Billie Mahorney, it’s a fabulous quilter’s tote personalized by each maker, starting with the design on the front and back panels and ending with the pockets inside and out. Two years ago Billie turned the teaching of her design over to me, and I make a bag every time I teach a class. This may be my favorite of the eight I have made so far.
Without consciously planning to, I wound up making a suite of accessories to go with my Junior Billie Bag:
(See the rotary cutter coat in the lower left corner? I wrote directions for it in 2014 and it remains my most popular tutorial. Every now and then when I see a huge spike in the number of views on my website/blog, I know it’s because someone provided a link to the tutorial.)
1 . Where It’s @. Much to my surprise and delight, this quilt won a second place ribbon at the Northwest Quilting Expo in Portland, Oregon in September:
The design is Rewind by Karla Alexander of Saginaw Street Quilts. I started the quilt in a class with Karla in Sisters, Oregon in July 2016. Getting a ribbon was honor enough but the award came with a check for $500. My first reaction? “Think how many yards of fabric I can buy with that!”
Well, this has been a nice little trip down memory lane. Do you want to join Cheryl’s party, too? The link is open until January 2. Be sure to check out the top five posts of the other quilting/blogging partygoers. And thank you for checking out mine!
. . . (see my last post), I have another finished one to show you, the one I made alongside my students fall term at the Pine Needle. The class ended a few weeks ago but I didn’t put the last touches on the bag until today. It’s for my friend Vickie, who has a late November birthday, but she won’t get it for several more weeks because she’s traveling. You get to see it before she does.
Here are the front and back panels:
I decided early on to cut the binding fabric on the bias because I figured the striped fabric would provide a dramatic frame for the panels. Good call, don’t you think?
These pictures don’t give a sense of the depth of the bag — 7½” — so here’s a partial side view that also shows you the pockets I put on the outside:
That side has two pockets and the other side has one taller pocket cut from the same wavy stripe I used for the binding:
Coco is busy investigating the interior pockets, of which there are many.
A look inside:
It’s really hard to get a good shot of the interior of a finished Junior Billie Bag. This earlier photo should give you a notion of how many pockets there can be (totally up to the whim of the maker):
You can also see there’s a shorter set of handles. Those are tucked out of sight in the photos at the top of this post.
To sum up:
The Billie Bag was designed by Billie Mahorney, who taught for many years at the Pine Needle. The junior version measures 14″ wide, 17″ tall, and 7½” deep.
The panel with Friendship Star blocks was based on a design by Thelma Childers of Cupcakes’n’Daisies. Read here how I modified it for this project. The windmill block is a variation of one designed by Deb Eggers of the Cottage Rose for her pattern A Mid-Winter’s Night.
I started with fabrics from the “Dance of the Dragonfly” line by Benartex and Kanvas Fabrics, adding several batiks from my stash and one blender from P&B Textiles. There can be no doubt what the birthday girl’s favorite color is!
Here are two more accessories I just made to tuck into my Junior Billie Bag when I’m heading out for a class: a case for my 5″ Gingher scissors and a 4″ x 4″ fabric box used primarily as a thread catcher: