Cheryl at Meadow Mist Designs is hosting a Best of 2018 Linky Party, inviting bloggers to highlight their top five posts of last year. It’s a fun way to look back over the past 12 months and identify some of the high points.
Finished projects are always high points for me so that’s where I’m taking you now, showing you five projects in random order. Clicking on the links below will take you to the original posts where you can read more about the finishes and see more photos.
This 44″ square quilt was made from the pattern Dancing Churndash by Jenny Pedigo and Helen Robinson of sewkindofwonderful.com. I’ve made several quilts using their Quick Curve Ruler; this is one of my favorites.
The essential quilter’s tote, designed by Billie Mahorney. It’s 14″ wide, 17″ tall, and 7½” deep. I’ve been teaching Billie’s design for three years now and make a bag every time I teach a class. This one is a gift for a dear friend.
I became quite enamored with Corey Yoder’s pattern Idyllic and taught it at a quilt retreat last year. This quilt was my class sample. It’s a lively design so I simplified three blocks to give the eye a place to rest. The quilt measures 53½” x 67″.
Joining the Best of 2018 Linky Party has been a useful exercise in reviewing my quilting accomplishments over the last year. I’m also inspired by looking at the work of other quilters who blog. Take a few minutes right now and join the party! Clicking on the link will transport you right there.
Happy first day of fall! This year is flying by way too fast.
After our unusually hot summer in Portland with a record number of days in the mid to high 90s, many folks are relieved that fall has arrived. Me, not so much. As a native Oregonian I don’t mind the rain and cooler weather that fall brings but I do miss the long days of early summer when the evening light doesn’t fade till close to 10 pm.
The official change of seasons is my cue to change the wall hanging in the master bathroom. Off the wall goes Sun Flowers . . .
. . . and up goes Autumn Reflections:
Both quilts were made from my pattern Season to Taste. They measure 18″ x 55″.
A month ago today I was in Sisters, Oregon with Vincent van Gogh. And I have the picture to prove it:
I must say, even with a bandaged ear Vincent is looking pretty cheerful. Not at all like the unsmiling tormented soul we see in his self portraits.
So what’s this all about? In 2017 Cherrywood Fabrics issued a challenge for quiltmakers to interpret the paintings and life of Vincent van Gogh in a 20″ square quilt. Contestants were required to use three saturated blues and one black — all hand dyed fabrics by Cherrywood — in their creations. The company received 465 submissions and ultimately selected 200 to be included in two traveling exhibits, one called “the Dutch Gallery” and the other “the French Gallery” to represent the time van Gogh spent in his home country and the country where he spent the last years of his life.
The 2018 Sisters Outdoor Quilt Show included a special (indoor) exhibit of the French Gallery. I went to the exhibit near the end of the day and quickly snapped a few photos of the quilts in groups:
I’m amazed at the artistry, creativity, and skill displayed by these quiltmakers. I could have spent hours at this exhibit and probably would have had I arrived there earlier in the day.
If you look carefully at the last photo, you’ll catch a glimpse of “Vincent” between the first and second vertical panels. He was standing against a backdrop of The Starry Night holding an empty frame and a bouquet of sunflowers. His colleague was encouraging viewers to stop for a photo op. So I did.
The dates and venues of both traveling exhibits can be seen here along with the names of the quiltmakers and close-ups of the quilts made by the five winners of the challenge. If you get a chance to see either one, I highly recommend it.
Having viewed the French Gallery, I am now very keen to view the Dutch Gallery. I see that it will be in Spokane, Washington Oct. 19-21, at the Washington State Quilters Show. That’s only 350 miles from my home in Portland, Oregon. Road trip?!
I was out of town last week on June 21, the Summer Solstice. That was the day I was planning to switch out the wall hanging in our master bath. Back in April I hung Under Paris Skies, the spring version of my pattern Season to Taste, so named because I envisioned a table runner or wall hanging for each season of the year based on fabric choices. (You can see my spring version here.)
Up went the summer version today and it couldn’t be more, well, summery:
For a fun little touch I added a “flower” (two stacked buttons) in the center of each block:
I finished Sun Flowers in 2015 but it’s been hanging in a quilt shop. Now I get to gaze at it every day in my own home. I’ll enjoy it until it’s time to change to the fall version, made in 2014.
I never got around to making a winter version, though it’s been planned for years. If I’m going to have one ready by the time this winter rolls around, I’d better move it up on my project list!
Rally ’round the maypole, folks — I have a May Day finish to report. It’s Hip Hop, my kangaroo table runner (or wall hanging — I haven’t decided which). There was just enough late afternoon light left on this overcast day in Portland to snap a photo outdoors:
In a prior post I described how I quilted the background of each block, some with a walking foot and some with free motion quilting.
The last thing I did was stitch an outline around each of the five kangaroos. I was lucky that the fabric (from the “Walkabout II” line by Paintbrush Studios) included five separate ‘roos so I could put a different one in each circle. In these close-ups you may be able to see the outline stitching as well as the stitching-in-the-ditch around the inset circles:
Last but not least, the label:
The label is a finished edge appliqué circle, my preferred method of making quilt labels. It’s fused in place but I will also appliqué around it by hand to make it really secure.
I’m really happy with my choice of turquoise for the binding. The acid green fabric used between the blocks would have been too strong, I think.
April is my favorite month of the year. It’s the month when the promise of spring in Portland is fully realized. Lawns are emerald green, and the profusion of colorful azaleas, tulips, and other blooming things makes my heart sing. Today is a gloriously sunny day, one of the first of the year warm enough for Portlanders to open all their windows and let the fresh air in. I can hear the sound of a lawnmower starting up and if I’m lucky it will be followed by the scent of new-mown grass.
In honor of spring I hung Under Paris Skies in the master bathroom:
This is the springtime version of my pattern Season to Taste, designed and made four years ago as part of a series based on the four seasons. The summer and fall versions are done but I must confess the one for winter hasn’t been made yet, though I do have the perfect fabric for it in my stash.
This is the first time Under Paris Skies has been on display in my house. All this time it’s been hanging in the Pine Needle, the quilt shop in Lake Oswego where I’ve been teaching the last eight years.
After 25 years running the Pine Needle, owner Geri retired and closed the shop at the end of March. Several of my quilts had been hanging in the shop, and all of them got to come home with me. (Happily, Geri is still involved in the quilt industry and the Pine Needle location is being taken over by a local family-owned sewing business. More on that in a future post after an official announcement has been made.)
Back to Under Paris Skies for a moment. First you have to imagine April in Paris. Think of Ella Fitzgerald singing “April in Paris, chestnuts in blossom, holiday tables under the trees . . .”
Those are real chestnuts in blossom, taken on my trip to Paris three years ago this month. If you look carefully you can see the Seine in the background. Now imagine clusters of people sitting outside at cafe tables, taking in the fresh air while sipping a citron presse or café crème, like the two below (apparently still waiting for their order to be taken):
All three blocks in this kaleidoscope quilt contain two different images of outdoor Parisian life, carefully fussy cut to fit in the confines of the triangles. Here’s another scene that always makes me smile:
When the rains return (which they will, because it wouldn’t be spring in Portland without them), I’ll look at these bright and cheerful scenes of Paris in anticipation of the next sunny day right here at home.
Earlier this week it hit me that I’ve finished only one project since 2018 began. Only one! Plenty of things started, of course. I decided to spend some time this week addressing that rather pathetic record.
I quilted Hip Hop, the wall hanging/table runner pieced in January using my Full Moon Rising pattern. The quilting motifs were suggested by the fabric, a lively aboriginal print featuring kangaroos hopping around in the bush. The kangaroos were fussy cut and centered in the circles, which are inset (not appliquéd).
Here’s a look at the entire quilt, measuring 15¾” x 58″ after quilting and trimming:
All told I used four different quilting motifs. You can see three of them in this close-up of Blocks 1 and 2 bordered by the end piece:
Block 1, with the turquoise background fabric, was quilted with uneven wavy lines patterned after the wavy lines in the fabric design. Block 2 was quilted in a simple loop-de-loop design suggested by the dotted batik background fabric. For the end pieces I quilted angled straight lines at random using my walking foot. All the quilting in the other blocks is free motion.
Here are Blocks 3 and 4, stippling in the dark blue background of Block 3 and a repeat of the waves in the turquoise fabric in Block 4:
Here are Blocks 5 and 6 and the other end piece, with repeated quilting motifs:
Still to do: outlining the kangaroo in each circle using white thread, just following the lines on the fabric. I already did it in Block 1, though it’s hard to see in the photos.
My binding is already cut and sewn. I’m using the turquoise fabric, cut on the bias to show off the wavy herringbone pattern to better advantage:
I’m very happy with this little piece and will be even happier when it is bound and labeled. Only then can I claim my second finish of the year.
For the last few years I have studiously avoided the lure of aboriginal fabrics. We all know I don’t need another fabric obsession. But I caved in the other day and bought a length of fabric from the “Walkabout II” line by Paintbrush Studios featuring five stylized kangaroos hopping around on a background that included greens and blues. How could I possibly resist?
I decided to put the kangaroos into a wall hanging using my own Full Moon Rising pattern. I’ll be teaching a circles workshop for a quilt guild later this month and figured it would be a good idea to revisit my favorite way of making inset circles.
Here’s another one of those marvelous marsupials:
The two circles above are 5″ in diameter: The one below is 6½” wide:
And here is a look at my completed quilt top, 16″ x 59″:
Aren’t these lovely? They are the first group of Mini Mod Tile blocks coming from the second group of quilters attending the Pine Needle Quilt Shop’s retreat in western Washington last month. (You can read all about the first group’s output in my preceding post.) The blocks you see above were made by Sandra and Dena (top row) and Linda and Barbara B. (second row).
Here are the second group of blocks:
These were made by Lorri and Barbara S. (first row) and Liz and Roxanne (second row).
The venue for the retreat was St Andrews House on Hood Canal near Union, Washington. In my previous post I showed you the view of the Olympic Mountains from the long porch at St Andrews House. Here are some photos of the house itself starting with the porch, which runs along the back of the house:
The view from the parking lot:
The herb garden:
A pleasant shaded seating area:
Such a lovely retreat and conference center!
Now for more blocks. These blue and white blocks were made by Joyce . . .
. . . and these were made by Sue and Lisa:
So far all the blocks you’ve seen measure 11″ unfinished and were made with the QCR Mini, the small version of the original Quick Curve Ruler by Sew Kind of Wonderful. Kay was one of those making my “supersized” version of Mini Mod Tiles in which the blocks measure 18″ unfinished:
What about those three blocks on top? Kay was also working on a second project, making Ribbon Star blocks from the Missouri Star Quilt C0. It’s pretty clear Kay likes color!
Another quilter making colorful supersized blocks was Kristine:
Missy was making the mini version using a palette quite similar to Kristine’s:
Three of my students were using the original Quick Curve Ruler to make different designs by Sew Kind of Wonderful. Janna started with the free pattern Spring Fling from SKW but departed from the design to do her own thing. Here’s her first block:
Katie fell in love with the pattern Dancing Churndash designed by SKW for Cut Loose Press. Here are her first two blocks:
Delia chose SKW’s Chic Diamonds design:
With the second group of students I was much better at getting pictures of them with their projects toward the end of our time together. Here is Rosalie with her five beautiful blocks:
Barbara B. completed a runner . . .
. . . and had enough fabric left to make a mini Fun Poinsettia block:
Here’s Missy with her four blocks sewn together:
Do you see how there’s a fifth block in the center that is made up of partial blocks from the four? This is an example of a secondary block design being the same as the primary.
In addition to their blocks (shown behind them), Dena and Kristine made self-binding baby blankets in soft flannels:
Dena showed several quilters how she mitered the corners on her baby quilt. Joyce practiced the technique, making a square with mitered corners in addition to her lovely runner:
Another vision in blue and white is Roxanne’s quilt top:
Linda decided to change the 3 x 3 setting to 4 x 5 to make a bigger quilt. Here is half of her Mini Mod Tiles quilt sewn together:
Mini Mod Tiles looks wonderful in both traditional and modern fabrics. Here is Sandra with her four-block runner in soothing muted colors. . .
. . . and Lorri with her five-block runner using bright Tula Pink prints:
Lisa’s runner makes me think of pink lemonade:
Or maybe raspberry sorbet?
Liz completed her purple pansy runner and made a second one with a charming pinecone print:
Sue departed from the original design by incorporating sashing strips inside some of her blocks:
Remember Janna’s bright batik block? Here is her quilt top complete with narrow and wide borders:
Here is Katie with her four Dancing Churndash blocks:
Can you believe Katie is working on her very first quilt? Amazing! She has a bright future as a quiltmaker.
Katie’s sister Barbara S. was originally planning to make a runner but she liked her blocks so well she kept making them and wound up with a quilt top!
In this photo Kay has laid out her supersized blocks and is auditioning the scrappy connector strips between blocks:
Kay also made a few more fabulous Ribbon Star blocks:
During her time at the retreat Delia finished quilting a quilt begun in an improv class with Jean Wells:
The back is as interesting as the front:
It was all quilted on Delia’s domestic machine. She was on deadline: her quilt needed to be in the mail the following week to Sisters, Oregon where it will hang in the world’s largest outdoor quilt show on Saturday, July 7.
That’s the perfect segue to let you know I am in Sisters right now with my quilt group, the Quisters. We’ve taken classes this week put on by A Quilter’s Affair and we will all be at the quilt show tomorrow where a record 1,497 quilts will be hung for one day. Of course I will be keeping an eye out for Delia’s quilt.
I hope you have enjoyed seeing the beautiful blocks, runners, quilt tops, and other projects created by my students at the two Pine Needle retreats!
Presenting . . . Mini Mod Tiles from Sew Kind of Wonderful:
The curves were cut with a specialty ruler called the QCR Mini — the smaller version of the Quick Curve Ruler from Sew Kind of Wonderful — and sewn with a pins-free technique. SKW has great patterns for sale on its website — and several free patterns, including Mod Mini Tiles. You can find all the free patterns here. The link to Mini Mod Tiles is here.
Using the original Quick Curve Ruler I made a “supersized” version of Mini Mod Tiles that I showed you in my last post. The quilt, named Terrazzo Tiles, is at the longarmer being quilted as I write this. Look for a reveal post in just a few days!
I’m teaching both sizes of this design at a quilt retreat coming up in a few days. A couple of my students are interested in making a wall hanging or table runner so I decided to play around with possible border treatments. Since a finished block of the original Mini Mod Tiles is 10½” wide, a border is clearly called for.
A plain border would certainly work but I thought it would be fun to incorporate the sashing design. This is a mock-up made by cutting up a photo of Terrazzo Tiles:
I used a gluestick to add cornerstones in each corner.
Then I wondered how it would look without the periwinkle squares along the outer edges so I covered them up:
Hmmm. That’s a little stark for my taste but the effect might be completely different if a lighter fabric were used where the black is used here.
Next I wondered how the edges would look if they were trimmed to match the curves in the focus fabric:
I am loving this! I think I’m on to something here. . .
Since I covered up the periwinkle squares in the second test, I restored them (sort of) with colored pencils to get a fourth test version:
Which do you like better, 3 or 4? Whether those border squares stay or go, the curved edges are definitely staying. A three-block runner like my mocked up version would finish at 13½” x 38″. A four-block version would finish at 13½” x 50 and a five-block at 13½” x 62″.
I’m eager to try this out with some holiday fabric that’s been in my stash for a few years. My Mini Mod Tiles mania continues!