We have scalloped potatoes. Why not scalloped corn and beans?

Kidding, of course. It’s just that I have Corn and Beans and Other Things, Block 5 of Hazel’s Diary Quilt, completed and ready to show you. Here’s the block with its red scalloped frame, set on point:

I must confess that after all that moaning and groaning about needleturn appliqué in my last post, the handwork went pretty smoothly on this block. Maybe I am getting the hang of it.

I now have four blocks framed:

Four down, five to go!

. . . the Christmas decorations are getting putting away. Little by little the days are getting longer. And little by little I’m making progress on my needleturn appliqué on Hazel’s Diary Quilt, following the directions in Shelly Pagliai’s book A Simple Life: Quilts Inspired by the ’50s.

Some days are better than others. I run the gamut from feeling like my appliqué skills are visibly improving to becoming frustrated when a curve doesn’t turn out as smoothly as it should. When that happens, I simply put the appliqué aside and do something else. And I remind myself that when the finished quilt is laundered, its soft puckery texture will disguise a multitude of imperfections.

I thought you might be interested in a little change I made to the way the blocks are prepared for the reverse appliquéd red scalloped frames. In the photo below I have drawn around the plastic template with a white pen to mark my scallops:

Did you happen to notice the template doesn’t go all the way to the edges of the red fabric? That’s because I added an extra half inch all the way around. The red square measures 19½” instead of 18½”. I also added a half inch to the sashing strips around the pieced block it goes on top of so it measures 19½” as well.

I discovered with my first scalloped frame that no matter how carefully I pinned and stitched, the layers shifted a little during the appliqué process resulting in a block that didn’t measure 18½” square because the raw edges weren’t exactly even. The solution? Make the block bigger and trim it to size after the scalloped frame is attached.

This is what I did on subsequent blocks. With the pieced block and the frame in place, I machine basted around the outside close to the raw edges to hold the layers together. Next I cut out a big square in the center (yielding a generous scrap of red fabric for another use), revealing the pieced block beneath:

Now I’m ready to trim close to the drawn lines on a couple of scallops and start hand stitching around the block. Instead of using lots of appliqué pins to hold the red fabric in place, like I did on the first block . . .

. . . I can use just one or two pins to hold the layers together right next to the appliqué line because the basting around the outer edges (a little hard to see in the next photo) is holding the frame in place:

When I’m done appliquéing the frame, I’ll take out the basting and press the red scalloped frame nice and flat. It matters not that the edges of the two layers aren’t even because I can measure a perfect 18½” square, draw around the block on the cut lines, machine baste inside the cut lines to hold the layers together, and then trim the block on the cut lines.

When it’s time to sew the individual blocks together, they will all measure exactly 18½” square and the two layers of each block will be held fast by the stitching.

When I started working on Hazel’s Diary Quilt at the beginning of the year, my goal was to end the year with nine blocks completed. That may not seem like a very ambitious goal but these nine blocks came with a significant challenge: a lot of hand appliqué. Not just a different appliquéd floral design in the center of each pieced block but also a scalloped frame around each block applied using reverse appliqué. As if that weren’t enough, I set myself the additional challenge of using the needleturn method of hand appliqué.

I’ve shown it before but you really have to see Shelly Pagliai’s gorgeous quilt to understand what I have taken on:

You can see from looking at Shelly’s quilt that once those nine blocks are completed, there’s a lot more piecing and hand appliqué required to finish the quilt.

As of today I have all nine blocks pieced but only three of them have their red scalloped frames in place. You’ll see those in just a bit. For now I want to walk you through the nine pieced blocks, set on point per Shelly’s design.

These blocks measure 12½” unfinished. Once they have white border strips added and  the red frames appliquéd on top they will measure 18½” unfinished. Set on point, they will finish about 25½” wide.

As dramatic as the blocks are above, see how much more striking they are framed. First up, Block 4, Coal Miner’s Granddaughter:

Next, Block 7, Aunt Ruby’s Choice:

And third, Block 3, Canasta, which I finished framing just yesterday:

Seeing these three blocks framed makes me eager to get started on the fourth frame!

Thank you so much for following along with me this year. I hope you’ll follow along in 2019 as I work to complete my version of Hazel’s Diary Quilt.

Speaking of 2019, it is mere hours away! Have a safe and Happy New Year, friends, and I’ll see you next year.

Presenting Fair Weather, Block 10 of Hazel’s Diary Quilt:

I am so in love with this block! Here it is on point, as it will be in the finished quilt:

I think it may be my favorite of the nine pieced blocks that go into Hazel’s Diary Quilt, the lovely sampler quilt designed by Shelly Pagliai of Prairie Moon Quilts.

Tomorrow I’ll post pictures of all nine blocks. One of them will go in the center of the quilt as part of a medallion, and Fair Weather may be the one. I’ll wait until all nine blocks have their red scalloped frames before making a final decision.

I hope you’ll come back tomorrow for a look.

What a busy month this is turning out to be! The result: not much time spent in my sewing room. I did manage to finish piecing Fair Weather, Block 10 of Hazel’s Diary Quilt:

This is the second version. I didn’t like my first attempt, which had a different print where the blue squares are now. This version is much more pleasing to my eye.

Shelly Pagliai, designer of Hazel’s Diary Quilt, started with the traditional Weathervane quilt block and added an original appliqué design in the center:

That’s quite a bit of appliqué!

Before embarking on the handwork for this block I decided to test my choice of fabrics by photocopying them and cutting the shapes out of paper. Here’s my mock-up:

You have to imagine the red polkadot petal and black semicircle on all four flowers. The dollar coin in the center is a stand-in for what will probably be a solid red circle.

I’m eager to get started on this one! Then it will be back to work on those scalloped red frames. . .

When I left for Quilt Camp on Sunday I took only one project: Hazel’s Diary Quilt, the sampler quilt that I began in January.  I had two of nine blocks left to make. Both blocks got made — to be shown in my next post — but I also added the scalloped red frame to one of the earlier blocks, Coal Miner’s Granddaughter.

Friends, it took hours and hours but I am pretty happy with the outcome:

The block measures 18½” square but set on point, as in the photo above, it measures about 25″ at its widest.

In case you didn’t know, that scalloped red frame is done by needleturn appliqué. I followed the directions of designer Shelly Pagliai in her tutorial That Scalloped Red Frame, posted in 2015 while she was teaching her quilt design as a Block of the Month for the Kansas City Star.

Here’s a shot of Shelly’s original quilt measuring 95″ square:

Avanti!