On the Town with Bonnie and Beatrice

Beatrice and Bonnie, July 2015Bonnie (15) and Beatrice (12), the youngest of my six granddaughters, left for San Francisco yesterday morning after a weeklong visit here in Portland with their grandpa and me. I wish they could have stayed longer.

We managed to make the most of our time together. The highlight for all of us was seeing the Tony Award-winning musical Thoroughly Modern Millie at the Broadway Rose Theatre Company. It was terrific!

millie-web-3

Bonnie has performed in youth community theater for several years and is studying classical voice at School of the Arts, a public high school in San Francisco. She’ll be a sophomore in the fall. Beatrice is a gymnast and ballet dancer; she’s going into the seventh grade. Both girls love the theater, so we always try to incorporate at least one play or musical into their annual visits.

What else did we do? Let’s see . . . we went for walks in the neighborhood, swam at a community center pool, baked Salty Oatmeal Chocolate Chunk Cookies, enjoyed a picnic in Millennium Park with my dear friend Anne, and got in some school clothes shopping.

The girls always do something special just with their grandpa. This year he took the girls to Lan Su Chinese Garden followed by a walk on the Eastbank Esplanade, a pedestrian and bicycle path along the east shore of the Willamette River. They were pretty tuckered out by the time they got home. Fortunately, I had dinner waiting, which we ate out on the back deck. It was a lovely midsummer evening in Portland, made extra special by the presence of our girls.

A sewing project is usually on the agenda when Bonnie and Bea visit. Beatrice was keen to make a fabric basket like the birthday baskets I made for two friends, based on the 1 Hour Basket tutorial from Hearts and Bees. She picked two colorful fabrics from my stash and got to work.

Here she is pressing the basket straps . . .

Bea ironing
. . . and topstitching them:

Bea topstitching handles
The instructions call for interfacing the outside fabric with fusible fleece. We decided to interface the lining fabric and handles as well to add more body to the basket.

Here Beatrice is boxing the corners of her basket:

Bea boxing corners
After sewing the outer basket and the lining together, she was ready for the fun part — pulling the basket through the hole left in the lining:

Bea pulling basket through lining
The “aha” moment:

Beatrice pulling basket through lining
Now all that was left to do was tuck the lining back inside the basket, press around the top edges and topstitch them. Because the extra layer of fleece added bulk at the top, Beatrice topstitched ½” away from the top edge.

Here’s Bea with her finished basket:

Bea with her basket
It measures about 9½” wide, 6½” tall, and 5½” deep. A look at the inside:

Bea's basket inside

Bea used ¼”-wide Steam-a-Seam 2 to close the opening in the center seam where the basket was pulled through the lining. It gives it a nice finished look.

Here’s a close-up of Beatrice’s basket:

Beatrice's basket

Didn’t she do a beautiful job?

And what was Bonnie doing while all this sewing was going on? She was making beautiful music! Out of storage came my trusty Yamaha guitar, bought in the 1970s when I had long hair and played folk music. (Yes, friends, that was a long time ago.) The guitar is still in great condition, and it was a pleasure to hear Bonnie playing it — she’s teaching herself how — and singing. I’m sorry I didn’t get a picture of her doing both.

Next year, I trust.

 

 

 

Posted in family, tote bags, update | 5 Comments

Sisters Outdoor Quilt Show — Part 2 of 2

Continuing my ramble through the town of Sisters, Oregon on July 11, taking in the quilts on display at the Sisters Outdoor Quilt Show, now in its 40th year . . .

El Cerro by Hilde Morin of Portland OR (51 x 42)
El Cerro by Hilde Morin of Portland OR (51″ x 42″)

 

Grounded 2 by Rosalie Dace of Durban KZN South Africa (28 x 51)
Grounded 2 by Rosalie Dace of Durban KZN South Africa (28″ x 51″)

 

Center Stage by Sarah Kaufman of Bend OR (36 x 26)
Center Stage by Sarah Kaufman of Bend OR (36″ x 26″)

 

The Definition of Stitch by Sarah Fielke of Chatswood NSW Australia 69 x 60
The Definition of Stitch by Sarah Fielke of Chatswood NSW Australia (69″ x 60″)

 

Running Man by Jacquie Gering of Kansas City KS 50 x 40
Running Man by Jacquie Gering of Kansas City KS (50″ x 40″)

 

Lanikai Sunset by Sally Frey of Fortuna CA 54 sq
Lanikai Sunset by Sally Frey of Fortuna CA (54″ square)

 

2015-07-11 00.57.14
Jungle Abstractions: The Lion by Violet Craft of Portland OR

 

English Pathways by Betty Green of Baker City OR 80 x 87
English Pathways by Betty Green of Baker City OR (80″ x 87″)
Spinner Sampler by Deborah Rutledge of Merrill OR 88 sq
Spinner Sampler by Deborah Rutledge of Merrill OR (88″ square)

 

Whirligig by Sarah Fielke of Chatswood NSW Australia 64 sq
Whirligig by Sarah Fielke of Chatswood NSW Australia (64″ square)

 

Diamonds and Dots by Debbie Startt of Port Orford OR 54 x 75
Diamonds and Dots by Debbie Startt of Port Orford OR (54″ x 75″)

 

Spot On by Trina Jahnsen of Duncan Mills CA 65 sq
Spot On by Trina Jahnsen of Duncan Mills CA (65″ square)

 

detail of Spot On by Trina Jahnsen
Detail, Spot On by Trina Jahnsen

 

Window of Mystery by Pat Busby of Lake Oswego OR 42 x 50
Window of Mystery by Pat Busby of Lake Oswego OR (42″ x 50″)

 

A Tribute to Pucci by Linda Reinert of Vancouver WA 45 x 63
A Tribute to Pucci by Linda Reinert of Vancouver WA (45″ x 63″)

 

Around in Circles by Linda Reinert of Vancouver WA 60 x 55
Around in Circles by Linda Reinert of Vancouver WA (60″ x 55″)

 

Floral Lagoon by Kathie Leonard of Prineville OR 62 x 74
Floral Lagoon by Kathie Leonard of Prineville OR (62″ x 74″)

 

Primitive Patchwork in Modern Colors by Judy Johnson of Sun River OR 55 in sq
Primitive Patchwork in Modern Colors by Judy Johnson of Sun River OR (55″ square)

 

Stardust by Jill Antunes of Salem OR 98 in sq
Stardust by Jill Antunes of Salem OR (98″ square)

 

My Oregon Forests by Corni Quinlivan of Bend OR 86 in sq
My Oregon Forests by Corni Quinlivan of Bend OR (86″ square)

 

Peppers and Beans by Sandra Howe of Prineville OR 70 x 90
Peppers and Beans by Sandra Howe of Prineville OR (70″ x 90″)

 

Garden Party by Hope Wilmarth of Spring TX 36 x 49
Garden Party by Hope Wilmarth of Spring TX (36″ x 49″)

 

North by Northwest by Dawn Williams of Bend OR 75 x 95
North by Northwest by Dawn Williams of Bend OR (75″ x 95″)

 

It's All About the Bass by Jackie Erickson of Sisters OR 70 x 92
It’s All About the Bass by Jackie Erickson of Sisters OR (70″ x 92″)

 

Garden Secret by tamra Dumolt of Sisters 96 in sq
Garden Secret by Tamra Dumolt of Sisters OR (96″ square)

 

Tula Blue by Lois Wilson of Sisters OR 83 x 93
Tula Blue by Lois Wilson of Sisters OR (83″ x 93″)

 

Ruby Churned by Adrienne Carpenter of Manson WA 70 x 80
Ruby Churned by Adrienne Carpenter of Manson WA (70″ x 80″)

 

Who's the Fairest of Them All qm by Kathy Davis of Poway CA 48 in sq
Who’s the Fairest of Them All? by Kathy Davis of Poway CA (48″ square)

 

Falling Diamonds by Michele Beyer of West Linn OR 64 x 90
Falling Diamonds by Michele Beyer of West Linn OR (64″ x 90″)

 

antique quilt circa 1900, maker unknown, exhibited by Karen Gilsdorf of Redmond OR
Antique Quilt Circa 1900, maker unknown, exhibited by Karen Gilsdorf of Redmond OR (66″ x 76″)

 

Take another look at the quilt at the top of this post and then the one at the bottom. Quiltmaking has certainly evolved, hasn’t it?

I hope you’ve enjoyed this cross-section of quilts from the Sisters Outdoor Quilt Show!

 

 

 

Posted in Sisters OR Outdoor Quilt Show, update | 6 Comments

Sisters Outdoor Quilt Show — Part 1 of 2

“The most vivid day of the year in Sisters” — that’s how one quilt group describes the second Saturday of the year, when the little town of Sisters in Central Oregon is covered in quilts. That’s the day of the Sisters Outdoor Quilt Show, now in its 40th year.

Forty years! Little did Jean Wells Keenan know that summer day in 1975 when she hung a few quilts outside her quilt shop, the Stitchin’ Post, that a great tradition had just been born. This year some 1400 quilts were on display, extending far beyond the quilt shop to buildings up and down the main street and two blocks in on either side.

Here is a representative sample, shown pretty much in the order I snapped them:

Swirling Sea by Karen Oster of Sisters OR (57 x 63)
Swirling Sea by Karen Oster of Sisters OR (57″ x 63″)

 

Elephants on Parade by Crystal Darr of Willamina OR (51 x 61)
Elephants on Parade by Crystal Darr of Willamina OR (51″ x 61″)

 

Oriental Shimmer by Betty Green of Baker City OR (71 x 85)
Oriental Shimmer by Betty Green of Baker City OR (71″ x 85″)

 

Chateau Rouge by Jeannie Wiggins of Redmond OR (71 x 87)
Chateau Rouge by Jeannie Wiggins of Redmond OR (71″ x 87″)

 

vintage quilt circa 1930, maker unknown, 67x82
Vintage quilt circa 1930, Maker Unknown (67″ x 82″). Exhibited by Sally Rogers of Bend OR.

 

vintage quilt, maker and date unknown. Quilted in 2014. Exhibited by Randy Danto of Scotts Valley CA (72 x 75)
Vintage Quilt, Maker and Date Unknown, Quilted in 2014 (72″ x 75″). Exhibited by Randy Danto of Scotts Valley CA.

 

Hot Lips by Roxanna Hill of Redmond OR (86 x 96)
Hot Lips by Roxanna Hill of Redmond OR (86″ x 96″)

 

Robot at the Whitehouse, exhibited by Gee's Bend Quilters 76 x 94
Robot at the Whitehouse, exhibited by Gee’s Bend Quilters (76″ x 94″)

 

Day of the Dead Dresdens by Opal Cocke of Camano Island WA (65 x 77)
Day of the Dead Dresdens by Opal Cocke of Camano Island WA (65″ x 77″)

 

Day of the Dead Dresdens, detail, by Opal Cocke of Camano Island WA
Detail, Day of the Dead Dresdens by Opal Cocke

 

Chain of Fools by Candy Wood of Bend OR (67 x 750
Chain of Fools by Candy Wood of Bend OR (67″ x 75″)

 

Jackie's Log Cabin on Point by Sally Rogers of Bend OR (70 x 84)
Jackie’s Log Cabin on Point by Sally Rogers of Bend OR (70″ x 84″)

 

Freddy Moran of Orinda CA in front of her quilt Houses on Point (80 square)
Freddy Moran of Orinda CA in front of her quilt Houses on Point (80″ square)

 

Circles of Life by Andrea Baloskey (80 in sq)
Circles of Life by Andrea Baloskey (80″ square). Exhibited by Jean Wells Keenan.

 

Labyrinth by Patty Six of Santa Barbara CA (57 x 62)
Labyrinth by Patty Six of Santa Barbara CA (57″ x 62″)

 

Joseph's Coat of Many Colors by Pam Goecke Dinndorf (48 x 62)
Joseph’s Coat of Many Colors by Pam Goecke Dinndorf of Rice MN (48″ x 62″)

 

Pumpkin Pie and Ice Cream by Sarah Kaufman of Bend OR (33 x 38)
Pumpkin Pie and Ice Cream by Sarah Kaufman of Bend OR (33″ x 38″)

 

Woolie Garden by Anna Bates of Sisters OR (70 in sq)
Woolie Garden by Anna Bates of Sisters OR (70″ square)

 

Woolie Garden, detail, by Anna Bates of Sisters OR
Detail of Woolie Garden by Anna Bates

 

Rip Tide by Karla Alexander of Salem OR (60 x 74)
Rip Tide by Karla Alexander of Salem OR (60″ x 74″)

 

Concentricities 2015 by Sue McMahan of Bend OR (43 in sq)
Concentricities 2015 by Sue McMahan of Bend OR (43″ square)

 

Eccentric Circles by Tonye Belinda Philips of Camp Sherman OR (51 x 67)
Eccentric Circles by Tonye Belinda Philips of Camp Sherman OR (51″ x 67″)

 

Eccenctric Circles, detail, by Tonye Philips
Detail, Eccentric Circles by Tonye Philips

 

Eccentric Circles, detail, by Tonye Belinda Philips of Camp Sherman OR
Detail, Eccentric Circles by Tonye Philips

 

Windmills or Squares q mark by Sarah Kaufman of Bend OR (23 x 35)
Windmills or Squares? by Sarah Kaufman of Bend OR (23″ x 35″)

 

Out of Focus by Colleen Blackwood of Pendleton OR (66 x 72)
Out of Focus by Colleen Blackwood of Pendleton OR (66″ x 72″)

 

Flower Pops by Alex Anderson of Livermore CA (58 sq)
Flower Pops by Alex Anderson of Livermore CA (58″ square)

 

Bird Dance by Sue Spargo of Uniontown OH (37 x 43)
Bird Dance by Sue Spargo of Uniontown OH (37″ x 43″)

 

Bird Dance, detail, by Sue Spargo
Detail of Bird Dance by Sue Spargo

 

Something for every taste, wouldn’t you say?

I took so many photos at the quilt show that I’m dividing my show-and-tell posts into two segments. I do hope you’ll come back for more.

 

 

 

Posted in Sisters OR Outdoor Quilt Show, update | 12 Comments

Birthday Baskets

a pair of baskets
1 Hour Baskets (Pattern by Hearts and Bees)

I made these fabric baskets a few months ago for Deborah and Peggy, my fellow Quisters (Quilt Sisters). Their birthdays are in March but they didn’t receive their baskets until very recently, which is why I held off posting pictures. (The Quisters try to meet every month but this spring and summer our schedules have just not been meshing. We’re working on that.)

Kelly of kelbysews, one half of the design team Hearts and Bees, posted a tutorial in the spring for the 1 Hour Basket. The tutorial is available as a pdf digital download from Craftsy. In no time at all photos began popping up everywhere on Instagram. When I saw them, I knew right away I wanted to make birthday baskets for Deborah and Peggy.

I made one change in the tutorial directions: I lined the handles with the same fabric used for the basket lining. Here’s a close-up of Deborah’s basket:

Deborah's basket
On Peg’s basket, I turned the handles inside out because I liked the look of the contrasting fabric on the outside:

Peggy's basket
The baskets are perfectly sized to hold a bundle of fat quarters, so of course I tucked some into each basket before wrapping it up.

Happy Birthday, Dear Quisters!

Linking up with Kelly on Needle and Thread Thursday (NTT).

 

 

 

Posted in Quisters (Quilt Sisters), tote bags, update | 6 Comments

Lee Fowler and the Pickle Dish Quilt

leefowler
Lee Fowler

Two years ago today my friend Lee Fowler died, succumbing to a rare form of cancer called leiomyosarcoma. Lee was a nationally recognized quilt artist, designer, and teacher who also loved to knit, craft, hike, garden, and travel.

The first quilt blog I ever followed was Lee’s. It was called The Polkadot Debutante, so named because she absolutely loved polkadots and because she actually had been a debutante — in the true Southern tradition in which a young woman on the threshold of adulthood is formally introduced to society at a ball or cotillion. That experience was decades removed from the woman with the hearty laugh who collected ceramic monsters, loved the color orange, and dressed up in outlandish Halloween costumes she made herself.

Lee was also a professional longarm machine quilter. I met her in 2009 when she was recommended to me as a longarmer especially skilled in free motion quilting. I didn’t know it at the time but she was already fighting cancer. She quilted three quilts for me before the progression of the disease forced her to retire from longarm quilting for clients. However, she continued to quilt, knit, craft, and enjoy the great outdoors right up to the end of her days.

For the last two years of Lee’s life, she was a member of our small quilt group, the Quisters (short for Quilt Sisters). Lee and I represented the Portland contingent; Peggy, Deborah, Vickie, and Vivienne were the Salem contingent. Every month or two, the six of us would get together at one of our homes to sew, chat, laugh, eat homemade desserts, and share our latest crafty and quilty creations.

I well remember the last time all six Quisters were at my house. It was June 28, 2013, two weeks to the day before Lee died. A few weeks earlier, with time running out, Lee had put out a request to her many quilting friends asking for help in creating a quilt she had always wanted to make: a Pickle Dish quilt.

Now, this pattern is not for the faint of heart. Take a look at the basic block:

Pickle Dish block
Pickle Dish Block. Image from Flickr.

 

A block is made up of four quarter blocks, each usually featuring nine rings made up of wedges (trapezoids). The rings are joined to other curved pieces. One block typically contains 88 pieces.

Lee had seen a Pickle Dish quilt made by Australian designer Kathy Doughty in the Fielke/Doughty book Material Obsession 2 (STC Craft, 2009). The quilt pictured in the book hung in the 2013 Sisters Outdoor Quilt Show:

Gypsy Kisses (92" x 103") by Kathy Doughty of Sydney NSW
Gypsy Kisses (92″ x 103″) by Kathy Doughty of Sidney, New South Wales

 

Lee started planning her own version. She figured that if enough friends agreed to make a ring or two using fabrics from their stashes, she could combine the rings with fabrics from her stash and create a scrappy Pickle Dish quilt in reasonably short order. Her request was that those of us making blocks choose fabrics with bright colors and – of course – polkadots.

Before long Pickle Dish units by the dozen were flowing Lee’s way and she was at work putting the blocks together. With a bit more help from a close cadre of friends working at her home, she completed the quilt top in June. Janet Fogg quilted it and finished the binding the day before the gathering at my house.

The Quisters were among the very first to see Lee’s finished quilt. The big reveal:

6-13 Lee's Pickle Dish quilt
Lee Fowler’s Pickle Dish Quilt, 66″ Square (2013)


Isn’t it stunning? Lee took a vast array of blocks made by 25 different people and created a colorful, cohesive quilt that sparkles with the kind of energy and vibrance that characterized her quilting – and her life, for that matter.

The ring I made for Lee’s quilt is the fuchsia and lime green one in the top center of this picture:

Lee's Pickle Dish quilt detail
Lots of Dots

 

At the service in August 2013 celebrating her life, Lee’s Pickle Dish quilt was on display. Most of us who worked on it were at the service, and Lee’s husband Rick LePage managed to round us all up for a photo:

The Pickle Dish Gang Aug 2013
The Pickle Dish Gang, August 2013

Rick dubbed us the Pickle Dish Gang. Then he announced that Lee’s quilt was going traveling. Each one of us would have Lee’s Pickle Dish quilt in our own home for a month. Can you imagine how thrilled we all were?

Ever since then, I have been patiently waiting my turn. And now it has come. Lee’s quilt was delivered to me last Sunday when I arrived in Sisters, Oregon for a weeklong getaway with my Quisters, and it will have pride of place in my home until it’s time to hand it off to the next member of the Pickle Dish Gang.

A small park at the east edge of Sisters served as a backdrop for some pictures of Lee’s gorgeous quilt. Here’s my favorite:

Lee's Pickle Dish quilt 5
Lee’s Quilt in Creekside Park, Sisters OR

 

I treasure my memories of Lee and will always treasure the time that her Pickle Dish quilt was mine for a month.

 

 

 

Posted in Quisters (Quilt Sisters), Sisters OR Outdoor Quilt Show, update | 20 Comments

Star Crazy

Does this look familiar?

Collages15
It’s the center medallion of my quilt Catch a Falling Star, based on Terri Krysan’s Reach for the Stars star sampler quilt. During all of 2014 I was engrossed in making this quilt. Regular readers were with me each step of the way.

Here’s my quilt, 84″ x 105″, reduced to a thumbnail:

Catch a Falling Star (2015)

Back in February 2014, after making the center medallion and a couple of blocks in the quilt you see above, I started playing around with a different set of fabrics — Barbara Brackman’s Morris Tapestry line for Moda. I made a couple of test blocks to see how I liked the focus fabric:

RFTS Wm Morris Blocks 1 and 2 on point
I liked it.

I decided then and there to make a second version. Those two blocks were as far as I got, though. Now, several months after finishing Catch a Falling Star, I have returned to that idea.

Here is the center of medallion of my Reach for the Falling Stars, Version 2 quilt:

RFTS Version 2  Center Medallion

 

You must think I’m crazy. Or maybe just star crazy.

Ah, but there’s a method to my madness. You see, I am not going to make the 14 blocks that surround the center medallion. My Version 2 of Reach for the Stars is going to be a bedrunner. I’m going to choose my six favorite blocks from the 14 I made for Catch a Falling Star. I replaced a couple of blocks in Terri Krysan’s quilt design for some I liked better, and at least one of those will wind up in my Version 2.

Either I’m a committed quiltmaker or I should just be committed. What do you think?

 

 

 

Posted in Reach for the Stars sampler quilt, update | 6 Comments

Darn It!

darning 1
See that foot? It’s the darning/free motion quilting foot for my Janome sewing machine. I’ve had this sewing machine for 10 years and have used it quite a bit for free motion quilting but today I did something with it that I’ve never done before:  I used it for darning.

Decades ago I bought this vintage dresser scarf at an estate sale in Portland:

darning 2

It’s the kind of find that quickens the heart of any lover of vintage linens. (Of course it didn’t have a hole in it at the time.) It measures 17″ x 64″ and, in addition to the inset initials, features beautifully crocheted edging all around and this lovely design on both ends:

darning 2a
I’ve used it on a side table in my dining room ever since I brought it home. (My initials, by the way, are DW. I don’t think I even know anyone with the initials AH.)

Over time the scarf developed a pinhole, which eventually turned into a hole the size of a pencil eraser:

darning 3

Something definitely needed to be done. After practicing my darning skills on a scrap of fabric (up and down, back and forth, in a crosshatch pattern), I was ready to work on the real thing:

darning 4
I put a scrap of tissue paper underneath the runner before stitching to help stabilize the cloth. This is what it looked like from the back:

darning 5
The tissue paper peeled away easily, just as you’d expect.

Now freshly laundered and ironed, the scarf is back in its proper spot in the dining room:

darning 7
Flush with success, I proceeded to mend holes in another vintage linen, a round jacquard tablecloth 84″ in diameter that I got for $10 at a garage sale in my neighborhood some years ago. It was badly yellowed with age but otherwise seemed to be in good condition. It washed up beautifully, and I have used it many times over the years on the round patio table on our back deck. Like the dresser scarf and other well loved linens in my collection, the cloth had developed holes over time from extensive use and repeated launderings.

Here’s a before and after shot of one of the holes:

darning before and after
The tablecloth is so big I drew lines around the holes so I could locate them more easily when the bulk of the tablecloth was under and around my sewing machine. (Those colored lines were made with a Frixion pen; the lines disappear with the touch of hot iron.) I also stitched over some pinholes before they had a chance to turn into larger holes.

I think I’m on a roll. Need anything mended?

(Kidding!)

 

 

 

Posted in home dec, update | 10 Comments

What a Deal!

At the meeting of the Metropolitan Patchwork Society last night, I bought $5 worth of raffle tickets. The MPS raises money for speaker fees by raffling off donated fabrics, bundling them in pleasing combinations according to color or theme, sometimes adding a book or pattern to sweeten the deal. It’s a terrific way to raise money, destash, or take home a prize, depending on whether you’re the guild, the fabric donor, or the lucky recipient. I’d say that’s a win-win-win.

Last night about a dozen bundles of fabric were being raffled. I was particularly taken with this one:

2015-6, fabric bundle
A Beautiful Bundle

 

Reader, you know what’s coming:  I won it!

The largest piece was this lush hydrangea and berries print designed by Holly Holderman for Lakehouse Fabrics:

2015-6, fabric bundle 2
Bountiful Blossoms and Berries

 

When I got home and measured this piece, I discovered it was 4¼ yards long. What a bonanza! The other three pieces were considerably smaller, but I still wound up with over seven yards of beautiful fabric. For five dollars. Wow.

When this fabric line came out a few years ago, I bought a piece of it in the pink colorway and eventually made this quilt from my 4-Patch Wonder pattern:

framboise august 2012
Framboise, 69″ x 84″ (2012)

 

This quilt, named Framboise, is one of my favorites. (You can read about the making of it in this post.) Here’s a shot of Framboise with the beautiful McKenzie River in central Oregon as a backdrop:

Framboise, 66" x 80", August 2012
Framboise au Naturel

 

Framboise is currently on the bed in the guest room so I get a glimpse of it every time I walk by the room.

What will I make with my new blue hydrangea fabric? I haven’t a clue. I’m just happy that it’s now in my stash along with the other three pieces in the bundle.

 

 

 

Posted in 4-Patch Wonder, faux-kaleido quilts, update | 4 Comments

Reach for the Stars, Revisited

Thanks to modern technology, I made virtual friends last year with several quiltmakers who, like me, were enchanted with Terri Krysan’s star sampler quilt, Reach for the Stars, and decided to make their own versions. Directions for the quilt were released in serial form by Quilter’s Newsletter beginning with the Oct./Nov. 2013 issue. As each issue was released, our little band of quiltmakers would share our progress and cheer each other on.

Last fall I began corresponding with Fawn S. of New York, who was working on two versions of Reach for the Stars — one as a birthday gift for her mother and one for herself. Several of the quilters in Fawn’s group, the Honey Bees, were also making RFTS. Now Fawn has sent me photos of quilts and quilt tops made by her and her quilting colleagues Rose, Linda, Nancy, and Janet. I am so happy to share those photos with you.

First up, the quilt Fawn made for her mother:

RFTS by Fawn 2 June 2015
This quilt, featuring fussy-cut cardinals, was made with deep reds, tans, and browns. Here’s the center medallion . . .

RFTS by Fawn center medallion detail

. . . and here’s a close-up of one of those fussy-cut cardinals:

RFTS made by Fawn block detailFawn quilted this herself on her mid-arm. Beautiful!

Rose’s finished quilt is a handsome combination of blues, greens, and tans, very dramatic against a white background:

RFTS by Rose June 2015Love the batiks. And did you notice the accent pillow?

Linda’s focus fabric is a lovely floral on a soft blue background. Her palette of greens, pinks, and creams, combined with that floral focus fabric, yielded this romantic result:

made by Linda

The version of RFTS that Fawn is making for herself is made with teals, tans, and browns:

RFTS by Fawn

It features a different bird print than the one she used on her mother’s quilt.

Nancy’s version also features birds. Her color palette includes deep reds, tans, and blues:

RFTS by Nancy June 2015
Can’t wait to see both of those quilts with the borders added.

Although this next photo is not in sharp focus, you can still appreciate the gorgeous combination of fabrics in Janet’s quilt top:

RFTS made by Janet June 2015Rusts, corals, tans, and greens on a cream background — so striking. And the batik print in her checkerboard border sets off the inner fabrics beautifully.

Thank you, Honey Bees of  Honeyville, NY, for sharing your beautiful quilts with me! I hope seeing them inspires others who are also reaching for the stars to keep working on their own versions.

 

 

 

Posted in Reach for the Stars sampler quilt, update | 4 Comments

Twinship

Twinship — the perfect kinship! I’ve just returned from a 10-day trip to Atlanta to visit my twin sister. Diane was supposed to join me for part of my recent trip to Paris but had to bow out at the last minute when one of her family members became seriously ill. Happily, the family member is well on the road to recovery. The only thing Diane and I could think of to assuage our mutual disappointment was for me to make a visit to her home, so just days after my return from Paris I was back on an airplane winging my way from Oregon to Georgia.

We had a lovely time! I usually wind up with a home dec project when I visit Diane but this time my trusty old Elna, which I took to Atlanta a few years ago so I could sew there, stayed put. We did get in a bit of antiquing, though. My visit happened to coincide with the Scott Antique Mall, open just one weekend a month in Atlanta, so off we went.

I wasn’t planning to buy anything but . . . you know how that goes. Minutes after walking through the entrance at Scott’s I spied a collection of vintage buttons. If I had found just this one thing, I would have been delighted:

Scott find vintage Luckyday buttons on cardThis little 2″ x 3″ card will go up on the bulletin board in my sewing room.

I also found these green glass buttons dating back to the 1940s:

Scott find green glass buttons and back of card

How do I know how old they are? The back of the card is marked “Germany – U.S. – Zone,” indicating they were made between 1945-1950.

And look at these fun clock buttons:

Scott find vintage clock buttons

I have no idea how old they are or even what I will use them for. Hmmm, let me see. . . . What if I were making a mini quilt with buildings on it, and what if one of the buildings were a clock tower? Wouldn’t one of these buttons make a fun clock? Something to think about.

Toward the end of the day I spotted this charming ironstone lidded jar:

Scott find ironstone jar

What is it? A large sugar bowl? A biscuit jar? It measures about 7½” tall and 7″ wide. The maker is John Maddock & Sons, one of the many potteries located in Burslem, Staffordshire, England. Here’s a look at the bottom of the jar:

Scott find ironstone jar bottom makers mark
I haven’t found information on this specific mark but judging from other maker’s marks from this pottery that I read about on line, my jar may have been made between 1870, when the mark changed from “Maddock and Son” to “Maddock and Sons,” and 1896, when “Ltd” was added to the mark. The pottery continued to produce until the 1960s, though, so perhaps my jar is not as old. It doesn’t really matter; I bought it because I loved it, not because of its age.

I thought it would be perfect on the narrow table opposite the clawfoot tub in the master bath but it turned out to be a little too small in scale. Now it’s in the guest bathroom where it does double duty as a Pretty Little Thing and as a holder of cotton balls:

Scott find ironstone jar in guest bath

Diane found a couple of Pretty Little Things, too. For some time she has been looking for a slotted spoon small enough to scoop fruit from a can or olives from a jar. She finally found what she has been looking for:

Scott find silver slotted spoon

A pleasing combination of form and function. As Diane would say, “Elegantly simple and simply elegant!”

She also found the perfect container to corral the various and sundry remotes for the TV, the DVD player, the sound system, and who knows what else. It’s a round paper maché box covered with vintage wallpaper:

Scott find round remote holder in place
The colors match her living room scheme and go well with the reversible table runner I made her a few months ago:

Scott find round box for remotes in place
(That narrow quilted table runner was made to cover the “seam” created when Diane put two chests back to back to create a larger surface area between the two chairs in her living room. You can see the reverse of the table runner and read about the making of it in this post.)

Diane’s final find of the day was made from a recycled Reader’s Digest Condensed book:

Scott find recycled Readers Digest book E
The vendor had laser cut old volumes into letters of the alphabet. In this case, E is for Edward, Diane’s 6-year-old grandson (named after his grandfather, Diane’s husband Ed). Young Edward is a frequent overnight guest at his grandparents’ home, so much so that he has his own room. Here the letter E is displayed with another of his grandmother’s marvelous antique store finds, a vintage appliquéd wall hanging:

Scott find recylcled Readers Digest book vignette
Can you tell we had fun at the antique mall? The entire visit was fun. Now I’m back home and eagerly anticipating getting back to my quilting projects. My sewing machine is not used to being idle.

 

 

 

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