Tomorrow is National Quilting Day, and I’m celebrating on the eve of its 25th anniversary with my third finish of the year:

This baby quilt (40″ x 49″) is a fraternal twin of the one I made from the same fabrics and wrote about here. You saw the one above a couple of posts ago before the binding was applied. This is the first time I’ve ever made a scrappy binding and I’m very happy with the way it turned out. I made sure that each side of the quilt received a bit of the striped fabric, which looks so good on the bias.

The quilting motif of bubbles, very nicely done by longarm quilter Sherry Wadley, helped me solve a dilemma when it came to the quilting label. I usually fuse a round label on the back of my quilts (following my own tutorial). Since this quilt is backed with an incredibly soft and plush polyester known as a “cuddle fabric” (aka Minky,) I didn’t dare put as much heat on it as a fusible would require.

The solution was to stitch the label on the back by machine:

From the front, you can’t tell which circle was made by the label:

I started the year with four baby quilts on my docket. Now it’s five. Granddaughter #3 (in birth order) is expecting her second child, a girl, in a few months, so my list is expanding rather than contracting. I already have a pattern in mind, and the perfect focus fabric is already in my stash. Another cause for celebration!

My second completed project of the year is this baby quilt:

Most of the fabrics are from the Migration line by Michael Miller, featuring slightly abstract giraffes and pineapples in shades of blue, aqua, and charcoal. The line also included some blenders and an irregular striped fabric, which I cut on the bias for the binding. I just love the way the bias binding frames the quilt:

Sherry Wadley quilted this for me. We chose an edge-to-edge motif that beautifully echoes the spiky tops of the pineapples and the trees:

Leftover strips of fabric went on the pieced back (including the leftover bias binding strips) :

The label is on now, and the quilt is being washed and dried as I write this, not only to assure that it’s clean but also to give it that wonderfully crinkled look that quilts only get when they’ve been laundered.

Malachi, for whom this quilt was made, is no longer a baby; he is a toddler. Now that he’s walking, it would please me enormously if he is allowed to drag his quilt anywhere he wants. It was made to be used and loved.

Linking up with Kelly of My Quilt Infatuation on NTT (Needle and Thread Thursday).

Back in September 2015, I made this baby quilt top, the first of four I planned to make in short order for babies in my extended family that had either arrived already or were soon to make their appearance in this world:

The fabrics are from the Migration line by Michael Miller Fabrics. The giraffe panel print was printed along both sides of the fabric, from the selvage to the fold, so I knew I would be able to make two baby quilts from one length (two half widths) of fabric. Wonderful!

I decided to make a similar top for quilt #2 but make “bricks” instead of squares. Days passed into weeks, weeks passed into months. On January 1, I realized that four months had elapsed since Quilt Top #1 was completed. Four months! How could I let this happen?

Well! There’s nothing like a New Year to galvanize one into action. I decided to get cracking on those three unmade tops. By the end of the first week of 2016 I had finished Quilt Top #2:

The next order of business in 2016 is to get these two baby quilts quilted, bound, labeled, and delivered to their rightful owners. The quilts are small enough that I could quilt them myself on my domestic machine but they will surely get finished sooner if someone else quilts them for me. This also gives me the opportunity to support the longarm quilting industry, which I am happy to do, especially as we have a plethora of talented quilters in the Portland metropolitan area.

Babies #3 and #4 — a girl and a boy — have since been welcomed into our world, and I vow to get their quilts to them in a more timely fashion. I already know what I’m doing for Baby Quilt #3. Inspiration should strike soon for Baby Quilt #4. When it does, you’ll be the first to know.

Time to get going on four baby quilts. Two of the babies have already arrived and the other two are due soon. Fortunately, the parents of the intended recipients are patient souls. They know that sooner or later (usually later), the new arrivals will have quilts made just for them by their great granny or great auntie.

A new line of fabric I spotted at the Pine Needle last weekend was just the shot in the arm I needed. It’s called Migration by Michael Miller and includes a border print of slightly abstract giraffes. It’s not overly babyish. In fact, it’s quite sophisticated. With a palette of light grey, charcoal, aqua and blue, the fabric line works equally well for a boy or girl. Take a look:

See that stripe in the upper left in the photo above? I’m going to cut that into bias strips for the binding. I’m thinking about making the binding wider than I usually do to really show off those stripes.

I also bought some of this companion fabric for the backing:

I have enough fabric to make at least two quilts. The plan for the first one is to cut sets of 6½” squares and arrange them in some fashion around the border print. This should be a fast and fun project! I’ll be sharing my progress so please stop by again.

We did it! My neighbor Janice and I completed the alphabet quilt started by Janice’s good friend Susan, who did not live long enough to finish it herself. Susan was making this quilt for her baby granddaughter, also named Susan. She had all the letters of the alphabet appliquéd by hand onto 6″ squares of muslin but, sadly, died of ovarian cancer before she could sew the blocks together and finish the quilt. That labor of love fell to Janice, who enlisted my help.

Over the last couple of weeks Janice and I got together to determine a layout for the blocks and to choose sashing and binding fabrics. I wrote about the process in this post and this one.

Allow us to present Susan Elinor’s quilt:

Don’t you love how the red binding frames the quilt and draws your eye to the red letters?

In this close-up you can see the simple free-motion design quilted in the border:

The back of the quilt features a print from the Dick and Jane early reader books — a playful nod to the alphabet letters on the front and very much in keeping with the vintage calicos Susan had chosen for her appliquéd blocks:

The last step was sewing on the label:

Actually, there was one more step. Janice bought some little finger puppets and toys to put in the four blocks on the quilt containing pockets made from clothes Susan’s daughter Lea wore as a little girl. Look how cute these are!

This is how the quilt looks with the pockets filled:

Susan Elinor is one year old. She will miss the joy of growing up knowing her grandmother but she will have the joy of wrapping herself in a quilt hand-stitched with love by her grandmother. This quilt will be presented tomorrow to Lea and little Susan at the memorial service celebrating Susan’s life.

The baby quilt that my neighbor Janice and I are finishing on behalf of her late friend Susan is coming along nicely. The quilt will go to Susan’s granddaughter and namesake, Susan Elinor, who just turned one.

In my last post I showed you the blocks that Susan appliquéd by hand onto muslin squares. Here are those squares set off with simple muslin sashing:

In addition to the 26 alphabet blocks, four blocks contain embroidered pockets made from clothing worn by Susan’s daughter Lea (baby Susan’s mother) when she was a little girl.

I pulled several pieces of fabric from my stash so that Janice and I could audition the border fabric together:

We both liked the same fabric best — the aqua print on the middle left side (Sew Stitchy by Aneela Hoey for Moda Fabrics).

Here’s the quilt top with the border strips added in that fabric:

Next we looked at fabrics for the back. The print we chose is absolutely perfect for an alphabet quilt: it’s based on the Dick and Jane early reader books from the last century. It’s a directional design printed across the width of fabric so I inserted some strips of the aqua print border fabric to make the back long enough. Take a look:

Oh dear, that picture is not in focus. Here’s a better look at the fabrics:

According to the selvage, the fabric above was released in 1999. It’s called “go! with dick and jane” by Nicole de Leon for Alexander Henry Fabrics. It’s obviously been in my stash for a while.

Next up: quilting. I’m going to stitch-in-the-ditch around the alphabet blocks and free-motion quilt a loop-de-loop design in the borders. Janice and I both like the idea of finishing the quilt with red binding. She is going to do the handwork on the quilt (binding and label), and our plan is to have our project completed by the end of the week.

I hope you’ll check back in a few days to see it!

My neighbor Janice asked me to help her finish a quilt started by her dear friend Susan. Susan was working on an alphabet quilt for her baby granddaughter when she lost her battle with ovarian cancer last month. Knowing she wouldn’t be able to complete the quilt in the time she had left, Susan asked Janice to finish it.

Susan had hand-appliquéd the 26 letters of the alphabet onto 6″ squares of muslin. She had also appliquèed four pockets onto print squares; the pockets came from clothes that belonged to her daughter when she was a little girl.

The first thing Janice and I did was lay the blocks out in a 5 x 6 grid, with the four pocket blocks interspersed among the 26 alphabet blocks. We’re pretty sure that’s what Susan had in mind because she had already sewn the first row together:

The fabrics in the alphabet blocks are vintage calicos. The letters seem to have been randomly placed in the muslin squares, rather than centered, giving the blocks a delightfully whimsical appearance. Janice and I decided to separate the rows with sashing strips made from muslin, add muslin sashing strips all around the quilt, then finish it with a 3″ or 4″ border made from calico prints similar to the ones Susan used in her blocks. With a 4″ border, the quilt should finish at about 36″ x 51″.

A couple of the letters — j and m — were really too close to one edge of the squares they were attached to so I added strips of muslin and trimmed the blocks. Here is the m block, before and after:

Susan had hand-stitched the first row together with ½” seams. Her stitches were so even I had to look closely to confirm that they were indeed done by hand! I opted to take the stitching out so that all the blocks can be sewn with ¼” seams. That will really help with the letters that are close to the edges of the muslin squares.

Here is the first row with its muslin sashing added:

This quilt will help tie three generations of women together. I feel honored that Janice has asked me to help her finish it.