Here it is, Block 6 of Hazel’s Diary Quilt:

This block, named Best.Christmas.Ever. by its designer (Shelly Pagliai of Prairie Moon Quilts), isn’t quite finished in this shot. The appliqué in the center of the block includes a small circle on top of the black star. More on that below.

That black star represents my third effort. I was having a terrible time tucking the excess fabric underneath the points. My star points weren’t points at all — they were stubs. In despair I contacted Shelly, who suggested I reduce my seam allowance and make sure I snipped the seam allowance all the way to the inside points. Great advice, Shelly!

Two attempts later, I had the star you see above. It’s not perfect by any means. In fact, only one of the five star points is truly pointed but I’m okay with that. As a novice when it comes to needleturn appliqué, I know my skills will improve. My novice status was quite apparent when it came to sewing the circle onto the black star. The circle is tiny — about a half-inch in diameter. I tried three times without success. What to do? Why, use a button instead.

I have quite a collection of new and vintage buttons and it didn’t take long to find a winner:

The button actually has a raised star design on it. Take a look:

Isn’t that the perfect addition? (I’ll remove the button before it’s quilted and sew it back on later.)

Here’s a picture of my block on point, as it will appear in the finished quilt.

My completed blocks so far:

(Confession: that tiny black star in the upper left block isn’t sewn on yet. I just stuck it there to show you what the block is suppposed to look like. I’m seriously thinking about making a star out of black Ultrasuede and fusing it in place.)

Of the five blocks made, Best.Christmas.Ever. may be my favorite. It’s the only one so far that doesn’t include yellow and blue. Maybe that’s a sign I should put it in the center of my quilt.

Here’s a look at Shelly’s original quilt:

Isn’t that a stunner?

I’m a little behind on my self-imposed schedule of one block per month. My block for June is called Aunt Ruby’s Choice and I’m excited about getting started. The first task: picking fabrics. Stay tuned!

Now that’s more like it!

In my last post, I was complaining a bit about doing some alteration work for my husband, only because it was taking me away from doing something I like much more: making quilt blocks.

Happily, I am back at it. In the photo above, you can see the components of Best.Christmas.Ever, Block 6 of Hazel’s Diary Quilt, the sampler quilt I’m working on this year.

Because I chose to rotate the block 90 degrees, I couldn’t use designer Shelly Pagliai’s directions in her book A Simple Life: Quilts Inspired by the 1950s. I had to draft a new version. In the illustration below you can see that the redrafted block is made up of four Hourglass blocks in red and white, four Hourglass blocks in green and white, and four blocks known as Cat’s Cradle. To the left of the illustration are the two sets of Hourglass blocks:

For the Cat’s Cradle blocks I was able to use a wonderful specialty ruler designed by Deb Heatherly for Creative Grids. The ruler eliminates the need to sew tiny triangles with bias edges. Instead you start out with two squares, two small rectangles, and one large rectangle. The yield: two Cat’s Cradle blocks, made slightly oversize and trimmed. I needed two sets:

Here’s my block, arranged on the ironing board:

Ready, set, sew!

I’m getting ready to work on Best.Christmas.Ever., Block 6 of Hazel’s Diary Quilt, the sampler quilt I started working on in January. (See the original quilt in my first post about it here.) The plan is to incorporate the four fabrics you see above. I think the green and black holly print will go in the large green triangles you see in my color mock-up.

Here’s the original block created by Shelly Pagliai of Prairie Moon Quilts:

Don’t you love the addition of the appliquéd flower in the center of the block?

It’s important to note that the block you see above with the scalloped border measures 18″ finished. The star block in the middle finishes at 12″ and then strips of the white background fabric are added on all four sides to bring it up to 18″ before the scallop is appliquéd in place. Remember this, as those measurements will come up later in the post.

As with my first four blocks, I’m reorienting the design so that the block is positioned the way you see it above when turned on point in the finished quilt. Here are the original and modified blocks drawn in EQ7 software:

It’s easier for you to see what I’ve done if I turn the modified version on point:

The block design is the same but the proportions are different: the elements in the modified block are noticeably smaller.

The quilt math on this block turned out to be quite a challenge! The original block was made on a 6 x 6 grid whereas the modified block must be made on a 5 x 5 grid to duplicate the look within the space constraints. I know that sounds crazy but look at the pencil markings on the next photo to see what I mean:

See how the block on the left is a 6 x 6 grid and the one on the right is 5 x 5?

My block is going to finish at 12½” instead of 12″ for the simple reason that the block needs to be easily divisible by five to work with my 5 x 5 grid. Technically speaking, 12″ is divisible by five:  2.4″ is the magic number. But quilters work in eighths of an inch, not tenths of an inch. I didn’t want to go there although I considered it . . . briefly.

Now, think about a block that finishes ½” larger than all the other blocks. Normally that would be a deal breaker. Ah, but I have a plan. Since the 12″ star blocks are surrounded by strips of background fabric to make them finish at 18″, I think I can get away with making the strips a little narrower on this block to compensate for the fact that the star block is bigger.

The other thing I’m going to do is sew my seams with a full quarter-inch seam allowance instead of my usual scant quarter-inch. That should draw the block up by at least a quarter of an inch, meaning that this star block will actually finish at 12¼” — pretty darn close to the size it should be.

Still with me or have I confused you completely?

I just finished Corn and Beans and Other Things, my fourth block of Hazel’s Diary Quilt. And here it is, complete with center appliqué, set on point as it will be in the finished quilt:

The appliqué is all needleturn, including the red circle in the center of the flower. The circle wasn’t as hard to make as I thought it would be. And it’s reasonably round! Not bad for a rookie, eh?

Here are all four of my blocks so far (Blocks 1, 3, 4, and 5):

That little black star on the top center block is just a placeholder. The real thing hasn’t been appliquéd yet. I do believe I’m ready to give it a shot.

An afterthought: Does my flower (bottom center) need more leaves?

. . . and Other Things. That’s the name of Block 5 in Hazel’s Diary Quilt, the sampler quilt I’m currently working on. I’m pacing myself: a block a month. Except that I’m ahead for the month of April.

As I’ve done with all my blocks so far, I rotated the design 90° so that when the block is set on point in the finished quilt, it looks like Shelly Pagliai’s original design.

Here is Shelly’s original Block 5, complete with scalloped border:

She tweaked the traditional Corn and Beans quilt block and added an appliquéd wildflower to the center. That’s the and Other Things part of her block name.

Here is my block sans appliqué, sashing strips, and scalloped border:

Don’t those fabrics play well together? The blue and white print is from Jill Finley’s new line called “This and That.” She designs for Penny Rose Fabrics. The yellow raindrop fabric is from an old line called “Kate’s Umbrella” designed by Felicity Miller for Westminster Fibers. It’s been in my stash for the better part of a decade. I have a feeling this quilt is going to be quite a mash-up of new and old fabrics.

When you set my latest block on point, it looks like this:

Now you can see its position relative to Shelly’s original design.

April’s block was more challenging to make than you might think. For starters, rotating the design changed the dimensions of the individual pieces. My half square triangles (HSTs) finished at 2⅛” and other measurements were equally odd. I was able to determine the sizes of my components by drawing the blocks in EQ7 software:

The drawing is 6″ finished so all I had to do was double the measurements since the actual block is 12″ finished (before sashing). Those squares composed of Half Square Triangles measure 1-1/16″ in the diagram.

Coloring the block in EQ7 helped me keep the blue/white and yellow/white HSTs in proper position for sewing:

Getting all those points to match required careful cutting, pinning, and sewing. And I resorted to pressing most of the seams open (something I rarely do) to get the seams nice and flat.

Now I’m ready to work on the appliquéd center. No foolin’.

I’m in Month 3 of my own personal 2018 Block of the Month (BOM) program and right on schedule. What you see above is Block 4 of Hazel’s Diary Quilt, a stunning sampler quilt celebrating the life of a young woman coming of age in the 1950s in the American Midwest. The quilt was designed by Shelly Pagliai of Prairie Moon Quilts.

I’ve made Blocks 1 and 3, skipping Block 2 for now as it’s a heavily appliquéd border around a center medallion. That will come later, after I’ve finished making the rest of the individual star blocks and added their appliquéd centers. I’m using this project to hone my needleturn appliqué skills and I’m still very much in the rookie stage.

My Block 4 is looking a little bare right now without the appliquéd flower in the middle. The individual shapes are all cut and ready to be sewn, though, and I’m eager to get started. Producing just one block a month on Hazel’s Diary Quilt is giving me the time and freedom to work on other projects. It’s also keeping me from feeling overwhelmed by the sheer amount of appliqué called for in the quilt.

I hope you’ll check back in a few days to see how different the block looks with a lovely flower in the center.