Dragonfly Kisses measures 50″ x 59″, a good size for a throw. The design is a variation of Chic Diamonds by Sew Kind of Wonderful.I believe this is the seventh or eighth quilt I have made using the Quick Curve Ruler, also made by SKW.
Here’s a close-up of the label, made with my favorite method using a compact disc for a pattern:
See that dragonfly just to the left of the label? There’s one in the lower right corner, too. That fabric is one of six I used from the “Dance of the Dragonfly” fabric line, due in quilt shops this month. The fabric line was designed by Maria Kalinowski for Kanvas Studio in association with Benartex. (Something tells me I need more of this fabric, which comes in an equally beautiful plum/olive green colorway.)
Dragonfly Kisses is officially a quilt. Longarmer Sherry Wadley delivered it to me last night, just a week after I finished piecing it. I’m always amazed at how much lovelier — and livelier — a quilt top is after it’s been quilted. It goes from being flat to having instant dimension.
In the case of Dragonfly Kisses, I wanted an allover design scaled on the spacious side, as I wanted the focus to be on the quilt design (my variation on Sew Kind of Wonderful’s new Chic Diamonds pattern) and on the gorgeous metallic-tinged fabrics from the aptly named Dance of the Dragonfly line by Kanvas Studios and Benartex.
The quilt has a lot of background space (negative space, in modern parlance), and I do think that some fairly dense custom quilting would have resulted in a beautiful quilt, but that wasn’t the look I was going after on this one.
Sherry and I chose a quilting motif whose circles and swirls are reminiscent of gentle ripples in water. I also chose a pale green thread that would almost vanish into the background fabric, providing just a touch of texture. Mission accomplished. (Thank you, Sherry!)
Here’s a look at the front of the quilt . . .
. . . and a close-up of the quilting:
The basic block, made with the Quick Curve Ruler, finishes at 9″ square so the four blocks above measure 18″ square. That should give you a better idea of the scale of quilting. Before I sent Dragonfly Kisses off to be quilted, it measured 51″ x 60″. The quilting process drew it up an inch all around, so now it measures 50″ x 59″.
Here’s the back of the quilt, with five of the six fabrics from the Dragonfly line spliced with the three batiks I used . . .
Here’s a close-up of the beautiful lily pond fabric, where you can actually see those dancing dragonflies:
Now it’s on to the finish work: attaching the binding, sewing it down, and adding a label. My goal is to have this done by the end of the week. This could well happen if I don’t get too distracted by some of my other works-in-progress.
Yesterday I finished piecing Dragonfly Kisses, based on the pattern Chic Diamonds by Sew Kind of Wonderful:
I originally thought about using white or pale blue for the background but am so glad I went with the pale mint instead. It’s so refreshing, don’t you think?
Chic Diamonds was designed as a jelly-roll friendly pattern, since the pointed pieces (I call them blades) are made from 2½” strips that are sewn in pairs and then trimmed using the Quick Curve Ruler. Triangles cut from the strip pairs are saved and used in each block. Six blocks in the design are intentionally left blank as a design element, perhaps to give the eye a place to rest.
I decided early on not to use all the triangles, wanting to make my quilt less busy so a viewer’s eyes would be drawn to the X blocks (the kisses). I used only 20 triangles rather than the 240 called for in the pattern. And I put my triangles in the middle of the blank blocks rather than in the blocks with the blades. (Thanks to my friend Deborah for giving me that idea.) I like to think those triangles form the “chic diamonds” in my quilt.
The original design uses a 6 x 6 setting, finishing 54″ square. I went with a 5 x 6 setting using five blank blocks instead of six. I like the asymmetry of the look. And I added a narrow border of background fabric to float the outer blocks a bit, giving a bit more airiness to the design and making the top slightly bigger. It now measures 51″ x 60″ — a nice size for a throw or lap quilt.
Now to piece the backing. The dragonflies that gave my quilt its name are hard to spot among the narrow pieced blades so I’ll use my remaining strips of that fabric line (Dance of the Dragonfly by Kanvas Studio and Benartex) on the back.
I’m excited to report that I’ll be teaching Chic Diamonds (both the original design and my variation) at the Pine Needle Quilt Shop this fall. And rumor has it the Pine Needle is going to have kits available of Dragonfly Kisses!
While I ponder how to move forward on my Chipmunk Love quilt, based on the “Star-Crossed Lovers” class with Colleen Blackwood that I took last week in Sisters, Oregon, sewing continues on two other WIPs (works in progress).
I’ve made a few more wonky Greek key blocks using the pattern from the other class I took in Sisters last week, Karla Alexander’s “Rewind” using her new pattern of the same name. Here are the blocks I made before we came home . . .
. . . and the ones I have made since then:
These last blocks along with two from the first group were made by cutting the strips free-form rather than following Karla’s template.
Despite the wonkiness, all of the blocks look a little like the @ sign on a keyboard. Because of that I’ve decided to name my quilt Where It’s @.
I’m also working on a quilt based on Chic Diamonds, a new pattern from those talented sisters at Sew Kind of Wonderful. This design calls for the original Quick Curve Ruler, and it’s been enjoyable working with these easy no-pin curves. Here’s one of my blocks:
Aren’t those fabrics gorgeous? The prints on the dark side of each blade are from a brand new line of fabric called Dance of the Dragonfly. Designed by Maria Kalinowski for Kanvas Studio in association with Benartex, the fabrics are due in stores next month. The Pine Needle, where I teach, will be carrying several fabrics from the line. I paired the prints with batiks for my blocks.
I’m doing something a little different with the Chic Diamonds design. Here’s a hint: I’m naming my quilt Dragonfly Kisses. I’ll post a photo when I have the top together, which should be very soon.
One of my friends wondered why I chose green for the binding over black. Black would have provided a strong dramatic frame for the quilt, it’s true. So why green?
First, I wanted to draw attention to the playful nature of the focus fabric used in the rings. That fabric (from the Doodle line by Alice Kennedy for Timeless Treasures) is mostly black and white with touches of lime green and light blue. The overlapping circles in the fabric remind me of ferris wheels and fireworks. A bright color seemed more appropriate than black for the happy mood I wanted to emphasize.
Second, instead of piecing a backing for the quilt with different fabrics, as I usually do, I used one piece, the same print used on the front. From a distance, the fabric reads primarily as black and white. If I had pieced the back I would have added quite a bit of lime green to liven it up. Since I wanted the quilt to be bright and cheerful from both sides, green binding was the obvious choice.
Oh, and then there is that third reason, which I think I’ve mentioned a few times before: green is my favorite color.
In keeping with the block design, fabric design, and quilt name, the label features — what else? — a double ring:
Ring Toss, my little quilt made from Sew Kind of Wonderful’sMini Rings pattern, is back from the quilter already. Take a look:
I asked Karlee Sandell of SewInspired2Day.com to quilt this for me, and I couldn’t be more pleased. I had been thinking of Karlee as an up-and-coming longarm quilter because she is quite new to the field, but it’s quite clear she has already arrived.
Here are some close-ups of her lovely quilting, first on an X block . . .
. . . and then on an O block:
The acanthus motif fills the center of the O block beautifully. And don’t you love the quilted “pearls” in the elongated oval between the rings?
For the green and black triangles that form an on-point square where the rings meet, Karlee designed her own quilting motif, intertwining rings that reinforce the theme of the quilt:
I have been trying all morning to photograph this quilt. Every time I place the quilt on a flat surface, my new cat Coco photobombs it:
Doesn’t she look innocent?
Ring Toss measures 33¼” square after quilting. Now it’s on to the binding and the label. I’m going to use the same lime green fabric for the binding that’s in the quilt; I think it will frame it nicely.
The Mini Rings quilt top I started last month is done and — as of today — off to be quilted. The top, measuring 34″ square, was made with a focus fabric from a Timeless Treasures line called Doodle, designed by Alice Kennedy.
The quilt is small enough that I could have quilted it myself on my domestic machine but I chose not to do that. You probably know that quilting is my least favorite part of the quiltmaking process. I decided I wanted the quilt to reflect the deft touch of a talented free motion longarm quilter. We seem to have a growing number of them in the Portland area.
I used a single piece of the focus fabric on the back, a portion of which is shown here:
Primarily black and white with touches of lime green and cool blue, the print features overlapping circles ranging from 1¼” to 2¾” in diameter. What do you see when you look at them? I see fireworks and ferris wheels, which makes me think of carnivals.
And that led me to the name for my quilt: Ring Toss. Isn’t that perfect? Or should I call it Mini Ring Toss?
That shipment of Garden Pindot fabric by Michael Miller that I’m using as the background for my Mini Rings quilt finally arrived today. It shipped out 10 days ago, and I’d been wondering if it would ever arrive.
I think the wait was worth it:
That sticker was on the plastic bag my fabric was packed in. I ordered five yards — and received 11½ yards instead.
But that’s only part of the story. All I needed was a small amount of this white-on-white dot to finish my Mini Rings quilt:
I couldn’t find it locally so I decided to shop online. When I discovered that fabric.com had 11½ yards of this fabric available, I impulsively ordered it all, reasoning that it would serve as background for a great many quilts and I would never be in a situation where I would be using noticeably different dye lots in the same project.
Then fabric.com notified me that the yardage was not one continuous piece of fabric but rather several pieces in 1 yard, 1.5 yard, and 2 yard cuts. Did I still want the fabric? I decided to rein in my impulse purchase and modified my order to three pieces totaling five yards. The fabric shop altered my order and refigured the price.
When the box arrived today, I lifted it and thought, “Gee, this is awfully heavy for five yards of fabric.” Inside were eight cuts of fabric totaling 11½ yards. Talk about hitting the jackpot! Thank you, fabric.com!
Interestingly, two of the eight cuts are noticeably creamier than the others, so I will set them aside and make sure I don’t unwittingly combine them with the snowier ones.
Guess I won’t be running out of Garden Pindot anytime soon.
I’m making a square quilt of nine blocks; the blocks finish at 11″ so the quilt will finish at 33″. My plan was to make a block a day but alas, I have fallen behind. Too many other things going on at the Portland White House. Plus, I’m still waiting on that shipment of my background fabric (Garden Pindot by Michael Miller).
Still, my top will be finished soon. I’m going to keep it borderless and bind it in that acid green.
Speaking of binding, I’m halfway done sewing the binding on a baby quilt you’ve seen come together recently:
I am really liking the narrow border, using a pale lime Fairy Frost from Michael Miller for both border and binding.
It’s an absolutely beautiful day here in Portland, Oregon. The delicious aroma of something cooking on a neighbor’s barbecue is wafting in the open windows, the DH is happily working outside in the garden, and our new cat Coco is stretched out on a chair in the TV room. It’s been a lovely three-day weekend.
Four of nine blocks for my Mini Rings quilt, made using the QCR Mini (mini Quick Curve Ruler), are done.
I’ve run out of background fabric, a white-on-white Michael Miller pindot. I could make more blocks using one of several other white-on-white prints in my stash but I am holding out for having all my blocks the same. A little obsessive-compulsive, perhaps? Now I have to hope that the fabric I ordered on line is from a similar enough dye lot that no one can see the difference between the old and the new. You would be surprised, even with white and black fabrics, how much dye lots can differ.
Working on these blocks has helped take my mind off the loss of my little cat Theodora, subject of my previous post. Thank you so much to those of you who wrote consoling comments on my blog. I cried the entire time I was writing that post, and I cried while reading the comments.
In the 35 years my husband Charlie and I have lived in this house, we’ve never been without a cat. If one of our cats died, there was at least one still at home to help ease the grief. Not so now, since Theo’s last feline companion, Elfie, died three years ago.
Charlie and I are going to the Oregon Humane Society next week, hoping to bring home a cat (maybe two) in need of a “forever home.” Although it seems a little disloyal to Theo’s memory, I’ve already been on the OHS website looking at pictures and descriptions of available cats. There are some very sweet looking ones! We’ll choose an adult cat, since the older ones are not considered as adoptable as kittens.
By the time of my next post, there may be a new resident of the Portland White House.