The quilts displayed on this wall in our TV room replace a piano that I donated a few months ago. I had bought a secondhand piano 20-some years ago. Having taken lessons as a kid, I thought I would relearn how to play. That never happened, not because I didn’t want to but because I preferred to spend my free time sewing, especially when I was still working. Retiring in 2008, I plunged headlong into quiltmaking. The piano, alas, remained unplayed.

With the piano gone, my inclination was to increase the seating in the TV room by adding a sectional sofa. Gradually, with that expanse of wall staring at me, the notion of a quilt wall took over. I remembered a photo I had seen in Marie Deatherage and Joyce Brekke’s fabulous book Pieces of Portland (Quiltlandia, 2015). Marie’s husband, Ric Seaberg, made her a wall-size quilt rack:

Floor to ceiling  — what an efficient use of space! Since the wall in our TV room is one of the few that doesn’t get direct sunlight, I knew it would be the perfect spot to display quilts.

I called upon master craftsman Phillip Galyon of Wooden Images. Phillip made me a custom sewing table and cabinet in 2012, and the next year he crafted a console table and stool for our remodeled master bathroom.

My idea for this project was a series of quilt ladders that could stand alone or be joined by pegs to form one piece. After consulting with Phillip, we decided on separate ladders that, when placed next to each other, would look like one unit. The wood of choice was African mahogany, well suited to the original dark stained wood trim in our 1913 Craftsman home.

Here are three ladders butted up next to each other . . .

. . . and here they are with a couple of inches between them:

As you see from the photo at the top of this post, I chose to put the ladders together — at least for now. They can easily be moved apart for a change of pace. And adding or rearranging quilts will be a breeze because of the ease with which the ladders can be moved.

I can’t say enough good things about the quality of Phillip’s work. He angled the rungs of the ladders so the quilts would hang properly. He leveled the tops of the ladders so they would be flat across the top (level with the floor). And he added a wedge to the top of the backs so they would lie flat against the wall. Not only that, he put felt on the backs so they wouldn’t scratch:

And he signed each piece on the back of the bottom rung:

All told, Phillip made four ladders for me. There is room for another ladder on my quilt wall in the TV room but for now the fourth ladder is in an upstairs bedroom (hung with quilts, of course).

Having this wall of ladders means that the precious quilts that have come down through my family will be on display as well as the quilts I have made myself. Some of the latter will be given away eventually, to be replaced by new ones, but for the time being I will have the pleasure of seeing them frequently.

I envision my wall of quilts as a changeable feast.

A couple weeks ago I wrote about a reversible table runner I made for my sister Diane’s living room. The runner was made to cover a seam (for lack of a better word) created when two chests were placed back to back to create a larger table surface between two chairs. Here’s a look at the single chest Diane started with:

Even with the lamp placed at the very back of the chest, people sitting in the chairs had to crane their necks around the lamp to see each other when talking. The limited surface space made it difficult to have multiple items on the chest at the same, items such as a TV remote, a glass of wine, a cell phone, a book. In addition, the drawers in the chest were difficult to open from a sitting position because the chest was positioned so far back. You can understand why Diane considered this a design dilemma.

Her solution was to take a matching chest from another room and place it back to back with the first one, doubling the surface area, making it possible to move the lamp farther back toward the windows, and making the drawers in front more accessible. Sounded like a win-win-win to me. The only issue was the seam where the two chests met.

That’s where the table runner (and I) came in. Consulting by phone between Portland and Atlanta, Diane and I selected fabric from my stash and I proceeded to make this reversible runner that measures about 9½” x 41″:

It was very easy to make: two cotton prints, a layer of batting, simple cross-hatching for the quilting, and traditional double-fold binding. Soon it was on its way across the country. Here it is in place:

See how much farther back the lamp is? Much easier now for folks to converse. The toile fabric is in the up position in the picture above. Here’s another shot with the floral vine in the up position:

While auditioning fabrics, Diane and I kept the sofa pillows in mind:

Look how well these fabrics go together. I especially like the connection between the floral vine fabric on the runner and the pillow on the left:

This home dec mini makeover came with a bonus: because the chests are positioned back to back, there’s a set of drawers on both sides. Diane and Ed’s 5½-year-old grandson Edward gets the exclusive use of the drawers at the back for his own little stash of treasures and playthings:

The ottoman in the master bedroom at my twin sister Diane’s house got a facelift, a new custom cover I made for it:

The original upholstered cover fell victim to the claws of Diane and Ed’s dear departed cat Alex. The newly slipcovered ottoman looks right at home in front of an easy chair in her bedroom:

Here’s a view that includes a peek at Midnight in the Garden, the quilt I gave Diane for her 60th birthday:

The newly covered ottoman actually has a fraternal twin (hey, just like me!):

This is the slipcover I made four years ago when I was visiting Diane over Thanksgiving. My goal was to make this look like an upholstered piece, since I’m not a fan of slipcovers. It was a real seat-of-the-pants project, since I had never made a slipcover or upholstered anything. When I started working on the new one, all I had to do was look at the old one to refresh my memory on how I had made it. No need to reinvent the wheel!

Every year when I visit my twin sister Diane over the Thanksgiving holiday, I work on a home dec project for her. It’s a small way to repay the generous hospitality she and her husband Ed show my husband Charlie and me on these annual visits.

This year I’m making a slipcover for an ottoman that goes in the master bedroom. This is what it looks like now:

Ed and Diane’s dear departed cat Alexis (Alex for short) liked to sharpen her claws on the ottoman, and she left the evidence behind:

Alex  was an equal opportunity kneader. She managed to work her magic on both sides of the ottoman:

On my visit last year, Diane and I found this lovely basketweave fabric which we thought would be perfect to recover the ottoman with:

This year we found the perfect trim for it — 50% off — at Frugal Fabrics:

Today I got the fabric measured and cut. Here is the top with boxed corners pinned and ready to sew:

Tomorrow I will get out my trusty old Elna sewing machine (bought in 1975), which now lives at Diane’s house, and will start sewing. It will be good to sit in front of a sewing machine again!

My sister Diane’s kitchen renovation (subject of the this post and the previous one) included the creation of a built-in buffet in her dining room. It’s almost nine feet wide! Check it out:

The buffet replaced a standing sideboard that was just under five feet wide so you can imagine all the storage and display space she gained. Here’s a closer look at the top of the buffet:

Diane and I had such fun rearranging her “Rosalie” Spode china! It was given to her about 30 years ago by her mother-in-law. Thanks to antique stores, estate sales, and ebay, Diane has added to her collection over the years and, I am happy to report, uses it often.

The top cabinets of the buffet are glass-fronted without panes to show the china to its best advantage. Here are close-ups of each cabinet:

Four of the six cabinets on the lower cabinets are also glass-fronted:

A few years ago our stepmother Shirley gave Diane her yellow Fostoria glassware in the “Baroque” pattern, which features the fleur de lis, a favorite motif of mine. Every time I came from Oregon to Georgia to visit Diane, I would tuck a few carefully wrapped pieces of glassware into my luggage. It took a while for all the pieces to get here but the effort was well worth it. The Fostoria and the Spode look elegant together, don’t you think?

I must confess to being a little green with envy over these wonderful changes to my sister’s home. But I’m also very happy for her. After 40+ years in the working world, she recently retired. She has earned this renovation, and I know she will enjoy it for many years to come.