Home Dec Duo

I’m taking advantage of my twin sister’s visit to spruce up the Portland White House. A few years ago I helped Diane recover her dining room chairs and now she’s returning the favor. I actually found the perfect fabric on my last trip to Georgia to visit her: a four-yard remnant of a beautiful “high performance” fabric, more than enough to cover six chairs. The beauty of having extra fabric is that there’s plenty to make new covers should the need arise.

In the photo above you can see a piece of the new fabric artfully draped over a chair to cover the stains and worn spots. Here’s a close-up of the fabric:

Isn’t it gorgeous? I love the subtle diamond design.

The chairs are part of an antique dining room set the Dear Husband and I bought 25 or 30 years ago. I had the chairs recovered professionally at the time. The upholsterer did such a good job that all Diane and I needed to do was cover the existing chair pads — no need to remove the old covers and dig out all those staples. An excellent DIY project but a two-person job for sure.

I started by making a freezer paper pattern, tracing around an existing chair pad for the shape and adding about 3½” extra to wrap the fabric around to the back:

Five of the six chairs have no arms; the sixth is the one in the first picture, the one I think of as the Papa Bear chair because it’s a couple inches wider and an inch longer than the other ones. After cutting fabric for the five armless chairs, I sliced the pattern to add the extra width and length for the Papa Bear chair:


Now take a look at the finished product:

Pretty nice, eh?

Here’s a look at one of the armless chairs:

I really loved the old fabric on the chairs but I must confess the new fabric looks a bit more luxurious:

As Diane would say, “Simply elegant and elegantly simple!”

 

 

 

Posted in family, home dec, update | 8 Comments

Diamonds in the Rough

Progress is continuing (albeit very slowly) on my current Work-in-Progress, a second version of Chic Diamonds by Sew Kind of Wonderful. Here are 10 blocks representing 40 of  the 100 blades I need to make the top:

The blades will be arranged in a scrappy layout, I hasten to add. I’ve been putting four identical blades together up on my design wall just to keep track of how many blades I have of each combination. None of the blades have been sewn together.

Now I get to pair up my fabrics in different combinations to make the next set of strips. These are the fabrics I’m using:

I may introduce a few more from my stash. No need to decide till I see what I wind up with in the next group.

Some quilters do all of the cutting of their fabrics at once and then they’re ready to do all of the sewing at once. I much prefer to make a few blocks at a time. Why? Because I am so eager to see what they’re going to look like! That’s not a very productive way to make a quilt top but I’m okay with that. It’s not a race and I’m enjoying the leisurely pace, especially this month.

It’s summer, after all. The weather has been beautiful lately, which means I’ve been spending a lot of time in the garden with the Dear Husband. The weeds have not been entirely vanquished but we’re making steady progress and are already enjoying the fruit of our labors — mostly herbs and raspberries, though the tomatoes and beans are almost ready to sample and everything else is coming along nicely except the zucchini, which the squirrels attacked.

I was out of town for a few days at the beginning of July, and now my twin sister Diane is here in Portland for an extended visit. (She and the DH are playing Scrabble as I work on this post.)

I thought you might enjoy a couple of process shots. In the first one, my background fabric is being cut into curves using the Quick Curve Ruler:

After attaching two background pieces to one of the blades, the resulting unit is being squared up:

It’s such a pleasure working with these gorgeous fabrics.

 

 

 

Posted in Quick Curve Ruler, update | 5 Comments

Chic Diamonds Revisited

What have we here? Another new project, I rather sheepishly confess. Even though I don’t gravitate toward pre-cuts, I recently bought a set of 40 2½” strips of Northcott’s new fabric line called “Morning Light” and started casting around for a good pattern to show off the line’s vivid greens, turquoises, and blues.

Then it occurred to me I already had the perfect pattern! Back in 2016 I made a quilt I named Dragonfly Kisses:

The quilt is a simplified version of the pattern Chic Diamonds by Sew Kind of Wonderful, creator of the Quick Curve Ruler:

Here’s how I described my pared down approach in 2016 to Sew Kind of Wonderful’s design:

“Chic Diamonds was designed as a jelly-roll friendly pattern, since the pointed pieces (I call them blades) are made from 2½” strips that are sewn in pairs and then trimmed using the Quick Curve Ruler. Triangles cut from the strip pairs are saved and used in each block. Six blocks in the design are intentionally left blank as a design element, perhaps to give the eye a place to rest.

“I decided early on not to use all the triangles, wanting to make my quilt less busy so a viewer’s eyes would be drawn to the X blocks (the kisses). I used only 20 triangles rather than the 240 called for in the pattern. And I put my triangles in the middle of the blank blocks rather than in the blocks with the blades. (Thanks to my friend Deborah for giving me that idea.) I like to think those triangles form the “chic diamonds” in my quilt.

“The original design uses a 6 x 6 setting, finishing 54″ square. I went with a 5 x 6 setting using five blank blocks instead of six. I like the asymmetry of the look. And I added a narrow border of background fabric to float the outer blocks a bit, giving a bit more airiness to the design and making the top slightly bigger.”

The fabric line in my first version featured dragonflies and the X of the block made the kisses, hence the name. I gave Dragonfly Kisses to a family member during our holiday gift exchange in 2016. At the time I wrote on my blog that I enjoyed making the quilt so much I would make it again if the right fabrics came along. I wasn’t planning on using the same fabric palette but you can see that I gravitated right back to it with these Northcott prints. I even sourced the same background fabric, “Shadowplay” by Maywood in pale mint.

I predict I will enjoy making this second version every bit as much as I did the first.

 

 

 

Posted in family, Quick Curve Ruler, update | 3 Comments

Back, As Promised . . .

. . . with a few photos of Vintage Vignettes, all soft and puckery after being laundered:

The quilt measured 80″ x 92″ after being quilted and trimmed. Now, after laundering, it measures 75″ x 89″ — a little more shrinkage than I was expecting but there’s a reason. When I bought the quilt top I could tell the fabrics hadn’t been washed so I didn’t wash the fabric I bought for the outer border and backing either. (Yes, I’m one of those quiltmakers who washes, dries, and irons her quilting cottons before cutting into them.)

Here’s Coco lending a helping hand — er, paw — as I measured the quilt:

It’s very challenging getting the light right when photographing fabrics indoors — especially pastels. Depending on the time of day and amount of light coming in the windows, the colors can look completely different. This is pretty close, though:

No chance for outdoor photos today: it’s raining in Portland! You know what that means, don’t you? No gardening today! I’m heading right back up to my sewing room.

P.S. I’ve already added Vintage Vignettes to the Gallery page on my website, which you can visit here. It includes a link to additional photos taken during the quilt’s construction.

 

 

 

 

Posted in '30s reproduction fabrics, cats, update, vintage quilts | 10 Comments

It’s a Wrap: Vintage Vignettes

Hooray, my Vintage Vignettes quilt is done. I finished binding it last week on a short but sweet road trip with the Dear Husband to Walla Walla, Washington (and added the label yesterday).

These next few photos were taken in Walla Walla’s tranquil Pioneer Park:

Doesn’t that dappled sunlight give the quilt a lovely glow?

You may remember I acquired the unfinished quilt top by an unknown maker last August at my quilt guild’s annual silent auction . . .

. . . only to discover later that my dear friend Vivienne Moore had pieced these blocks about 20 years ago. She donated the top to the Metropolitan Patchwork Society auction through a friend who also belongs to the guild.

Lucky for me, Viv had a piece of that lavender sashing fabric in her stash that enabled me to complete the first border as it would have been impossible to match. I added a wide floral border using a ’30s reproduction fabric that played very nicely with the fabrics in Viv’s blocks. Here’s a photo of the finished quilt taken in the same spot:

Another friend who had inherited a large stash of ’30s repro fabric gave me a piece of solid medium blue to use for the binding after I had visited several local quilt shops without finding a suitable shade.

The label, outlined in the same blue, identifies Vivienne as the maker of the blocks:

It wouldn’t be a photoshoot without Coco the Photobomber making an appearance, right?

I’ll be back with a few more photos after Vintage Vignettes takes a trip through the washer and dryer. You know how I love the puckery softness that laundering gives a quilt!

 

 

 

Posted in '30s reproduction fabrics, cats, family, Metropolitan Patchwork Society, quilt labels, update, vintage quilts | 7 Comments

In the Home Stretch

I’ve rounded third base and am headed for home on the binding of my Vintage Vignettes quilt:

A few minutes here, a few minutes there. It adds up. You may be able to tell from the photo that my binding is wider than usual. I typically make my binding to finish at 1/4″ but I went for 1/2″ finished on this one.

Check out this sweet treat, a little macaron holding my needle in its magnetic grip:

I have a terrible time keeping track of my needle between binding sprints as I tend to set it down on a flat surface or insert it in the border of the quilt and then lose it somehow. The macaron is so cute it makes me want to reach for it instead.

Made by Clover, the macaron is a needle sharpener as well as a magnet. The “filling” is some substance that sharpens the tip of the needle when it’s inserted between the top and bottom of the macaron. I never knew hand-sewing needles needed to be sharpened; did you?

I found this little gem at my local quilt shop but if yours doesn’t carry it you can google “clover sweet n sharp macaron” and be able to find it online. It comes in two flavors: raspberry, which is what I have, and pistachio, which is more aqua than green. Get one for yourself and one for a friend or family member who sews. That’s what I did. Sweet treats are meant to be shared.

 

 

 

Posted in '30s reproduction fabrics, family, update, vintage quilts | 9 Comments

A New Project . . .

. . . and it’s not a quilt!

I can’t remember the last time I made myelf something to wear (not counting bathrobes and aprons). My inspiration for making a summery short sleeve shirt can be attributed to the glorious weather we’ve been enjoying in Portland the last few weeks. That and the fact that the Dear Husband and I are taking a little road trip soon and it would be fun to have something new to wear.

Over the years I’ve given most of my patterns away but have hung on to some thinking I might use them someday. For this project I’m using a Butterick pattern that probably dates back to the 1980s. (I couldn’t find a date on the envelope or instruction sheet.) When I pulled the pattern pieces out of the envelope I discovered they had already been cut out. By me. I’ve made this pattern before — but I have absolutely no recollection of what fabric I used and when I made it. (And why don’t I still have the shirt?)

The fabric is from the “Canyon” line designed a few years ago by Kate Spain for Moda. I’ve used it to make a pair of pillowcases for the Portland White House . . .

. . . and this sweet little basket block that may wind up in a quilt someday:

 

 

 

 

Posted in family, garment sewing, home dec, pillowcases, roll-it-up pillowcases, update | 9 Comments

This Time the Dream’s On Me

What’s with the title of my blog post? It’s the name of a 1941 song written by Harold Arlen with lyrics by Johnny Mercer. You’ll understand as you read on . . .

I gave myself the day off today from working in the yard to play in my sewing room.  What do you think of my new pillowcases for the Portland White House?

The main body, accent strip, and flange are from the “Mindscape” line of fabric designed by Katarina Roccella for Art Gallery Fabrics. The apricot-colored band at the bottom of the cases is a treasured piece of “Gypsy Girl” designed by Joanna Figueroa of Fig Tree & Company. If these four fabrics look familiar, it’s because I’m using them in my current Work-in-Progress, which I wrote about here.

That WIP has been on the back burner for most of May because the Dear Husband and I have been taking advantage of an unusually long stretch of warm dry weather to work outside. In a perverse sort of way, I’m wishing for a little rain to come our way so I can spend more time in my sewing room. Kidding! (Well, maybe not . . .)

It feels so good to finish a project. Pillowcases provide a fast way to achieve sewing satisfaction. Not instant gratification but pretty darn close. By the way, I followed my own tutorial to make what I call “Perfect Pillowcases.”

I’ll bet you can guess what the DH and I are sleeping on tonight! I predict sweet dreams.

 

 

 

Posted in family, home dec, pillowcases, roll-it-up pillowcases, tutorial, update | 9 Comments

“Hello in there, hello”

Hello, friends. Are you wondering where I’ve been? It seems like ages since I published a post. The good news is I finally have something quilty to post about:

It’s been six weeks since I made the binding for my ’30s reproduction quilt, Vintage Vignettes, but I didn’t actually get the binding sewn on until yesterday. This morning I joined the loose ends of the binding to complete the final seam . . .

. . . and sewed the remainder of the binding in place.

Then I started tacking down the binding on the back, a process I really enjoy:

As soon as I arranged the quilt on my ironing board to take a picture, Coco put in an appearance:

Her right paw is on top of the spot where I starting tacking down the binding. I always like to start near a corner to get the first of the mitered corners out of the way. So far I’ve stitched seven inches. Let’s see, now . . . this quilt measures 80″ x 92″. That means I only have 337 inches to go!

 

 

 

Posted in '30s reproduction fabrics, update, vintage quilts | 4 Comments

“Coming Soon,” She Said: A Tutorial on Y-Seams

When I started my First Light Designs website/blog in 2012, I created a “Tutorials” link at the top of my home page. One of the first tutorials I planned was on sewing Y-seams, formed when three seams meet at one junction; when stitched together the seams form the letter Y. Although the prospect of sewing Y-seams terrifies many quilters, I’ve never had an issue with them, probably because when I started making them in the 1990s I didn’t know they were to be feared. Ignorance is bliss, so they say.

In the last 13  years I’ve written 24 tutorials, which you can see here, and not a single one is about Y-seams. Now the time has come to write that tutorial. Why now? Well, I’m scheduled to give a demonstration on Y-seams at an upcoming meeting of my quilt guild, the Metropolitan Patchwork Society. Our meetings are hybrid now, with in-person presentations also available over Zoom in real time. I need to do a PowerPoint presentation for the Zoom portion and figure it will be easy to turn the PowerPoint into a picture-heavy tutorial on my blog.

I’ve decided to use the classic Bow Tie block to demonstrate my method, which differs from all others I’ve seen. It’s been years since I made any Bow Tie blocks but I knew I had some tucked away in a drawer. Imagine my surprise to find five dozen 6″ Bow Tie blocks! And a baggie filled with pieces already cut to make at least that many more!

I have no idea why I made so many blocks. Maybe I was just trying to use up some of those ditsy prints I bought in the 1980s. So what do you think? Should I turn these blocks into a quilt? Many of the prints are not ones I would buy now but they do have a sort of vintage charm. And the photo at the top of this post is giving me an idea for a setting . . .

 

 

 

Posted in bowties, Metropolitan Patchwork Society, update, vintage quilts | 4 Comments