The Accidental Work-in-Progress

I didn’t plan to start a new quilt, honest. I’ve been working this year on reducing the number of my Works-in-Progress, not adding to it. But it seems I’m slipping. Case in point: a new WIP on my hands. Take a look:

2013-9, curvy geese blocks
Curvy Geese blocks (finish at 16″ square)

 

This is what happened. The Pine Needle, where I teach, is having its fall Open House this Friday and Saturday, Sept. 13 and 14. I will be there both days demonstrating new products and talking about my upcoming classes, one of which is Urban Tiles. (My version of Urban Tiles is pictured here.) The pattern was designed by Jenny Pedigo of Sew Kind of Wonderful. Jenny also designed the Quick Curve Ruler© used to make the curves.

Geri, the owner of the Pine Needle, asked me to make a demo block for Open House using the Quick Curve Ruler, something that would showcase its versatility. After all, a quilter who is considering investing in a specialty ruler is more likely to buy one if she knows it can be used in many ways. I was happy to comply because I have been wanting to try out Jenny’s new Curvy Geese block, introduced in a Quilt-Along she hosted on her blog recently.

So I made a block. And then I couldn’t help myself. I made another. Those are the blocks you see above, and I can hardly wait to make some more! I’m using fabrics from a new line from Timeless Treasures called Doodle, designed by Alice Kennedy, which I found on the Hawthorne Threads website. I don’t often buy fabric on line, because we have such wonderful quilt shops in Portland, but when I saw this line I was instantly smitten.

I’m heading back to my sewing room right now to work on a different WIP, but I’m already thinking about which Doodle fabrics will go into my next Curvy Geese block.

 

 

 

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Hunky-Dori

That’s the name of this quilt I recently finished based on the pattern Urban Tiles by Jenny Pedigo of Sew Kind of Wonderful. It’s such a cheerful little quilt!

2013-09-04 23.03.49
Hunky-Dori, 57″ Square (2013)

 

Why the name Hunky-Dori? You’ve probably heard the expression “hunky-dory,” which essentially means “fine and dandy.” Well, that’s how this quilt makes me feel! Four of the fabrics, including the focus fabric in the middle of each block, are from the Dori line by Mitzi Powers for Benartex. Just a little play on words.

Of the remaining fabrics, the chartreuse fabric next to the focus fabric is by Windham and the white-on-white background fabric is by P&B Textiles. Fans of Violet Craft’s Madrona Road line for Michael Miller will recognize the small blue and white print next to the outer green curves. The fabric on the back of the quilt is also part of the Dori line.

Just for fun, I made a label for the back shaped like the tile block on the front:

2013-9, Hunky-Dori label

The photo above also gives you a better look at the lovely edge-to-edge quilting done by longarm quilter Janice Hays.

Hunky-Dori is on display at the Pine Needle Quilt Shop in Lake Oswego, Oregon. If you’re in the neighborhood, please stop by for a look. And if you’re inclined to make your own version of Urban Tiles, I’m teaching a class in October at the Pine Needle. Kits available!

 

 

 

Posted in Quick Curve Ruler, update | 5 Comments

The Big Reveal: My Little Neighbor’s Quilt Top

2013-9, MLN with her 9-patch
My Little Neighbor with her First Quilt (56″ x 70″)

 

Isn’t it beautiful?! She finished it yesterday, on Labor Day. Just in time, too, because school starts this week.

Once My Little Neighbor is back in the swing of things where school is concerned, we’ll get together to talk about the next step: making the quilt back. MLN has one 9-patch block left over, which she plans to put on the back. Of course!

 

 

 

Posted in My Little Neighbor, update | 7 Comments

My Little Neighbor: Making Progress

MLN August 2013

As you can see, My Little Neighbor (MLN) is back at work on her first quilt, a colorful 9-patch, and she’s pretty excited about it. She started this quilt last year as a hand-sewing project to keep her occupied while sidelined with a broken foot.

Earlier this summer she came over with most of her 9-patches sewn together, and we discussed setting options. MLN would like her quilt to be a good-sized throw so the idea of adding sashing between the blocks appealed to her. We had a discussion about value, and she auditioned several fabrics from my stash, looking for a sashing fabric that would complement the blocks but not compete with them:

2013-06-09 00.00.17

 

MLN narrowed the candidates down to a medium-light green and a medium-light blue:

2013-6, auditioning sashing fabric -- blue or green

And the clear winner — blue:

2013-06-07 22.31.37

 

Fast forward a few weeks to early August, when my two youngest granddaughters, Bonnie and Beatrice, were visiting from San Francisco. All the girls made four-patch coasters — you can see Bea’s and MLN’s here — using my sewing machine. At that point MLN decided she would rather finish her quilt by machine than by hand. What a good idea! We couldn’t think of one good reason to finish it by hand — and a lot of good reasons to finish it by machine.

In the photo at the top of this post, MLN had already added the sashes by machine. Next came the border strips, out of the same blue fabric scattered with tiny white polka dots. She determined she would like another border, to make the quilt larger and to add visual interest. We were thinking of something in red when she spotted this fabric in my stash:

outer border MLN

We both think it’s the perfect choice. She is in the process of adding the final borders. Please stop by tomorrow for the Big Reveal!

 

 

 

Posted in 4-patch coasters, My Little Neighbor, update | 2 Comments

Playing Around with the Twist Block

Time to show you more of the project I’ve been working on since my last post. I actually started this project over a year ago, when I got a bug to make a new quilt based on my 4-Patch Wonder with a Twist pattern. This is the first quilt, which is on the cover of the pattern:

2011-9, It's All in the Twist, 57x65

The 12 snowball blocks are very different from each other but they are all from the same piece of focus fabric, made into 4-Patch Wonder blocks (my name for blocks made of four identical layers of fabric that are stacked, cut in squares, and then rotated to make a pleasing symmetrical design). An alternating block — red and green in this case, on a black background — helps create the illusion of interlocking strips. The quilt looks contemporary but the twist block actually dates back to 1870.

The fabric I had in mind for a second version was this lovely print, Ella, by Kathy Brown for Red Rooster Fabrics:

Ella fabric

I was attracted to the folk-art feel of her design and the rose and purple tones set off by green vines on a black background. My thought was to make the lattice strips out of three colors — rose, purple, and green — instead of two colors as I did in my first quilt. And I thought the Ella print would make great 4-Patch Wonder blocks

Trouble was, the first couple 4-Patch Wonder blocks I made were — well, they were pretty but not nearly as pretty or as interesting as the original fabric:

Ella 4-pw blocks

I abandoned the plan for 4-Patch Wonder blocks and simply cut squares. Then I dug into my stash for the rose, purple, and green fabrics needed for the twist strips. I pulled out quite a few pieces, all reading as textured solids. Pretty soon I had several options for each color. (What does this tell you about the size of my stash?)

Somewhere along the line I got the idea of using four different fabrics for each of the three colors. That’s right — 12 different fabrics for the twist strips. I just about drove myself crazy deciding which strips would go where, and then devising a way to keep track of them once their positions were assigned. Maybe that’s why I made just a few blocks and put the project away for over a year. Another Work-in-Progress, languishing . . .

Out it came last week, ready for some close personal attention, and here is the result so far:

Ella 800p

I’m very pleased with it! Still to come: borders. With quite a few 2½” strips left over from the lattice, I’m thinking about making an inner border of 2″ squares using all 12 lattice fabrics. I hope you’ll check back in a few days to see what I’ve done.

 

 

 

Posted in 4-Patch Wonder, faux-kaleido quilts, snowball blocks, update | 5 Comments

The Fastest Snowball Block Ever!

I’m working on a quilt (another Work-in-Progress, begun over a year ago) that contains several snowball blocks — you know, the ones that have a triangle sewn to each corner, like this:

corner triangles #8

I’ve seen these edges referred to as foldover corners and stitch-and-flip corners. Whatever they’re called, the usual method of making them is to place a small square in each corner of the larger square, sew diagonal lines from corner to corner, trim the seams, and press the resulting triangles to complete the square.

Pretty basic, pretty fast. Except that it’s usually necessary to draw a stitching line on the small squares and sometimes to pin them to the larger square. It can get pretty tedious drawing all those lines on fabric, and it’s surprisingly difficult to stitch a perfectly straight diagonal line, especially when you are starting out at a corner.

Well! I recently learned a new way to sew these squares that doesn’t involve either pins or drawing lines. It’s faster than the old method and has resulted in improved accuracy in my stitching. I experimented a bit with the method and the materials, and this is what I came up with that works best for me:

corner triangles #1

It’s a piece of template plastic, about 4½” wide and 2½” long, the perfect size for a block that finishes at 6″. I placed the plastic on a piece of scratch paper and, using an acrylic ruler and black Fine Point Sharpie pen, drew a thin line along one long edge. You’ll see what the dark edge is for in a moment.

Here is my large square and the four smaller squares I need to make the corner triangles:

corner triangles #2

(The only reason I have pins in the smaller squares is to make sure they are in the correct position for the quilt I am making. If I were using the same fabric in all four corners, I wouldn’t need pins at all.)

I start by positioning one of the smaller squares right side down in one corner of the larger square. Then I lay the template plastic right along the stitching line, from corner to corner, with the edges of the template plastic extending beyond the beginning and ending points of the stitching line. The inked side of the template plastic helps me see the edge of the plastic better on light fabric:

corner triangles #3

Next I position the fabric with my needle (in the down position) right next to the template at the exact corner of the small square. Holding my left hand (not shown in the photo below) firmly on the template plastic, I start stitching right at the corner:

corner triangles #4

You can see the needle is right next to the edge of the template plastic, eliminating the possibility of straying off the stitching line:

corner triangles #5

It feels a little bit like stitching in the ditch, with the edge of the template plastic serving as the ditch. Being able to see the fabric through the plastic helps me make sure the fabric isn’t shifting.

I use the uninked long edge of the template on dark fabrics, as it is easier to see the needle as it goes in and out right next to the edge of the template plastic:

corner triangles #6
I sew all four corners in this manner, rotating the large square as I go and not cutting the thread between corners:

corner triangles #7
Now all I have to do is cut the threads, trim the seams, and press. Voila! My snowball block is done:

corner triangles #8
This method works for flying geese blocks, sawtooth edges, just about any block that calls for a triangle to be made from a square or rectangle. The templates can be made with cardboard or other stiff materials, but I’m sticking with template plastic because I like being able to see through it as I sew along next to it. I’ll make larger templates for larger blocks.

My thanks to Kelly at BlueBird Sews for introducing me to this new method. I love learning from fellow quilters!

 

 

 

Posted in snowball blocks, stitch-and-flip corners, tutorial, update | 8 Comments

Mission Accomplished

I’ve been working on a quilt top based on the pattern Urban Tiles by Jenny Pedigo of Sew Kind of Wonderful. The top is done, and here it is:

UrbanTiles 600
Urban Tiles Quilt Top, 58½” Square

 

This was fun to work on because the fabrics are so bright and cheerful. I could see this as a table topper or a little girl’s quilt.

Now to consider quilting motifs. . . . I could go with an all-over design. On the other hand, maybe I should choose a motif that highlights the secondary design in the white fabric around the blocks. What do you think?

 

 

 

Posted in table topper, update | 4 Comments

WIP Wednesday, a Day Late

Urban Tiles deb h photo - Copy

Yes, it’s a new Work-in-Progress. (The older ones will just have to wait.) I’m making a quilt using the pattern Urban Tiles by Jenny Pedigo of Sew Kind of Wonderful because I’ll be teaching a class on it in October at the Pine Needle Quilt Shop.

The center of the block was designed as a nine-patch but I wanted to show off the playful floral fabric (from the new Dori line by Mitzi Powers for Benartex) so I opted to use a solid piece. The block finishes at 16½”.

Regular readers may recognize the pattern, as I made a table runner last year from Jenny’s design, before her pattern was published:

Into the Woods, Dawn's Urban 9-Patch table runner
Into the Woods, 17½” x 51″ (2012)

Isn’t it amazing how fabric changes the look of a design?

I hope you’ll stop by in a couple of days to see my WIP transformed into a finished quilt top!

 

 

 

Posted in update | 3 Comments

4-Patch Coaster Fun

Between family birthdays, reunions, and weddings — joyous occasions all — I’ve spent very little time in my sewing room in the last month. My two youngest granddaughters, Bonnie (13) and Beatrice (10), are currently visiting from San Francisco, so the last week has been filled with activities such as picnicking in the Columbia Gorge, attending a professional women’s soccer game, frolicking in the pool at our nearby community center, and shopping for school clothes.

Yesterday we stayed home. Beatrice had a playdate with My Little Neighbor (MLN), who just turned 11. Both girls were in the mood to “make something crafty.” They picked out some fabrics from my stash, and here is what they created:

2013-8, MLN and Bea
My Little Neighbor and Granddaughter Beatrice Display Their Coasters
2013-8, MLN and Beatrice
Their Coasters from the Back

The girls had so much fun they’re going to make a few more coasters tomorrow.

 

 

 

Posted in 4-patch coasters, family, My Little Neighbor, update | 4 Comments

More Quilts from the Sisters Outdoor Quilt Show

Picking up where I left off a couple of days ago, here are more of my favorite quilts from among the 1300+ displayed last Saturday, July 13 at the Sisters Outdoor Quilt Show (SOQS) in Sisters, Oregon.

Gypsy Kisses, 92 x 103, by Kathy Doughty of Sydney NSW
Gypsy Kisses, 92 x 103, by Kathy Doughty of Sydney, Australia

 

No Spurs Needed, 30 x 40, by June Jaeger of Prineville OR
No Spurs Needed, 30 x 40, by June Jaeger of Prineville OR

 

Daisies in Red and Black, 60 x 60, by JanniLou Creations of Philomath OR
Daisies in Red and Black, 60 x 60, by JanniLou Creations of Philomath OR

 

Contemporary Totes, 24 x 32, by Tonye Belinda Phillips of Camp Sherman OR
Contemporary Totes, 24 x 32, by Tonye Belinda Phillips of Camp Sherman OR

 

Neighborhood, 45 x 60, by Elizabeth Hartman of Hillsboro OR
Neighborhood, 45 x 60, by Elizabeth Hartman of Hillsboro OR

 

Storm Warning, 20 x 40, by Rayna Gillman of West Orange NJ
Storm Warning, 20 x 40, by Rayna Gillman of West Orange NJ

 

Sea, Sand and Sky, 67 x 80, by JanniLou Creations of Philomath OR
Sea, Sand and Sky, 67 x 80, by JanniLou Creations of Philomath OR

 

Pressing Matters, 41 x 51, by Laura Wasilowski of Elgin IL
Pressing Matters, 41 x 51, by Laura Wasilowski of Elgin IL

 

Bullseye, 54 x 60, by Ann Zick of  Hinsdale IL
Bullseye, 54 x 60, by Ann Zick of Hinsdale IL

 

Our View of Sisters-Friendship, 50 x 50, made for Anne Zick of Hinsdale IL by Joan Bratton, Maureen Creed, Joyce Freehill, Jan Johnson, Betsy Maloney, Marilyn Montgomery, Valerie Rodelli, and Coleen Walter
Our View of Sisters-Friendship, 50 x 50, made for Anne Zick of Hinsdale IL by Joan Bratton, Maureen Creed, Joyce Freehill, Jan Johnson, Betsy Maloney, Marilyn Montgomery, Valerie Rodelli, and Coleen Walter

 

50 Shades of Red, 62 x 72, by Terry Johnson
50 Shades of Red, 62 x 72, by Terry Johnson

 

Blossoms, 52 x 60, by Christine Day of Fallbrook CA
Blossoms, 52 x 60, by Christine Day of Fallbrook CA

 

Blue Moon, 86 x 104, by Alice Besler of North Powder OR
Blue Moon, 86 x 104, by Alice Besler of North Powder OR

 

Garden Maples, 77 x 78, by Chris Jones of Sisters OR
Garden Maples, 77 x 78, by Chris Jones of Sisters OR

 

Garden of Leaves, 68 x 68, by Pamela Hylton of Grand Ronde OR
Garden of Leaves, 68 x 68, by Pamela Hylton of Grand Ronde OR

 

Light Up, 46 x 57, by Maron Johnston of Santa Barbara CA
Light Up, 46 x 57, by Maron Johnston of Santa Barbara CA

 

Senorita Hankie Ladies, 36 x 45, by Bonnie Guzman of Lathrop CA
Senorita Hankie ladies, 36 x 45, by Bonnie Guzman of Lathrop CA
detail of Senorita Hankie Ladies by Bonnie Guzman of Lathrop CA
detail of Senorita Hankie Ladies by Bonnie Guzman of Lathrop CA

 

Kristin Shields of Bend OR was a featured quilter. Here are a few of her wonderfully whimsical creations:

Castle Peeps, 32 x 44, Kristin Shields of Bend OR
Castle Peeps, 32 x 44, by Kristin Shields of Bend OR

 

In the Night Garden, 41 x 52, by Kristin Shields of Bend OR
In the Night Garden, 41 x 52, by Kristin Shields of Bend OR

 

Whimsey, 39 x 41, Kristin Shields of Bend OR
Whimsy, 39 x 41, by Kristin Shields of Bend OR

 

The Cover to Cover book club created quilts inspired by The Invention of Hugo Cabret by Brian Selznic. My favorites from this group:

Clock Parts Mania, 61 x 46, by Pat Busby of Lake Oswego OR
Clock Parts Mania, 61 x 46, by Pat Busby of Lake Oswego OR

A peek at the back revealed that these kaleidoscope blocks were made from a focus print of . . . mushrooms!

focus fabric on back of Clock Parts Mania by Pat Busby of Lake Oswego OR
Focus Fabric Used by Pat Busby to Make Clock Parts Mania

 

Connectivity, 47 x 47, by Dianne Kane of Portland OR
Connectivity, 47 x 47, by Dianne Kane of Portland OR

 

Gears, 72 x 81, by Linda Reinert of Oregon City
Gears, 72 x 81, by Linda Reinert of Oregon City

 

I hope you’ve enjoyed this little presentation of the quilts that caught my eye this year. The quilts you see here and in my last post represent fewer than 4% of the quilts that were displayed. Simply astounding when you stop to think about it.

Is it any wonder that I have already marked my calendar for July 12, 2014 — the second Saturday in July — for the 39th Annual Sisters Outdoor Quilt Show?

 

 

 

Posted in kaleidoscope quilts, Sisters OR Outdoor Quilt Show, update | 5 Comments